When you open this book to read your fortune,
let Obeyd's verses give you the answer.
Look to the first letter of the seventh line;
do not turn away from the wisdom of the great.
Among its letters, the one found in the opening chapter
is surely a sign that the door will open for you.
But the ones I will name, the letters not among them,
it is best if you avoid what they point to.
Tha, jim, kha, za, and then shin,
za, fa, and God alone knows what is right.
Explanation: This is an instruction for bibliomancy: opening a poetry collection at random to divine an answer. The 'opening chapter' (fatiha) refers to the first sura of the Quran, whose letters serve as auspicious markers.
Original
شمارهٔ ۱ - در حل فال گوید
چون ز بهر فال بگشائی کتاب
از عبید آن فال را بشنو جواب
حرف اول را ز سطر هفتمین
بنگر از رای بزرگان سر متاب
از حروف آن حرف کاندر فاتحه است
باشد آن بی شک دلیل فتح باب
وآنچه شرحش میدهم کان نامده است
نیک باشد گر کنی زان اجتناب
ثا و جیم و خا و زا آنگاه شین
ظاء و فا والله اعلم بالصواب
The crown-granting king, ruler of the world, Amir Sheikh,
whose fame for good fortune and generosity filled the earth.
A king like Kay-Qobad, a warrior like Afrasiab,
he took his realm as Shah Sanjar and Shah Ardavan once did.
He backed the faith with the strength of wise, seasoned counsel,
and seized the face of the earth with the arm of youthful luck.
In pleasure he set up the manner of Khosrow,
in rule and justice he took up the way of Nushirvan.
He raised up halls and palaces, gardens like paradise,
and sat there happy, lifting the cup in joy.
Every servant who found a place at his door
came to think himself a mighty prince, a lord of his age.
Now look at the trick fate played:
how ruin took the reins of his fortune.
Suddenly a sea of disaster surged and boiled,
swallowing his kingdom, his treasury, and his son together.
What burning and weeping shattered that structure!
What smoke of grieving filled that great house!
That garden mansion, whose color, scent, and splendor
lent the highest heaven its glory,
has now come to this: where the nightingale once sang,
a black-hearted crow arrived and made its home.
The palace from whose glory the phoenix drew good fortune,
now a stray dog has whelped there and the owl has nested.
From the ways of time and the stability of the world, Obeid,
one could take a thousand lessons from this.
Poor helpless man, since in any case he has no power,
let him blame neither the stars nor the sky.
Happy is the fortunate soul who set no heart on the world;
at peace is the mind that turned away from it.
Explanation: Kay-Qobad, Afrasiab, Sanjar, Ardavan, Khosrow, and Nushirvan are legendary and historical Persian kings, evoked as models of might and justice. The owl nesting in ruins is a classic Persian image of desolation.
Original
شمارهٔ ۲ - در عبرت از عاقبت کار شاه شیخ ابواسحاق
سلطان تاجبخش جهاندار امیر شیخ
کاوازهٔ سعادت جودش جهان گرفت
شاهی چو کیقباد و چو افراسیابِ گُرد
کشور چو شاه سنجر و شاه اردوان گرفت
پشتیِ دین به قوّتِ تدبیرِ پیر کرد
روی زمین به بازوی بخت جوان گرفت
در عیش ساز و عادت خسرو بنا نهاد
در رسم و عدل شیوهٔ نوشیروان گرفت
ایوان و قصر و جنت و فردوس برفراشت
در وی نشست شاد و قدح شادمان گرفت
هر بندهای که بر در او جایگاه یافت
خود را امیر خسرو صاحبقران گرفت
بنگر که روزگار چه بازی پدید کرد
نکبت چگونه دولت او را عنان گرفت
جوشی بزد محیط بلائی به ناگهان
ملک و خزانه و پسرش در میان گرفت
یا سوز و گریهای که بهم برزد آن بنا
یا دود نالهای که در آن دودمان گرفت
کان بوستانسرای که آئین و رنگ و بوی
خُلد برین ز رونق آن بوستان گرفت
اکنون بدان رسید که بر جای عندلیب
زاغ سیهدل آمد و در او مکان گرفت
قصری که برد فرخی از فرِّ او همای
سگ بچه کرد در وی و جغد آشیان گرفت
در کار روزگار و ثبات جهان عبید
عبرت هزار بار از این میتوان گرفت
بیچاره آدمی چو ندارد به هیچ حال
نه بر ستاره داد و نه بر آسمان گرفت
خوشوقت مقبلی که دل اندر جهان نبست
واسوده خاطری که ز دنیا کران گرفت
All I have is debt, nothing else at all;
my expenses are endless, and gold I have none.
Let the world take all its pleasure and delight;
I have no news of any such thing.
I know no craft of my own, and even if I did,
without good fortune, skill counts for nothing.
Once the reins of will slip from your hands,
there is only worry and the search for bread, nothing more.
Take refuge at His door, Obeyd,
for this wandering door to door leads to nothing.
Explanation: Obeyd (Obeyd-e Zakani) addresses himself by name in the closing line, a common device in Persian ghazals. 'Barg' literally means leaf but idiomatically means provisions or the means of living.
Original
شمارهٔ ۳ - در شکایت از قرض
مرا قرض هست و دگر هیچ نیست
فراوان مرا خرج و زر هیچ نیست
جهان گو همه عیش و عشرت بگیر
مرا زین حکایت خبر هیچ نیست
هنر خود ندانم و گر نیز هست
چو طالع نباشد هنر هیچ نیست
عنان ارادت چو از دست رفت
غم و فکر برگ و دگر هیچ نیست
به درگاه او التجا کن عبید
که این رفتن در به در هیچ نیست
Lord of the world, pillar of the faith, Amid al-Mulk, you are the one whose glory the very heavens turn to for refuge.
Fate obeys whatever you point toward, and destiny is content with whatever pleases you.
Anyone who lets the light of your judgment enter his mind has no need to look into the world-revealing cup.
Whoever gets a handful of the dust of your threshold would be a fool to even glance at the philosopher's stone.
You are the one before whom the sky, for all the height of its rank, keeps its back bent under the weight of your greatness.
Whoever takes shelter in your protection, why should he worry about the shameless turning of the days?
Refuge of the world, more than ten years have passed since this servant took up the name of your well-wisher.
He has no patron but you, no master but you, no friend or companion in the world but you.
He expects no welcome or greeting from anyone except from your kindness, which words cannot contain.
He is not like other people who, wherever they go, find an open door and lift up their heads.
He will never leave your threshold for any other place, though he could find a seat before both the low and the noble.
In the age of a vizier like you and a king like this, is it right that the heavens keep him in such distress?
Sometimes it chains my feet with debt, sometimes it afflicts me with obligation and poverty.
No lord ever takes me under his care, and no king casts a glance toward this beggar.
So now Obayd, like the enemy of a great lord, has no gold, no robe, no tent, no beast to ride.
He has neither the means to keep company at court, nor the tools and provisions to retire from it.
I grieve at my own luck, for through its ill omen my little affairs always run backward.
The bow of the heavens shoots arrows of misfortune at me, and the noose of time keeps me bound in calamity.
How can I hope for ease from time, when even you, my lord, are free of any concern for my state?
Is it fitting that a man be so wretched and destitute when he has a master and guide like you?
Rescue me through the goodwill of your friends and servants, for such work belongs to the resolve of pure-hearted friends.
When you find the chance, if it seems wise before the king, say: 'So-and-so has set his hopes upon your court.'
Live a thousand years in fortune, for the faithful angel himself lifts his hands in prayer for the increase of your glory.
Explanation: The 'world-revealing cup' (jam-e jahan-nama) is the legendary cup of King Jamshid that showed all the world. 'Obayd' is the poet Obayd Zakani naming himself in the poem.
Original
شمارهٔ ۴ - در مدح رکنالدین عمیدالملک وزیر
خدایگان جهان رکن دین عمیدالملک
توئی که چرخ به جاه تو التجا دارد
قضا به هرچه اشارت کنی مطیع شود
قدر به هرچه رضا باشدت رضا دارد
کسیکه پرتو رای تو در ضمیر آرد
چه التفات به جام جهان نما دارد
به دست هرکه فتد خاک آستانهٔ تو
نظر حرام بود گر به کیمیا دارد
توئی که پشت فلک با همه بلندی قدر
ز بار بر تو پیوسته انحنا دارد
حمایت تو کسی را که در پناه آرد
چه غم ز گردش ایام بیحیا دارد
جهان پناها ده سال بیش میگذرد
که بنده نام دعاگوئی شما دارد
نه جز شماش مربی نه جز شما مخدوم
نه جز شما به جهان یار و آشنا دارد
نه جز به لطف تو کان در بیان نمیگنجد
به کس توقع اهلا و مرحبا دارد
نه همچو مردم دیگر به هر کجا که رسد
دری گشاده ببیند سری فرا دارد
ز آستان تو هرگز به هیچ جا نرود
اگرچه پیش وضیع و شریف جا دارد
به عهد چون تو وزیری و این چنین شاهی
روا بود که ورا چرخ در عنا دارد
گهم به سلسله قرض پای بند کند
گهم به منت و افلاس مبتلا دارد
نه خواجه تربیتی میکند مرا هرگز
نه پادشه نظری سوی این گدا دارد
عبید لاجرم اکنون چو دشمن خواجه
نه زر نه جامه نه چادر نه چارپا دارد
نه برگ آنکه تواند ملازمت کردن
نه ساز و آلت و اسباب انزوا دارد
ز بخت خویش برنجم که از نحوست او
همیشه کارک من رو به قهقرا دارد
کمان چرخ به من تیر نکبت اندازد
کمند دهر مرا بستهٔ بلا دارد
ز روزگار فراغت چگونه دارم چشم
چنین که خواجه فراغت ز حال ما دارد
روا بود که چنین خوار و بینوا باشد
کسیکه همچو تو مخدوم و مقتدی دارد
به لطف خاطر یاران و بندگان دریاب
که کار همت یاران باصفا دارد
به وقت فرصت اگر مصلحت بود با شاه
بگو فلان به جنابت امیدها دارد
هزار سال بمان کامران که روحالامین
مزید جاه ترا دست در دعا دارد
Lord of fortune, chief minister and pillar of the realm: you whose every thought turns out to be the right one.
My master, from the beginning binding fate itself set your being above all the world's reckoning.
You are the chief for whom, with each breath from the dust of your door, the heavens open a thousand gates of triumph and victory.
Whoever bows his neck in obedience to your command, fate names him a king and master of men.
But whoever does not settle at your threshold like a doorstep, the flood of ruin wrecks the house of his life.
Cruelty and turmoil turned their reins away from the world at once, as soon as the fame of your justice and generosity set foot in the stirrup.
Every high office left behind by Asaf and Jamshid, your arm won by sword and pen.
The sword that splits your enemy, what a jewel it must be, that on the day of battle it stirs a whole sea of dread.
What miracle is its stroke, that scatters heads to the wind; what fire is its lightning, that roasts men's souls.
Whoever came before you with a request, your pen, out of kindness, answered him with a gift.
O king, the sudden rising of the lucky star that, like triumph and victory, turned toward your exalted presence,
when your moon showed its lovely face, it was like the sun's disk shifting into the sign of Aries.
The very moment it resolved to appear in the kingdom, fortune galloped ahead of it on a double mount.
So that the hand of the age might scatter its gifts over his head, it filled the casket of the sky with lustrous pearls.
The sun's worth rose high by sharing his name, so heaven's spirit offered the sun its congratulations.
May he prosper forever in your shadow, for good fortune already made him blessed from the start.
May your rule and your life last forever, and this prayer God, in His grace and mercy, has granted.
Explanation: Asaf (Solomon's wise vizier) and Jamshid (a legendary Persian king) stand for ideal statesmanship and kingship. The moving into Aries marks the astrological rise of the sun, a symbol of an auspicious, powerful new arrival.
Original
شمارهٔ ۵ - ایضا در مدح همو
صاحبقران و صاحب دیوان عمید ملک
ای آنکه هرچه کرد ضمیرت صواب کرد
ای خواجه ای که نافذ تقدیر در ازل
ذات ترا ز جمله جهان احتساب کرد
وی سروری که هر نفس از خاک درگهت
گردون هزار فتح و ظفر فتح باب کرد
هرکو نهاد گردن طاعت به امر تو
نامش زمانه خسرو مالک رقاب کرد
وانکو چو آستانه مقیم درت نشد
سیلاب فتنه خانهٔ عمرش خراب کرد
یکباره جور و فتنهٔ عنان از جهان بتافت
تا صیت عدل و جود تو پا در رکاب کرد
هر منصبی کز آصف و جم یادگار ماند
بازوی تو به تیغ و قلم اکتساب کرد
تیغ عدو شکافت تو گوئی چه جوهریست
کزوی به روز معرکه بحر اضطراب کرد
زخمش چه معجزیست که سرها به باد داد
برقش چه آتشیست که جانها کباب کرد
هرک از در سؤال درآمد به پیش تو
کلک تو از کرم به عطایش جواب کرد
شاها طلوع اختر سعدیکه ناگهان
چون فتح و نصر روی به عالی جناب کرد
چون ماه تو به منظر زیبا نهاد روی
چون جرم خور به برج حمل انقلاب کرد
آن لحظه کو عزیمت ملک ظهور ساخت
دولت دو اسبه پیشتر از وی شتاب کرد
تا بر سرش نثار کند دست روزگار
پر حقهٔ سپهر ز در خوشاب کرد
شد قدر آفتاب ز همنامیش بلند
زان روح چرخ تهنیت آفتاب کرد
در سایهٔ تو تا به ابد کامکار باد
خود بخت نیک در ازلش کامیاب کرد
جاوید باد دولت و عمر تو وین دعا
ایزد به فضل و رحمت خود مستجاب کرد
Fortunate vizier, whose crown becomes a proud head:
when the dust of your feet reaches this green dome of the sky.
Every weary soul finds its cure in your kindness;
every heart, through your generosity, reaches what it longs for.
God has granted this realm a chief like you as its daily bread;
through your name, the pillar of Islam rises to the highest place.
My king, your servant Ubayd keeps his eyes on your grace,
hoping that by the blessing of your glance his affairs will rise high.
If it serves the interest of this well-wisher with the king,
present his case when your banners reach their fullest glory.
I remember a few lines from the verses of others;
perhaps one or two of them are fitting, if they suit this moment.
'The man content in this age with a single loaf of bread
grows greedy the moment he reaches this exalted court.'
Yes, from a well one wants nothing but water;
but whoever reaches the sea demands a cargo of pearls.
May you triumph forever, so that if your enemy so much
as glances back, sudden death overtakes him.
May the span of your life last as long as it takes the roaming sun
to reach the sign of Gemini a hundred times over, again and again.
Explanation: The poet is Ubayd Zakani, who names himself as the humble servant in couplet 4. The final couplet measures long life by the sun's yearly return to Gemini, wishing the vizier a hundredfold lifespan.
Original
شمارهٔ ۶ - ایضا در مدح همو
ای جوانبخت وزیری که کند افسر سر
خاک پایت چو بدین گنبد خضرا برسد
جان هر خسته ز لطف تو دوا کسب کند
دل هرکس ز عطایت به تمنی برسد
ملک را چون تو عمیدی چو خدا روزی کرد
رکن اسلام ز نام تو به اعلی برسد
خسروا بنده عبید از کرمت دارد چشم
کش ز یمن نظرت کار به بالا برسد
گر بود مصلحت احوال دعاگو با شاه
عرضه فرمای چو رایات به بیضا برسد
بیتکی چند ز اشعار کسان داردم یاد
یک دو زان شاید اگر زانکه به آنها برسد
«آنکه او هست در این دور به نانی خرسند
حرص گیرد چو بدین حضرت والا برسد»
آری از چاه به جز آب تمنی نکند
بار گوهر طلبد هرکه به دریا برسد
تا ابد کامروا باشد که خصمت گر خود
نظری باز کند مرگ مفاجا برسد
مدت عمر تو چندانکه پیاپی صد بار
جرم خورشید جهانگرد به جوزا برسد
No generous soul is left who might free my troubled heart
from the chains that the turning world has locked around it.
I used to imagine that the one thing I longed for
could be granted to me by the king.
With that hope I went to the successful sultan,
thinking his gifts would set my affairs in order.
But no door opened for me from the king or his minister;
only the Maker can open a hidden door from the unseen.
Obeyd, ask your needs at that door alone, for in His mercy,
if He shuts one door, He opens a thousand more.
Explanation: Obeyd refers to the poet Obeyd Zakani, addressing himself. The image of doors opening and closing signifies access to help and relief.
Original
شمارهٔ ۷ - در یاس از خلق و توکل به خدا
نماند هیچ کریمی که پای خاطر من
ز بند حادثهٔ روزگار بگشاید
خیال بود مرا کان غرض که مقصود است
حصول آن غرض از شهریار بگشاید
بدان هوس بر سلطان کامران رفتم
که از عطای ویم کار و بار بگشاید
ز پیش شاه و وزیرم دری گشاده نشد
مگر ز غیب دری کردگار بگشاید
عبید حاجت از آن در طلب که رحمت او
اگر ببندد یک در هزار بگشاید
If your judgment goes wrong in the science of numbers, why blame anyone else? What fault is theirs?
The mistake is yours, my friend, so think this through better: you read the letter nun as one hundred and six, when in fact it stands for one hundred and ten.
Explanation: The poem plays on the abjad system, where Arabic letters carry numerical values. The letter nun equals fifty, and its miscounting becomes a metaphor for careless judgment.
Original
شمارهٔ ۸ - در کنایه به کسی
در علم حساب ار زانک رای تو تبه باشد
بر کس چه نهی تهمت کس را چه گنه باشد
سهو است ترا ای جان اندیشه از این به کن
نون را صد و شش خوانی لیکن صدوده باشد
My whole life slipped away in flutes and music, and all the while I said:
What a pity, my youth and my years are scattering to the wind.
Now I have given my heart over to sighs and moaning, but what use is it?
God's decree is God's decree; come what may.
Explanation: 'Flutes and music' (nay and nay) stand for a life spent in pleasure and idle entertainment.
Original
شمارهٔ ۹ - در حسرت بر عمر گذشته
به نای و نی همه عمرم گذشت و میگفتم
دریغ عمر و جوانی که میرود بر باد
به آه و ناله کنون دل نهادهام چه کنم
قضا قضای خدای است هرچه بادا باد
Obayd, do you know why this hundred petaled rose
laughs at daybreak all around the meadow?
Despite the tight knot of its bud and its aching heart,
there is a wisdom in it; it does not laugh at the passing breeze.
Seeing how steady the sky stands and how the world runs on,
it laughs at its own brief life, and at our heedlessness.
Explanation: The rose's laughter is a paradox: it blooms briefly yet mocks our blindness to how fleeting our own lives are while the world endures.
Original
شمارهٔ ۱۰ - در عبرت
ای عبید این گل صد برگ بر اطراف چمن
هیچ دانی که سحرگاه چرا میخندد
با وجود گره غنچهٔ و تنگی دل او
حکمتی هست نه از باد هوا میخندد
چون ثبات فلک و کار جهان میبیند
به بقای خود و بر غفلت ما میخندد
The one who raised the heavens and set the stars in place,
who created mind and soul and made humankind.
He tied together the threads of all creation,
then hid the loose end somewhere in the middle.
Explanation: The image of a 'thread' and its hidden 'loose end' suggests the order of the universe whose ultimate key or explanation God has deliberately concealed from us.
Original
شمارهٔ ۱۱ - در تعریض
آنکه گردون فراشت و انجم کرد
عقل و روح آفرید و مردم کرد
رشتهٔ کاینات در هم بست
پس سر رشته در میان گم کرد
Obayd, how long this greed for wealth and rank?
The world is fleeting; go and leave it behind.
Like true men, shake the world's dust from your skirt,
and pull yourself out of this whirlpool to safe shore.
Move your things from the mosque to the tavern lane;
make your home in the street of those who prosper.
Explanation: The 'tavern lane' (kuy-e moghan) is a Sufi image for the realm of true spiritual life, set against the empty formalism of the mosque.
Original
شمارهٔ ۱۲ - در تزکیهٔ نفس خود
عبید این حرص مال و جاه تاکی
جهان فانیست رو ترک جهان گیر
چو مردان دامن از دنیا بیفشان
وزین گرداب خود را بر کران گیر
ز مسجد رخت بر کوی مغان کش
سرا در کوی صاحب دولتان گیر
Good fortune to this blessed palace; may it stand and thrive until the trumpet of the last day sounds.
Joy to the feast of the silk clad king, a feast that delights the heart and brings light to the eyes.
The beauty of the kingdom and the faith, the young and fortunate king; may the evil eye stay far from his throne and crown.
The scratch of his pen holds time in its command; the turning heavens obey the force of his orders.
May his fortune always triumph over his enemies, and his lofty banner forever stand victorious.
Explanation: The 'trumpet of the last day' refers to the horn blown on the Day of Judgment, an image for eternity. Silk garments mark royal luxury.
Original
شمارهٔ ۱۳ - در صفت قصر شیخ ابواسحاق
بفیروزی در این قصر همایون
که بادا تا به نفخ صور معمور
به شادی بزم سلطان قصب پوش
که دل را ذوق بخشد دیده را نور
جمال ملک و دین شاه جوانبخت
که باد از تخت و تاجش چشم بد دور
صریر کلک او را دهر محکوم
نفاذ امر او را چرخ مامور
مدامش بخت بر اعدا مظفر
همیشه رایت عالیش منصور
What difference does it make if you come to me
at dawn, when night and day are all the same?
Reach for the wine, for from now on, every day,
the open meadow and the sight of spring are pure delight.
Explanation: The lines in guillemets are the quoted verses from Saadi. 'Dast dar daman zadan' here suggests taking up the wine and giving yourself over to pleasure.
Original
شمارهٔ ۱۴ - در تضمین مطلع یکی از قصاید سعدی گوید
چه تفاوت کند ار زانکه بیائی بر ما
« بامدادان که تفاوت نکند لیل و نهار»
دست در دامن می زن که از این پس همه روز
« خوش بود دامن صحرا و تماشای بهار »
Since you have held me dear in this world through your kindness, Lord,
and laid so many blessings upon me, a poor wretch who owes you thanks,
hold me dear in the next world too, for as they say:
'A robe half fine silk and half coarse sacking is no pleasing thing.'
Explanation: The image of a robe half silk (atlas) and half sackcloth (palas) means a life that is partly favored and partly wretched; the poet asks for grace in both worlds so his fate is not mismatched.
Original
شمارهٔ ۱۵ - در مناجات گوید
چون در این دنیا عزیزم داشتی یارب به لطف
وز بسی نعمت نهادی بر من مسکین سپاس
اندر آن دنیا عزیزم دار زیرا گفتهاند
« خوش نباشد جامه نیمی اطلس و نیمی پلاس
Others enjoy pleasure and joy, while I suffer the misery of debt.
Everyone has some business at hand, and I am the one plagued by debt.
I owe both what I owe to God and what I owe to people;
should I settle my religious duties first, or pay off my debts?
My expenses run past all limits, my debts beyond all bounds;
should I worry about my spending, or worry about my debt?
I flinch at no document except the record of my liabilities,
and I dread no person except a witness to my debt.
I owe money across the city and I owe across the district;
I owe money in the alley and I owe inside my own house.
From dawn to dusk I stay lost in thought,
wondering where on earth I might suddenly find hope of clearing my debt.
People flee from debt, but I, in all sincerity,
after my prayers and pleas, ask God for a loan.
My good name scattered to the wind like a beggar's dignity,
from begging a loan at every beggar's door.
If the master does not put in a good word for me before the king,
how can poor Obeyd ever find a cure for his debt?
That master, the glory of the state and the faith, whose generous hand alone
no one in this world ever saw as the true remedy for debt.
Explanation: Obeyd (Obeyd-e Zakani) names himself in the closing couplet, a common device in Persian poetry. The poem's constant repetition of 'debt' as the rhyme word underscores the speaker's obsession.
Original
شمارهٔ ۱۶ - در شکایت از قرض گوید
مردم به عیش و شادی و من در بلای قرض
هریک به کار و باری و من مبتلای قرض
قرض خدا و قرض خلایق به گردنم
آیا ادای فرض کنم یا ادای قرض
خرجم فزون ز غایت و قرضم برون ز حد
فکر از برای خرج کنم یا برای قرض
از هیچ خط نتابم غیر از سجل دین
وز هیچکس ننالم غیر از گوای قرض
در شهر قرض دارم واندر محله قرض
در کوچه قرض دارم واندر سرای قرض
از صبح تا به شام در اندیشه ماندهام
تا خود کجا بیابم ناگه رجای قرض
مردم ز دست قرض گریزان و من به صدق
خواهم پس از نماز و دعا از خدای قرض
عرضم چو آبروی گدایان به باد رفت
از بس که خواستم ز در هر گدای قرض
گر خواجه تربیت نکند نزد پادشا
مسکین عبید چون کند آخر دوای قرض
خواجه علاء دولت و دین آن که جز کفش
هرگز کسی ندید به گیتی سزای قرض
Woe is me, for day and night I have become
the constant companion and friend of debt.
For a long time I circled around everyone,
hoping to find some balm for my debt.
In the end, no one could free
my soul's leg from the tight shackle of debt.
I found no sound solution anywhere
that could rescue me from the grief of debt.
Explanation: The refrain word 'debt' (qarz) ends every couplet in the original; this ending has been preserved in English. The fourth line begins with an ellipsis in the source, marking a missing word.
Original
شمارهٔ ۱۷ - ایضا در شکایت از قرض گوید
وای بر من که روز شب شدهام
دایما همنشین و همدم قرض
مدتی گرد هرکسی گشتم
بو که آرم به دست مرهم قرض
آخرالامر هیچکس نگشاد
پای جانم ز بند محکم قرض
... ن درستی نیافتم جائی
که مرا وارهاند از غم قرض
Those ruby lips, that slender waist of yours:
the very thing the keen-eyed long to see.
The ache of loving you, awake or drunk,
is all that those who sit alone desire.
Explanation: 'Ruby lips' is a standard Persian image for red, precious lips. 'Keen-eyed' refers to discerning observers who appreciate subtle beauty.
Original
شمارهٔ ۱۸ - در وصف معشوقه گوید
زهی لعل لب نازک میانت
مراد دیدهٔ باریک بینان
غم عشقت به هشیاری و مستی
مراد دیدهٔ خلوت نشینان
How pleasant it is, in this blessed hall,
to leave a mark and set out a gathering.
Remembering the feasts of the young, fortunate king,
to sit in joy and give ourselves fully to delight.
Like me, to give your heart to wine and the beloved,
and open your arms wide to your friends.
Explanation: The poem celebrates a royal reception hall, praising the pleasures of wine, love, and companionship in the king's honor.
Original
شمارهٔ ۱۹ - در وصف ایوان سلطانی گوید
چه خوش باشد در این فرخنده ایوان
نشان افزودن و مجلس نهادن
به یاد بزم سلطان جوانبخت
نشستن شاد و داد عیش دادن
چو من دل درمی و معشوق بستن
به روی دوستان در بر گشادن
My heart, stop enduring blame for the sake of family and other people's children. Settle down in your own town in peace and good health.
You already tested that ungenerous crowd once. Whoever tries what has already been tried ends up in regret.
Explanation: The second couplet ends with an Arabic proverb: 'whoever tries the already tried is overtaken by regret.' The half-line in couplet one also uses an Arabic blessing meaning 'in goodness and peace.'
Original
شمارهٔ ۲۰ - در نصیحت
ای دل ز اهل و اولاد دیگر مکش ملامه
در شهر خویش بنشین بالخیر والسلامه
آن قوم بیکرم را یک بار آزمودی
«من جرب المجرب حلت به الندامه»
In years gone by, from the land around me,
a little something would come from every side.
In my room there was dry bread and greens,
and they'd be there when a friend dropped by.
Now and then even wine was on hand,
if a companion or a lovely guest arrived.
Now I have nothing left, neither dry nor fresh,
of all that once used to come my way.
Nothing is left in my house but me,
and even I wouldn't stay, if some errand called.
Explanation: The phrase 'neither dry nor fresh' is an idiom meaning nothing at all, no food or supplies of any kind.
Original
شمارهٔ ۲۱ - در حقیقت احوال خود گوید
بیش از این از ملک هر سالی مرا
خردهای از هر کناری آمدی
در وثاقم نان خشک و ترهای
در میان بودی چو یاری آمدی
گه گهی هم باده حاضر میشدی
گر ندیمی یا نگاری آمدی
نیست در دستم کنون از خشک و تر
زآنچه وقتی در کناری آمدی
غیر من در خانهام چیزی نماند
هم نماندی گر به کاری آمدی
You coin, dusty from the mine you came from,
without you, life itself is forbidden to me.
You comfort of the soul, strength of the heart,
you source of every pleasure and delight.
How long must Obeyd go on without you,
his body surrendered to helplessness and want?
Explanation: The poem satirically addresses money (aqcheh, an old coin) as if it were a beloved. Obeyd refers to the poet Obeyd Zakani, who often speaks of himself by name.
Original
شمارهٔ ۲۲ - در حسرت بی پولی گوید
ای اقچه گرد روی کانی
ای بی تو حرام زندگانی
ای راحت جان و قوت دل
ای مایهٔ عیش و کامرانی
تا کی باشد عبید بی تو
تن داده به عجز و ناتوانی
To sit here in joy and triumph,
to celebrate in this royal palace.
Blessings upon the king who bestows the world,
a second Solomon, another Jamshid.
Abu-Ishaq, the young and fortunate sultan,
may he long enjoy his youth.
Explanation: Solomon and Jamshid are legendary kings symbolizing supreme power and glory; comparing a ruler to them is high praise.
Original
شمارهٔ ۲۳ - در وصف کاخ سلطانی گوید
نشستن با نشاط و کامرانی
طرب کردن در این کاخ کیانی
مبارک باد بر شاه جهانبخش
سلیمان دوم جمشید ثانی
ابواسحان سلطان جوانبخت
که بر خوردار بادا از جوانی
The sacred fortress of Dar al-Aman, in all the world there is nothing to match its height, like the sky itself.
But given who I am and the poor mule I ride, honestly, climbing it is a catastrophe, and no small one.
Explanation: The poem turns from praising the fortress's towering grandeur to a wry complaint that reaching it on a feeble mule is an ordeal.
Original
شمارهٔ ۲۴ - در وصف قلعهٔ دارالامان کرمان گوید
حریم قلعهٔ دارالامان که در عالم
چو آسمان به بلندیش نیست همتائی
به نسبت من و با استری که من دارم
به راستی که بلائی است این نه بلائی
God, I still hope your kindness
will keep my little kingdom of pleasure alive and thriving.
Turn the curse of piety away from me,
and keep the fate of repentance far from my door.
Explanation: The poem is deliberately playful: the poet jokingly asks God to spare him from the burdens of asceticism and from ever having to repent.
Original
شمارهٔ ۲۵ - در مناجات گوید به وضع مطایبه
خدایا دارم از لطف تو امید
که ملک عیش من معمور داری
بگردانی بلای زهد از من
قضای توبه از من دور داری