Millstone, oh millstone, why are you as lost as we are?
Do not hide your secret from us; tell us the whole story.
You are drunk in your own turning, wise in your own circling.
What do you know about us, that you dance for us endlessly?
You were cut away from the mine, and so you moan, my hope.
Tell us, faithful one, how our own tale plays out.
You have a strange journey of your own, in a state of joy and ecstasy;
in a single breath you travel from beginning to end.
In these stories our soul lives on water, like a mill.
Our farsighted reason, where did you go? Come back.
Lose yourself, but do not lose the divine secrets of love.
You are both the new and the old, both the mountain and the cry and its echo.
You are the soul and you are the world, the stream and the flowing water,
the miller too, and the wheat, and the mill itself.
Love, you are the beloved of many souls, both enemy and friend;
you are in the core and in the skin, in short, with king and beggar alike.
You who know love's secrets, you its soaring Jafar,
you its Qasem of light, the alchemy that turns the soul's copper to gold.
Explanation: Jafar Tayyar ('the flyer') is the martyr Jafar ibn Abi Talib, a symbol of ascent; Qasem Anvar was a Sufi poet whose name means 'divider of lights.' The poem plays on the mill as a metaphor for the turning of life and the seeker's soul.
Original
شمارهٔ ۱
ای آسیا، ای آسیا، سرگشتهای چون ما چرا؟
از ما مپوشان راز خود، با ما بیان کن ماجرا
در چرخ خود مستانهای در دور خود فرزانهای
از ما چهها داری خبر؟ کز ما برقصی دایما
از کان جدا ماندی، زان در نفیری، ای رجا
با ما بگو، ای بوالوفا، از قصههای ما مضا
داری سلوکی بس عجب در حالت وجد و طرب
در یک نفس طی میکنی از مبتدا تا منتها
از آب دارد جان ما در قصهها چون آسیا
ای عقل دوراندیش ما، آخر کجا رفتی؟ بیا
گم شو ولیکن گم مکن اسرار در عشق لَدُن
هم تو نوی هم تو کهن هم کوه و هم بانگ و صدا
هم جان تویی، هم تو جهان، هم جوی و هم آب روان
هم آسیابانی بدان هم گندمی، هم آسیا
ای عشق، بس جان دوستی، هم دشمنی هم دوستی
در مغزی و در پوستی، فیالجمله با شاه و گدا
ای محرم اسرار تو، ای جعفر طیار تو
ای قاسم انوار تو، ای مس جان را کیمیا
You are the heart and soul of weary lovers, welcome, blade of greeting.
Your uproar reaches the depths, your splendor fills the sky.
Your fierce jealousy has carried thousands into nothingness,
slain by the sword of trial on the street of love.
Drink the wine and stay silent; do not hunt within the sanctuary.
Do not boast of more or less at the threshold of God's majesty.
When you turn toward His presence, whether you are old or new,
the radiance of that face will burn away your wings and feathers.
Even if you are spring and a rose garden, bright in every eye,
remembering the Beloved will give life and clarity to your mirror.
I cried out 'enough is He', I raised the cup of pure wine;
when that grace arrived, my heart and soul reached their fullness.
Qasim, if you are a lover, what is the way of the truthful?
They take the blade on the back of the neck and stay patient in affliction.
Explanation: The phrase 'qul kafa' echoes a Quranic sense of 'say, God is enough.' Qasim is the poet's own signature (takhallos) in the closing couplet.
Original
شمارهٔ ۲
ای دل و جان عاشقان خسته تیغ مرحبا
غلغله تو در سمک کوکبه تو در سما
غیرت تو هزار را برده بعالم فنا
بر سر کوی عاشقی کشته بتیغ ابتلا
باده بنوش و دم مزن صید در حرم مزن
لاف ز بیش و کم مزن بر در بام کبریا
چونکه بحضرتش روی،گر همه کهنه،گر نوی
بال و پرت فنا کند پرتو نور آن لقا
گر تو بهار و گلشنی در همه چشم روشنی
یاد حبیب جان دهد آینه ترا صفا
نعره «قل کفی » زدم جام می صفا زدم
چونکه رسید از ان کرم جان و دلم بمنتها
قاسم،اگر تو عاشقی چیست طریق صادقی؟
تیغ خورند بر قفا صبر کنند در بلا
The dawn of good fortune shines from your forehead. What beauty is this? Sacred, sublime.
I am the servant of that pure wine whose generosity refreshes my soul with every breath.
There will be no drunken quarrel from me in your tavern; my life belongs to your beauty. How gentle that beauty is.
Do not speak to the lover of the Kaaba or the temple; do not tell the one drunk on the beloved's face about heaven and paradise.
If you would be one with God today, become singular now; do not chase tomorrow on credit, do not be a lover of some later day.
My companions know the road is long and far, from the alley of purpose to the marketplace of desire.
In your street I am lowly. What a lofty rank! With your face before me I am drunk. What a distant, ultimate goal!
Since my bond with you is true, let me no longer speak of the standing of Adam and Eve.
O guide of soul and heart and faith, let your boundless mercy, in kindness, forgive this helpless Qasim.
Explanation: The 'pure wine' is a Sufi image for divine love and its intoxicating union. The final couplet names the poet, Qasim, as the humble supplicant.
Original
شمارهٔ ۳
ای صبح سعادت ز جبین تو هویدا
این حسن چه حسنست؟ تقدس و تعالا
من بنده آن باده نابم که دمادم
در هر نفسی تازه کند جودت ما را
از عربده ما در میخانه نیستی
جان بنده حسن تو، زهی حسن مدارا
از کعبه و بتخانه مگوئید بعاشق
از جنت و فردوس مگو مست لقا را
امروز اگر فرد شوی مرد خدایی
فردا مطلب نسیه،مجو عاشق فردا
دانند رفیقان که ره دور و درازست
از کوچه مقصود ببازار تمنا
در کوی تو پستیم،زهی منصب عالی!
با روی تو مستیم، زهی مقصد اقصا!
چون نسبت ما با تو درستست نگوئیم
دیگر سخن از مرتبه آدم و حوا
ای هادی جان و دل و دین رحمت عامت
بر قاسم بیچاره تو از لطف ببخشا
You who are patient in trial, knock, knock at the door of the Lord.
The road is near and the beloved is near; the tale of endless deserts is over.
The beloved is with us, what good fortune, my heart. God, God, if only you had a seeing eye.
Do not seek the true faith through blind imitation; do not walk the path of truth with eyes shut.
Come now, love of Mahdi the guide; come now, secret of the master of all masters.
You are the wellspring of eternal life; you are the source and the farthest goal.
In hope of you, Qasemi is alive. My lord, our God, in you we trust.
Explanation: Several lines are in Arabic, invoking patience and trust in God. 'Qasemi' is the poet's pen name. Mahdi refers to the awaited savior in Shia belief.
Original
شمارهٔ ۴
ایهاالصابرون فی البلوا
طرقوا طرقوا الی المولا
راه نزدیک ویار نزدیکست
قطع شد قصه بیابانها
یار با ماست،یا نصیب،ایدل
الله الله ز دیده بینا
دین حق را مجو علی التقلید
راه حق را مرو علی العمیا
هله، ای عشق مهدی هادی
هله، ای سر مولی و مولا
هم تویی منبع حیات ازل
هم تویی اصل مقصد اقصا
بامید تو قاسمی زنده است
سیدی، ربنا، توکلنا
Shake loose your musky hair, for I rejoice in this longing;
from its scent I catch the breeze of the highest paradise.
You are the beloved of my heart and soul; everyone seeks, and you are the sought.
What beauty, what grace, blessed be our Lord Most High.
Safety is the ascetic's dwelling, bliss the shelter of the sincere;
blame is the lover's way, and love the firm handhold to cling to.
The pious walk the path of restraint; the muftis speak their rulings;
the monks hold their stations of chastity, while among lovers there is uproar.
Why chase each precious gem? He is the ocean and you a mere stream.
Sing well, minstrel: had it not been for Him, we would not exist.
Be wise and walk the road, a traveler among travelers;
for higher than the highest is the station of nearness to Him, the utmost intimacy.
You are trapped in your stubborn reason, and cannot see
what joys, what fortunes fill the gathering of the free-spirited.
When the sun of His beauty lifts the veil from its face,
all explanations fold away, and the ultimate goal stands revealed.
Speak not of reason and sobriety to a Qasemi like me;
for the carefree drunkards possess eternal delight.
Explanation: The Arabic phrases echo Quranic language: «the firm handhold» (urwa al-wuthqa) and «nearness» (qab qawsayn, ao adna) signal mystical closeness to God. Qasemi is likely the poet's pen name.
Original
شمارهٔ ۵
برافشان زلف مشکین را، که خوش حالیم ازین سودا
که می یابم ز بوی او نسیم جنت الماوا
دل و جان راتو محبوبی،همه طالب، تو مطلوبی
زهی حسن و زهی خوبی، تعالی ربناالاعلا
سلامت مسکن زاهد سعادت مأمن صادق
ملامت شیوه عاشق محبت عروه و ثقا
طریق زاهدان تقوی حدیث مفتیان فتوی
مقام راهبان عفت میان عاشقان غوغا
زهر جوهر چه می جویی؟ که او دریا و تو جویی
بخوان مطرب بنیکویی ولو لا هو لما کنا
تو دانا باش و ره می رو میان رهروان رهرو
که شد عالی تر از اعلا مقام قرب او ادنا
تو در عقل لجوج خود گرفتاری، نمی بینی
میان مجلس رندان چه عشرتها، چه دولتها!
چو خورشید جمال او نقاب از رخ براندازد
بیانها منطوی گردد، عیان شد مقصد اقصا
سخن از عقل و هوشیاری مگو با قاسمی دیگر
که عیش جاودان دارند سرمستان ناپروا
We went to many mosques out of devotion; but where is the Aqsa Mosque, the true Aqsa?
Our Aqsa Mosque is the blessed city of the heart; and where does it stand? At the place of 'he drew near, then came closer.'
The Aqsa Mosque is where holiness reveals itself; the Aqsa Mosque is where the Lord and master appear.
Our Aqsa Mosque is the deepest core of meaning; our Aqsa Mosque is the mind of the wise.
My heart, if you are a seeker walking the path, seek love, and stop reciting the tale of mere longing.
Do not speak of faith or unbelief, for both are veils; burn your dervish cloak, and stop reciting the tale of the prayer mat.
If you are Moses, where is his power? And if you are Christ, where is your pure gift of raising the dead?
The world is an ocean, yet that ocean became so through us; the ocean itself would not exist without us.
Qasemi, that beloved is as plain to see as the sun; but who has the eyes to truly see? Who has the seeing eye?
Explanation: The phrase 'he drew near, then came closer' echoes the Quranic account of the Prophet's ascent (Najm 53:8), used here to place the true sanctuary within the heart. Burning the dervish cloak is a Sufi image for shedding outward religious form.
Original
شمارهٔ ۶
بس بمساجد شدیم بهر تولا
مسجد اقصی کجاست؟ مسجداقصا؟
مسجد اقصای ماست بلده طیب
مسجد اقصی کجاهاست؟ «دنی فتدنا»
مسجد اقصی ظهور قدس تجلی
مسجد اقصی ظهور مولی و مولا
مسجد اقصای ماست کنه معانی
مسجد اقصای ماست خاطر دانا
ای دل، اگر طالبی و رهرو راهی
عشق طلب کن، مگو حدیث تمنا
دم مزن از کفر و دین، که هر دو حجابست
خرقه بسوزان، مگو حدیث مصلا
گر تو کلیمی کجاست قدرت موسی؟
ور تو مسیحی کجاست صفوت احیا؟
هست جهان بحر، لیک بحر بما شد
خود نبود بحر جز بواسطه ما
قاسمی،آن یار ظاهرست چو خورشید
دیده بینا کراست؟ دیده بینا؟
At dawn the nightingale cried out love before the throne of God: I am the one who loves You.
Weak and worn, walking the path of pure solitude; look on my state with kindness, my Lord.
We are wounded and exhausted, send us a balm; when the balm arrives, one clarity follows another.
My heart wandered the world in the grief of love; when it saw Your face it said, 'Whoever sees You is glad.'
Your remembrance is our soul, Your beauty is our triumph; we have been with You in this world for years.
You would grasp it, and nothing hidden would remain, if for a moment you knew the secret of 'There is no hero like Ali.'
You who challenge me, do not ask about the state of Qasim; we are drowned in union, annihilated in annihilation.
Explanation: 'La fata illa Ali' is a famous saying meaning 'there is no hero like Ali,' referring to Imam Ali. 'Qasim' is likely the poet's pen name.
Original
شمارهٔ ۷
بلبل بوقت صبح بدرگاه کبریا
فریاد عشق زد که: منم عاشق خدا
زار و نزار و شیوه تجرید همرهست
در حال من نگر ز سر لطف، ربنا
مجروح و خسته ایم، بما مرهمی فرست
چون مرهمی رسید صفا در پی صفا
آواره بود دل ز غم عشق در جهان
چون روی تو بدید«لقد سرمن رآ»
یاد تو روح ماست جمالت فتوح ماست
ما با تو بوده ایم درین دیر سالها
واقف شوی و غیب نماند بهیچ حال
گر تو علی وقتی از سر«لافتا»
ای مدعی، ز حالت قاسم سخن مپرس
غرقیم در وصال و فناییم در فنا
Until the morning breeze scatters your hair, no one can picture the composure I keep together.
Love drags me by the hair from the mosque to the temple. God, what a difference, from where to where?
Whatever they said in praising you, from the moon above to the fish below, it was talk that spanned from the depths to the sky.
It cannot be captured by any pen, though the whole world explained it until the end of time: the story of my love and your beauty.
You are the beloved of my soul; like a candle before your beauty, tonight I long to burn from head to foot.
Last night you said: in the mirror of my face, do you see God? I said: yes, by God I do.
Qasem's heart gave up its precious life for loyalty to your beauty. What splendid faithfulness!
Explanation: The mosque-to-temple line marks how love overrides religious boundaries. 'From fish to sky' is a Persian idiom for the whole cosmic span, from the mythical fish beneath the earth to the heavens.
Original
شمارهٔ ۸
تا پریشان نکند زلف ترا باد صبا
متصور نشود حالت جمعیت ما
موکشان برد مرا عشق ز مسجد بکنشت
الله الله،چه تفاوت، زکجا تا بکجا؟
هرچه در وصف توگفتند، زمه تا ماهی
سخنی بود بنسبت ز سمک تا بسما
راست ناید بقلم، گرد و جهان شرح دهند
تا قیامت صفت عشق من و حسن ترا
شاهد جان منی، پیش جمالت چون شمع
دارم امشب هوس سوختن از سر تا پا
دوش گفتی که: در آیینه رخساره من
بخدا می نگری؟ گفتم: آری بخدا
دل قاسم ز سر جان گرامی برخاست
به وفاداری حسن تو، زهی حسن وفا!
My liver is full of pain, my heart full of blood, my soul reckless and drunk;
my night is dark, my mount is lame, and my head is spinning with mad longing.
I do not know my own cure; I am lost in this thought.
Come, eternal cupbearer, bring that deep red wine.
Like a candle before your face, if you set me alight in your presence,
I will burn bright before you, standing firm like a candle on its feet.
If you are sober and guarded, you stay far from the heart of this secret;
you remain blind among the travelers, blind to the nearness of 'the length of two bows.'
If from this endless ocean you bring up a pearl,
keep it hidden inside your soul; tell no one on purpose.
Come, my spiritual friend, speak the human names,
for I know that you know the path of 'the knowledge of the names.'
Speak of law and tradition to the sober who see only the surface;
tell the tale of eternal love to the reckless madmen.
You say to me: give me a sign from the world of meaning.
You ask news of the ignorant one, a trace from the traceless realm.
O love with the face of a king, you are both the whole and the detail;
you are wisdom, you are power, you are lovelier than beauty itself.
Take Muhammad as your guest, seat him at the table of grace,
pour him wine from the cup of the Glorious One, for 'Glory to Him who took him by night.'
Show your blessed face, let your wine dark curls loose,
for in their scent I catch the breeze of the garden of refuge.
If from the name of the All Subduing something is revealed,
look, if you are a man of confession, at the sign of the Great Catastrophe.
First know the Essence, then the divine attributes,
for these divine attributes are the sum drawn from that source.
Then comes the world of traces and deeds, forever bound to it.
What wisdom, what power! Exalted is our Lord, the Most High.
What a wonder in the beauty of oneness, what a wonder in balance and grace,
what a heart ravishing king! How rare, the one without equal!
From the sun of His beauty, whatever attribute I name,
all the atoms cry: 'We witnessed' after 'We believed.'
Every moment bears witness to the oneness of His Essence,
whether it is the sun or a mote, whether the highest or the wise.
Wherever I turned, I knew You and I saw You.
What a benefactor, what a kindness, what a world adorning moon!
The world is drunk with Your love, how wondrous the tales of Your love;
all are lost in Your love, whether the ruler or the exalted.
One must go and sleep, and keep the tale of love hidden.
How can one put into words attributes that cannot be counted?
Before you the mightiest emperor becomes level with the dust of the road,
if you draw up a single shining pearl from this ocean.
Come, my soul with sweet longing, behold the light of the revelation;
to that gracious address, say: 'Here I am, to what You reveal.'
Do not say 'Show me'; fear the refusal of 'You shall not' in the world of meaning,
for in this valley the heart of Moses drowned in the sea of bewilderment.
There are many who chant litanies and prayers in the world,
but the prayer with the exalted breath holds another secret.
The heavy souls died at 'No' in the shadows of the dark;
the light spirits carried this road through, with the 'except.'
But hear from me a piece of advice, so you may break free of your chains:
if you know anything of meaning, do not stay stuck at 'no' and 'except.'
You have stayed in the darkness of the body, and you are pleased and happy with it.
If you have any faith or heart, would you not speak of the fire of mourning?
How strangely bound to the body you are; you are not the named, only a name.
Since you follow only habit and custom, what can I say to you, wise one?
In form, Adam and Eve are perfectly clear, yet
in meaning, know that Adam and Eve are none other than the Universal Intellect and Soul.
If you are sober and awake, look at the power of the Creator:
thousands of Adams and Eves have appeared out of the unseen.
O Ahmad the Messenger, lamp of mosque and pulpit,
you are the master, you are the leader, you are the goal of all seeking.
Through you the sacred law grew bright, the mystic paths were proven,
the truths were made clear. How radiant, O Ya Sin, O Ta Ha!
You are the believer, you are the faith, you are the spring of the water of life;
you are the everlasting king, you are the destination, you are the utmost.
You hold the farthest goal, you hold the nearness of 'so he drew near';
all are turbid and you are pure, all are pure and you are the purest.
From every perfect one who comes forward, your perfections rise higher;
the perfect ones beside you are like a gnat beside the Phoenix.
Come, Qasim, what are you saying, what are you chasing, what are you seeking?
If today you are with Him, do not speak of tomorrow's tale.
Explanation: The poem is dense with Quranic phrases: 'the length of two bows' and 'so he drew near' allude to the Prophet's ascent (Najm 8-9); 'Glory to Him who took him by night' is the opening of the Isra verse. 'No' and 'except' refer to the two halves of the creed 'there is no god except God,' used here as stages of mystical negation and affirmation.
Original
شمارهٔ ۹
جگر پردرد و دل پرخون و جان سرمست و ناپروا
شبم تاریک و مرکب لنگ و در سر مایه سودا
دوای خود نمی دانم، درین اندیشه حیرانم
بیا، ای ساقی باقی، بیار آن باده حمرا
چو شمعم پیش رویت من، گرم سر وا کنی از تن
شوم پیش رخت روشن، چو شمع استاده پا برجا
اگر هشیار و مستوری ز سر این سخن دوری
میان رهروان کوری ز سر قرب «اوادنا»
ازین دریای بی پایان اگر گوهر بدست آری
نگه دارش میان جان، مگو با هیچ کس عمدا
بیا، ای یار روحانی،بگو اسمای انسانی
چو میدانم که می دانی طریق علم «الاسما»
سخن از شرع و سنت گو به هشیاران صورت بین
حدیث از عشق سرمد ران بمجنونان ناپروا
مرا گویی: نشانی گو بما از عالم معنی
خبر از بی خبر پرسی، نشان از بی نشانی ها
الا، ای عشق سلطان وش، که اجمالی و تفصیلی
تویی حکمت، تویی قدرت، تویی زیباتر از زیبا
محمد را بمهمان بر، کنار خوان احسان بر
شراب از جام سبحان بر، که «سبحان الذی اسرا»
تو بنما روی میمون را، برافشان زلف میگون را
که می یابم ز بوی او نسیم جنت الماوا
اگر از اسم قهاری تجلی میکند باری
ببین، گر مرد اقراری، نشان طامة الکبرا
ز اول ذات را بشناس، پس اوصاف اللهی
که این اوصاف اللهی فذلک باشد از منها
پس آنگه عالم آثار و افعالست پیوسته
زهی حکمت، زهی قدرت، تعالی ربنا الاعلا
عجب در حسن یکتایی، عجب موزون و زیبایی
عجب شاه دلارایی، زهی یکتای بی همتا!
ز خوشید جمال او بهر وصفی که میگویم
همه ذرات میگویند: «شهدنا» بعد «آمنا»
بوحدانیت ذاتش گواهی میدهد هر دم
اگر خوشید، اگر ذره، اگر اعلی، اگر دانا
بهر سویی که گردیدم ترا دانستم و دیدم
زهی محسن، زهی احسان، زهی ماه جهان آرا
جهان مستان عشق تو، زهی دستان عشق تو
همه حیران عشق تو، اگر والی، اگر والا
بباید رفتن و خفتن، حدیث عشق بنهفتن
کجا شاید سخن گفتن ز اوصافی که لاتحصا؟
بپیشت خسرو خاقان شود با خاک ره یکسان
اگر یک گوهر رخشان بدست آری ازین دریا
بیا، ای جان خوش سودا، ببین نور تجلی را
خطاب مستطابی را بگو: «لبیک ما اوحا»
مگو «ارنی » بترس از منع «لن » در عالم معنی
که غرق بحر حیرت شد درین وادی دل موسا
دعا خوانان اورادی فراوانند در عالم
ولی سری دگر باشد دعا را با دم علیا
گران جانان «لا» مردند در ظلمات تاریکی
بسر بردند این ره را سبک روحان باستثنا
ولی بشنو ز من پندی،که بیرون آیی از بندی
گر از معنی خبر داری ممان در «لا» و در «الا»
تو در ظلمات تن ماندی، از آن خشنود و خوشحالی
اگر دین و دلی داری نگویی سوز ماتم را
عجب وابسته جسمی، مسما نیستی، اسمی
چو اهل عادت و رسمی چه گویم با تو، ای دانا؟
بصورت آدم و حوا بغایت روشنست، اما
بمعنی عقل و نفس کل مدان جز آدم و حوا
اگر هشیار و بیداری، ببین در قدرت باری
هزاران آدم وحوا زنا پیدا شده پیدا
الا، ای احمد مرسل، چراغ مسجد و منبر
تویی سید، تویی سرور، تویی مقصود از استقصا
شریعت از تو روشن شد، طریقت ها مبرهن شد
حقیقت ها معین شد، زهی یاسین، زهی طاها!
تویی مؤمن، تویی ایمان، تویی سرچشمه حیوان
تویی سلطان جاویدان، تویی مقصد، تویی اقصا
تو داری مقصد اقصی، تو داری قرب «اوادنی »
همه دردند و تو صافی، همه صافند و تو اصفا
زهر کامل که پیش آید کمالات تو بیش آید
مثال کاملان با تو مثال پشه با عنقا
بیا، قاسم، چه میگویی، چه میپوئی، چه میجویی؟
اگر امروز با اویی مگو افسانه فردا
Why keep asking where I'm from, where I am, and where I'm bound?
I come from the hidden house of pure detachment, from the realm where all things pass away.
You argue and dispute, but what else can you do?
God said of you, truly: «Man is, above all, quarrelsome.»
If the ascetic would open the eye of certainty, he would see
from God, through God, and toward God, everything, from the depths of the sea to the highest sky.
The Sufi draws a certain purity from his chants and litanies,
yet he never reaches the quality and clarity that we possess.
Everyone's fate hangs on their piety and their prayers,
but the burnt-hearted lover keeps his gaze fixed on the pure gift of grace itself.
This is a gathering of the unaware, so let go of your so-called knowledge;
become oblivious, for everyone here is oblivious too.
He set out to forbid what was wrong, went to the tavern, and in the end
pawned his robe for wine. What a master he turned out to be!
If for one moment you lean toward these drunkards,
in an instant you'll come alive from the breath that «revives the dead.»
The Beloved said: I will make you into my own likeness,
just as «the King wills for the kingdom to bear this resemblance.»
In spite of every envious heart, the Friend will not, at any time,
spare even a breath to remember one like Ghasem, except, perhaps, by chance.
Explanation: The Arabic phrases echo Quranic language: «revives the dead» refers to God giving life. The poet plays on his own name, Ghasem, in the closing line, a common signature device.
Original
شمارهٔ ۱۰
چند پرسی ز کجایی و کجایی و کجا؟
از نهان خانه تجریدم و از دار فنا
تو جدل میکنی، اما چه کنی چون نکنی؟
گفت در حق تو حق: «اکثر شی ء جدلا»
زاهد ار چشم یقین باز گشاید بیند
ز خدا خوان بخدا دان ز سمک تا بسما
صوفی از شیوه اوراد صفایی دارد
لیک هرگز نرسد در صفت و صفوت ما
کار هرکس بصلاحی و صلوتی موقوف
نظر عاشق دلسوخته بر عین عطا
مجلس بیخبرانست، خبر را بگذار
بی خبر شو، که همه بی خبرانند اینجا
دفع منکر بخرابات شد و آخر کرد
جبه را در گرو باده، زهی مولانا!
گر دمی میل کنی جانب این سرمستان
در دمی زنده شوی از دم «یحیی الموتا»
گفت محبوب که: من مثل خودت گردانم
«یا اراد الملک الملک بهذا مثلا»
هیچ وقتی نکند دوست، علی رغم حسود
قاسمی را نفسی یاد، مگر احیانا
For God's sake, you who lead the prayers, have mercy: your coldness toward us has gone past all bounds.
Everywhere, whoever you ask, His home is there: it is everywhere, everywhere, everywhere, I say.
I am spellbound by her hair; who knows what that black hair will bring forth, for 'the night is pregnant.'
If you have drunk of it, may your hour be blessed, the pure wine poured from the cup of God Most High.
We are drunk and joyful from the cup of longing for Him: ta-tan tan, tan ta-tan, tan tan, la-la-la.
Break from yourself and join with Him, for this is our whole creed: to renounce all else and to love only Him.
What is that self-absorbed Sufi saying? I stand there completely astonished at his words.
Since you have no share from the lovers' cup, go and stop measuring out wine, you who only measure the wind.
When Qasim broke free of his own existence, his wine turned pure and his cup ran clear.
Explanation: 'The night is pregnant' is an Arabic proverb meaning the future is uncertain, tied here to the beloved's dark hair. 'Tabarra and tavalla' are the twin principles of rejecting what is false and devoting oneself to what is true, rendered as renouncing all else and loving only Him.
Original
شمارهٔ ۱۱
خدا را، ای مذکر، رحم فرما
ز حد بگذشت سرمای تو بر ما
زهر جا، هر که پرسد منزل اوست
همه جا گو، همه جا گو، گو همه جا
شدم مفتون زلفش، تا چه زاید
از ان زلف سیه، «اللیل حبلا»
اگر نوشیده ای، خوش باد وقتت
می صافی ز جام حق تعالا
ز جام شوق او مستیم و خوشحال
تتن تن، تن تتن، تن تن، تلالا
ز خود بگسل، بدو پیوند، کینست
بدین ما تبرا و تولا
چها میگوید آن صوفی خود کام؟
تعجب مانده ام باری در آنها
نصیبت چون ز جام عاشقان نیست
برو باده مپیما، باد پیما
چو قاسم از وجود خویشتن رست
شرابش ناب شد، جامش مصفا
My heart is glad that my beloved welcomed me;
with that welcome comes serenity, one peace after another.
The glass of my heart has been made clear by love's purity.
Oh, how gracious your welcome; I'd give my life and heart for it!
Ascetic, don't tell me the impossible: 'Repent of love.'
What can I do with love's ache? Where would I find a cure?
Blind imitation said 'repent'; true insight said 'love.'
And the tale of imitation was, of course, defeated.
Once it is certain that no one acts but God,
let the words 'you did not throw' teach 'when you threw.'
My soul has grown weary of stories told again and again.
Come, my soul, and reveal the wine of divine oneness.
My heart did not win the fortune of union with you for free;
it has borne so many burdens, again and again.
Speak no word outside the highway of the one who knows God as One.
This is the beginning, and this same thing is the end.
Since you have no real arrival, don't spin idle tales;
on the highway of love, recite the mystery of 'Has there come.'
Stop saying over and over that you wept blood from your eyes.
Be a child of the present moment and let the past go.
Qasim, do not speak of the soul-melting sorrow of separation.
Take shelter in the shade of loving, and leave the quarrel behind.
Explanation: Couplet 5 alludes to the Quranic verse (8:17) 'you did not throw when you threw, but God threw,' underscoring that only God is the true doer. 'Has there come' in couplet 9 refers to Surah al-Insan, invoked as a mystical password on love's path.
Original
شمارهٔ ۱۲
خوش خاطرم که یار مرا گفت: مرحبا
همراه مرحباست صفا در پی صفا
صافی شدست شیشه دل از صفای عشق
ای لطف مرحبای ترا جان و دل فدا!
زاهد، مگو محال که: از عشق توبه کن
من درد عشق را چه کنم، چون برم دوا؟
تقلید گفت: توبه و تحقیق گفت: عشق
مغلوب شد حکایت تقلید غالبا
چون شد یقین که غیر خدا نیست فاعلی
تلقین «مارمیت » بگو «اذ رمیت » را
جانم ز قصهای مکرر ملول شد
ای جان، بیا بماره توحید وانما
دل دولت وصال ترا رایگان نیافت
از بارهای بس که کشیدست بارها
بیرون ز شاهراه موحد سخن مگوی
این بود ابتدا و همینست انتها
چون واردیت نیست، مگو قصه از گزاف
بر شاهراه عشق بخوان رمز «هل اتا»
چندین مگو که: خون دل از دیده ریختم
فرزند حال باش و گذر کن ز ما مضا
قاسم، سخن مگوی ز هجران جان گداز
در ظل عاشقی شو و بگذر ز ماجرا
What longing, what desire! What love and yearning!
What a world-burning love, what beauty and devotion!
What grace and kindness, what a lovely form and stature,
what a day of resurrection, what a light of revelation!
What a beloved, what a friend, companion of the free,
what a mine of secrets, what a lofty rank!
What light upon light, what a victorious banner,
what a famous sign, all holiness and exaltation!
What a fortunate star, praised and praiseworthy,
finder and present, what a sublime presence!
What an exalted essence, what a purifying light,
what a spotless face, master of all masters!
What a stirrer of turmoil, what sugar-sweet honey,
what a captivating face, what jasmine-scented hair!
We are seared by your fire, yet we will not turn from that burning;
we are all drunk and ruined by that pure cup.
Sometimes a torment to the soul, sometimes the world's uproar,
sometimes safety and peace, sometimes a source of dangers.
Sometimes the city's judge, sometimes the harsh enforcer,
sometimes a spring of poison, sometimes a wave, sometimes the sea.
You are the revealer of secrets, the distributor of light,
the traveler of every path, both the name and the named.
Explanation: The refrain 'zahi' (what a...) piles up praises in an ecstatic mystical litany. 'Both the name and the named' points to the beloved as the divine source of all names.
Original
شمارهٔ ۱۳
زهی شوق و زهی شوق، زهی عشق و تمنا!
زهی عشق جهانسوز، زهی حسن و تولا!
زهی لطف و کرامت، زهی خوش قد و قامت
زهی روز قیامت، زهی نور تجلا
زهی یار و زهی یار، و زهی مونس احرار
زهی معدن اسرار، زهی منصب اعلا
زهی نور و زهی نور، زهی رایت منصور
زهی آیت مشهور، تقدس و تعالا
زهی طالع مسعود، زهی حامد و محمود
زهی واجد و موجود، زهی حضرت والا
زهی ذات معلا، زهی نور مزکی
زهی روی مصفی، زهی مولی و مولا
زهی فتنه برانگیز، زهی شهد شکرریز
زهی روی دلاویز، زهی زلف سمن سا
ز سوز تو کبابیم، سر از سوز نتابیم
همه مست خرابیم، از آن جام مصفا
گهی فتنه جانی، گهی شور جهانی
گهی امن و امانی، گهی کان خطرها
گهی قاضی شهری، گهی شحنه قهری
گهی چشمه زهری، گهی موجی و دریا
تویی کاشف اسرار، تویی قاسم انوار
تویی سالک اطوار، تویی اسم و مسما
The fiery wine has come from the hand of the cupbearer of souls;
drink this cup of fire: we place our trust in the Lord.
Swallow the crimson wine, fear neither water nor fire;
rise and dance a while in joy, and see the wine's own generosity.
Seek your perfection within yourself, for you are an ocean of oneness, not a stream;
you are the essence of this wine, you are the whole vocabulary of this sea.
You are that heart-burning king, triumphant and sovereign;
your smallest cup is a sea, your smallest gnat a phoenix.
Do not fear the enemy's tricks; set your foot firmly on the path of love;
step into the valley of safety, for I have crossed this desert myself.
Hear this simple word from me: seize the moment as a prize;
learn from the lover, my dear, and do not put off today until tomorrow.
You are the very soul of the beloved's soul, hidden from people's eyes;
come out from behind your door, for the caravans have loaded and set off.
Wherever that beloved is, I am fresh and glad at heart;
we were where they were, and they were where we were.
Poor Qasim always keeps his hope in you;
you are present, you are watching, you are hidden, you are revealed.
Explanation: The 'fiery wine' is a Sufi image for divine love and ecstasy, not literal drink. The Arabic phrases echo Quranic-style expressions of trust in God and mutual presence with the beloved.
Original
شمارهٔ ۱۴
شراب آتشین آمد ز دست ساقی جانها
بنوش این جام آتش را، «توکلنا علی المولا»
شراب ارغوان درکش، مترس از آب و از آتش
به رقص آ یک زمان خوش خوش، ببین در جودت صهبا
کمالات خود از خود جو، که بحر وحدتی، نه جو
تویی ناموس این صهبا، تویی قاموس این دریا
تو آن شاه جگر سوزی، که سلطانی و فیروزی
کمینه جام تو دریا، کمینه پشّهات عنقا
مترس از حیله دشمن، قدم در عشق محکم زن
درآ در وادی ایمن، که من پیمودم این صحرا
ز من بشنو سخن آسان، تو فرصت را غنیمت دان
ز عاشق یاد گیر، ای جان، مکن امروز را فردا
تو جان جان جانانی، ز چشم خلق پنهانی
برون آی از در خانه، که بربستند محملها
به هرجایی که آن یارست من سرسبز و دلشادم
«و کنا حیث ماکانوا و کانوا حیث ما کنا»
همیشه قاسم مسکین به تو امید میدارد
تویی حاضر، تویی ناظر، تویی پنهان، تویی پیدا
The light of beauty has dawned across the world; and what quarrel does it have with faith or creed? It is the very meaning of the divine names.
By your life, it is thousands upon thousands of leagues from the city of this world of forms to the kingdom of nearness to God.
The whole world is full of this world-illuminating sun; where is the sun's radiant face, and where the blind eye that cannot see it?
Drunk with longing for your love, I clap my hands and sing: 'tanan tanan, tanan tan, tala tala talla.'
No mistake comes from God's doing, so do not walk the road of ignorance; it is only the arch of your own frown that has led you into error.
'He loves them' came down from God, dear scholar, so take no offense: our love-play breaks no law of the true faith.
Blessed by the fortune of union with you, Qasemi is free at last from any thought of the shade of the Tuba tree or the paradise of refuge.
Explanation: 'Yuhibbuhum' ('He loves them') is a Quranic phrase used to justify divine love. The Tuba tree and 'jannat al-ma'wa' (paradise of refuge) are Quranic images of heaven, which the lover dismisses in favor of union with the beloved.
Original
شمارهٔ ۱۵
طلوع پرتو حسنست در جهان، اما
خلاف مذهب و دین چیست؟ معنی اسما
بجان تو که هزاران هزار فرسنگست
ز شهر عالم صورت بملک «اوادنا»
جهان پرست ازین آفتاب عالمتاب
کجاست طلعت خورشید و چشم نابینا؟
ز شوق مستی عشق تو کف زنان گویم:
«تنن تنن، تنن تن، تلا تلا تللا»
خطا ز فعل خدا نیست، راه جهل مرو
ز چین ابروی خود اوفتاده ای بخطا
«یحبهم » ز خدا آمد، ای فقیه، مرنج
خلاف مذهب حق نیست، عشق بازی ما
بیمن دولت وصل تو قاسمی وارست
ز فکر سایه طوبی و جنت الماوا
Reason rises from careful thought; love from madness and longing.
Lord, how can I find a cure for this pain?
Reason lives in thinking, love in bewilderment;
this one deliberates, that one cries out in a frenzy.
Reason is all formality, love is tenderness;
reason keeps wishing, love keeps devoting itself.
Reason seeks proof, the lover seeks his return to God;
reason strains to reason it out, the lover seeks the highest companion.
You are the soul of all souls, the wealth behind every appearance;
you are the treasure house of safety, both the 'no' and the 'except.'
Love, you are so full of affection, the source of every loss and gain;
you are the wealth of true witnessing, a sea, yet perfectly clear.
By those disarming glances, by those sweet ways,
we were left dazzled, dazzled; we grew mad with longing, mad.
From the cup of 'every faction rejoices' the people of the world are drunk;
Qasim's soul is drunk from the cup of God the Most High.
Explanation: The 'no' and 'except' echo the Islamic testimony 'no god but God,' pointing to the beloved as both negation and sole affirmation. 'The highest companion' (rafiq al-a'la) is a Quranic phrase for nearness to God.
Original
شمارهٔ ۱۶
عقل از عقیله خیزد، عشق از جنون و سودا
یا رب، چه چاره سازم این درد را مداوا؟
عقلست در تفکر، عشقست در تحیر
این عقل در تدبر، این عشق در علالا
عقلست در تکلف، عشقست در تالف
عقلست در تمنا،عشقست در تولا
عقل استناد جوید،عاشق معاد جوید
عقل اجتهاد جوید،عاشق رفیق اعلا
ای جان جمله جانها،سرمایه عیانها
ای معدن امانها،هم لا تویی،هم الا
ای عشق بس ودودی،اصل زیان و سودی
سرمایه شهودی،بحری،ولی مصفا
زان غمزهای فتان،زان شیوهای شیرین
حیران شدیم،حیران،شیدا شدیم،شیدا
از جام «کل حزب » مستند اهل عالم
مستست جان قاسم از جام حق تعالا
Whoever spits at the face of the sky, that spit falls back forever onto his own face.
How long will you worship this ignorance? How long will you follow your appetites and lust?
If you are truly a man, tell me: why all this blind rejection of God's ecstatic ones?
They are the kings of the realm of the spirit, the royal falcons of the nearness described as 'and We drew nearer.'
In the encompassing sea of 'Be, and it is,' they are the soul's true purpose and its farthest goal.
They are the guides of wisdom on the road to salvation, the travelers of the path of truth and purity.
They drink from the cup of the Eternal One, the fair faced ones of the most beautiful beauty.
It is beyond us to describe these kings. Our Lord, keep us well and have mercy on us.
What a pity if you cannot tell the jewel of the soul from a hard, deaf stone.
In his ignorance the town's ascetic cannot tell a cheap glass bead from a gleaming pearl.
Qasemi, whatever exists is devotion to Him. My master, our Lord, in You we place our trust.
Explanation: The poem quotes Arabic phrases: the Quranic 'thumma dana fatadalla' (drew nearer) and 'kun fayakun' (Be, and it is). Qasemi is the poet's pen name, invoked in the final couplet.
Original
شمارهٔ ۱۷
«کل من رام تف بوجه سما»
«رجع التف بوجهه ابدا»
چند ازین جهل را پرستیدن
تا بکی پیروی نفس و هوا؟
گر تو مردی بگو که: چندین چیست
نفی مستان حق علی العمیا؟
پادشاهان عرصه ملکوت
شاهبازان قرب «اوادنا»
در بحر محیط کن فیکون
جان مقصود و مقصد اقصا
رهبران خرد براه نجات
سالکان طریق صدق و صفا
باده نوشان جام «لم یزلی »
ماهرویان «احسن الحسنا»
حد ما نیست وصف این شاهان
«ربنا عافنا و ارحمنا»
حیف باشد که باز نشناسی
جوهر جان ز صخره صما
نشناسد ز جهل زاهد شهر
مهره خر ز لؤلؤی لالا
قاسمی هرچه هست ارادت اوست
«سیدی، ربنا، توکلنا»
If you would praise God's attributes as they deserve, call out: 'Our Lord, the Most High.'
If you are the great truthful one, do you know what the mark of truth is? It is 'We have spoken truly.'
In this house of existence there is none but Him; ask God for eyes that truly see.
Someone asked Majnun to recite the Quran, and he said: 'By night He carried His servant to Layla.'
However much reason tried to find a remedy, this madness never left my head.
You stole my heart and then hid your face; to whom can I tell these complaints?
Qasemi is deceived by his own imaginings, for he cannot tell morning from evening.
Explanation: Couplet 4 plays on the Quranic verse about the Night Journey ('He carried His servant by night'), but the lovestruck Majnun replaces the sacred goal with Layla, showing how love overwhelms all else. Qasemi is the poet's pen name.
Original
شمارهٔ ۱۸
گر صفات خدا کنی بسزا
وصف او گوی «ربنا الاعلا»
گر تو صدیق اکبری، دانی
صفت صدق چیست؟ «صدقنا»
جز ازو نیست در سرای وجود
از خدا خواه دیده بینا
کس ز مجنون سؤال قرآن کرد
گفت: «اسری بعبده لیلا»
عقل چندان که چاره ساز یکرد
از سر ما نرفت این سودا
دل ببردی و رو نهان کردی
با که گوییم این شکایتها؟
قاسمی در خیال مغرورست
کو نداند صباح را ز مسا
Without love, the drop never reaches the sea; it was love that made Simon and the Messiah one.
Blend yourself with love and keep away from strangers; when you become undivided, love itself becomes the very meaning of your name.
Whoever falls in love with something becomes that same thing; wherever it came from, back there it returns.
Every atom of the world bears witness to this truth: my friend, all the parts return to the whole.
Pass beyond every thing, for all of it is a veil; truly, the mind that knows will not be held captive.
Love alone revealed all the secrets of the world; through Qasim Anvar this love became plain to see.
Explanation: Qasim Anvar is the poet's own pen name, signed in the final couplet as was customary. 'Simon and the Messiah' points to unity between disciple and master through love.
Original
شمارهٔ ۱۹
گر عشق نباشد نرسد قطره بدریا
از عشق بد این وحدت شمعون و مسیحا
با عشق درآمیز و ز اغیار بپرهیز
چون فرد شوی عشق شود عین مسما
هرکس که شود عاشق هرچیز همانست
زانجا که بیاید برود باز بدانجا
ذرات جهان جمله برین قول گواهند
باکل بود، ای خواجه، رجوع همه اجزا
بگذر ز همه چیز، که آنجمله حجابست
حقا که مقید نشود خاطر دانا
اسرار جهان را همگی عشق بیان کرد
از قاسم انوار شد این عشق هویدا
Every moment I tear my collar, crying: don't pull your skirt away from me,
for I hunger for your face, I am reckless, in love, and out of my mind.
Tell those drunken, wine dark eyes of yours, you plundering beauty:
after all, what do you want from raiding so many hearts?
Sweep the darkness of your hair aside from that sunlit face,
so those who long for you may pass from night's darkness into day.
I am so single hearted in love that even if the blade falls on my head,
on the day of testing I will stand firm, upright like a candle.
From head to toe I am all soul, for I am drowned in the beloved's love;
my whole being is love, from head to toe, from head to toe.
I said, my heart is disheveled by your hair; she said: for a lover,
ruby wine is the cure for the sickness of longing.
Love pours down from Qasem, while the preacher offers piety and pretense;
between the sheikh and the master lies the distance of two horizons.
Explanation: The Turk beauty is a classical image of the ravishing, heart stealing beloved. The final line contrasts genuine love (the master) with hollow religiosity (the sheikh) using the Quranic phrase for two distant horizons.
Original
شمارهٔ ۲۰
گریبان میدرم هردم که: دامان درمکش از ما
که ما مشتاق دیداریم و رند و عاشق و شیدا
به چشم مست میگونت بگو: ای ترک یغمایی
که: آخر چیست مقصودت ز چندین غارت دلها؟
ازان خورشید رخسارت سواد زلف یک سو کن
که مشتاقان به روز آیند از تاریکی شبها
چنان در عشق یک رویم که گر تیغم رود بر سر
به روز امتحان باشم چو شمع استاده پابرجا
ز سر تا پا همه جانم، که غرق عشق جانانم
همه عشقست ارکانم، ز سر تا پا، ز سر تا پا
ز زلف دل پریشانست گفتم؛ گفت: عاشق را
شراب لعل میباید علاج علت سودا
ز قاسم عشق میبارد، ز واعظ زهد و رعنایی
که «بعدالمشرقین» آمد میان شیخ و مولانا
«Nun» spoke, and «the Pen» spoke, holy and exalted: from the fine detail, the whole became clear and plain.
What is detail? A single drop crossing the open plain. What is the whole? The drop becoming the sea.
To the drop, a call: step out of your separateness. To the sea, a rebuke: step out of your singleness.
To the cloud, a call: rise to the height of the sky. To the raindrop: do not settle at this height.
To the wine the word is 'make drunk,' to the cup 'pass it round'; with the jar and the flask, the talk is of love and devotion.
With the sea, to speak of the drop is the path of right guidance; with cup and flask, the talk is of the servant and the Lord.
Come, open the eye of your heart, so you may see: the heart is the sacred house, and the soul the final goal.
From the wine cup of your love the soul is drunk and undone; bravo, what a cup, and how generous your red wine.
Qasim, night and day, is all wonder and love, drawn to that heart brightening face and that jasmine scented hair.
Explanation: «Nun» and «the Pen» echo the opening of the Quran's Surah al-Qalam, framing creation as the unfolding of a whole into detail. 'Askir' (make drunk) and 'adir' (pass it round) are Arabic mystical wine terms; the 'sacred house' recalls the Kaaba, here internalized as the heart.
Original
شمارهٔ ۲۱
«نون گفت » و «قلم » گفت تقدس و تعالا
اجمال ز تفصیل مبرهن شد و پیدا
تفصیل چه باشد؟ گذر قطره بهامون
اجمال چه باشد؟ صفت قطره بدریا
با قطره خطابی که: ز تفصیل برون شو
با بحر عتابی که: ز اجمال برون آ
با ابر خطابیست که: بر اوج سما شو
با قطره باران که: بر این اوج مکن جا
با باده خطاب «اسکر» و با جام «ادر» بود
با خم و صراحی سخن از عشق و تولا
با بحر دم از قطره زدن راه رشادست
با جام و صراحی سخن از مولی و مولا
رو دیده دل باز گشا، تا که ببینی
دل بیت حرام آمد و جان مقصد اقصا
از جام می عشق تو جان مست و خرابست
احسنت و زهی جام و زهی جودت صهبا
قاسم بشب و روز همه حیرت و عشقست
زان روی دل افروز و زان زلف سمن سا
Whatever happens, from the depths of the sea to the height of the sky, no one can say why the one who makes it happen does what he does, or how.
This separation has dragged on too long, past all endurance; if my heart stays in this state, then woe is me.
This burning fire I carry in my head will melt me away, head to foot, like a candle.
So tell me, my heart-warming love, what happened, what went wrong? For once, look my way, at this servant of yours.
It is your glance they mean when they speak of the good life; it is your breath they mean when they say, 'the one who revives the dead.'
How long will arrows of blame keep flying from every side? The arrow is clear enough, but the hand and bow that shoot it stay hidden.
Why should Qasemi grieve over the scolding of enemy or friend? Loving was my heart's portion from the very beginning of time.
Explanation: The phrase 'the one who revives the dead' echoes a Quranic image of God bringing the dead back to life, here applied to the beloved's life-giving power. 'Qasemi' is the poet's pen name.
Original
شمارهٔ ۲۲
هرچه آن می رود از حد سمک تا بسما
فاعلش را نتوان گفت که چونست و چرا؟
نوبت هجر مطول شد و ز اندازه گذشت
گر درین حال بماند دل من واویلا
من ازین آتش سوزنده که در سر دارم
همچو شمعم همگی محو کند سر تا پا
آخر، ای یار دل افروز، چه بودست و چه شد؟
نظری کن بسوی بنده خود احیانا
نظر تست که گویند: حیات طیب
نفس تست که گویند: «که یحیی الموتا»
تا بکی تیر ملامت رسد از هر سویی؟
تیر پیداست ولی شست و کمان ناپیدا
قاسمی را چه غم از سرزنش دشمن و دوست
عشقبازی ز ازل گشت نصیب دل ما
Cupbearer, in your kindness fill this clear cup: that holy spirit, that exalted soul.
The day you pour a cup for some final end, spare a single sip for that handsome preacher too.
If you want the atoms of the world to dance for you, let those curling, cross-shaped locks scatter loose in the dance.
Adviser, go and sit down, stop reciting so many tales: this fever of longing cannot be driven from my head.
You said: lose yourself, so you may find the way to yourself. I cannot decipher this riddle, this mystery.
Each time I died, I carried away a hundred other lives: no one can count the miracles of the Messiah.
Qasem will never fall in love for his own desire; but what can be said of the one who owns all hearts?
Explanation: The 'miracles of the Messiah' refers to Christ reviving the dead, a common Persian image for the beloved's life-giving power. 'Qasem' is the poet's pen name, spoken of in the third person.
Original
شمارهٔ ۲۳
ساقی، ز کرم پر کن این جام مصفا را
آن روح مقدس را، آن جان معلا را
روزی که دهی جامی، از بهر سرانجامی
یک جرعه تصدق کن آن واعظ رعنا را
خواهی که برقص آید ذرات جهان از تو
در رقص برافشانی آن زلف چلیپا را
ناصح، برو و بنشین، افسانه مخوان چندین
از سر نتوان بردن این علت سودا را
گفتی که: ز خود گم شو، تا راه بخود یابی
تفسیر نمی دانم این رمز و معما را
هربار که من مردم صد جان دگر بردم
احصا نتوان کردن اعجاز مسیحا را
قاسم نشود عاشق هرگز به هوای خود
لیکن چه توان گفتن آن مالک دلها را؟
I don't know what fate has decreed against my worth,
that from this threshold they keep driving me, forever homeless and adrift.
How glad I am for this: I've fallen into good fortune,
for on my journey a moon-faced companion walks beside me.
Go, adviser, spare me your counsel, for I am bound to no one;
no one but the old master of the tavern can guide me on this road.
Go, preacher, don't tell me tales of repentance and piety,
for such a shallow sermon never reaches the ear of my soul.
I have not seen my beloved's face with the eye of pure oneness;
in this state, both worlds cannot fit into my sight.
Out of fear of separation, the caravan bells cry in the deserts;
from their wailing this much has become clear to me.
Qasim's heart is shattered, for the beloved has vanished from his eyes;
in this parting a fresh wound scars my heart each day.
Explanation: The 'old master of the tavern' (pir-e moghan) is a Sufi symbol for the true spiritual guide, opposed to the orthodox preacher. 'Both worlds' means this world and the next.
Original
شمارهٔ ۲۴
نمی دانم چه افتادست قسمت از قدر ما را
کزین درگاه می رانند دایم دربدر ما را
ازین معنی چه دلشادم، قرین دولت افتادم
ازین معنی که شد همراه ماهی در سفر ما را
برو، ناصح، مده پندم، که با کس نیست پیوندم
که جز پیر مغان نبود درین ره راهبر ما را
برو، زاهد، مگو با ما حدیث توبه و تقوی
که اندر گوش جان ناید حدیث مختصر ما را
بچشم وحدت مطلق ندیدم روی جانان را
درین حالت نمیآید دو عالم در نظر ما را
ز بیم هجر مینالد جرسها در بیابانها
ز فریاد جرس معلوم گشتست اینقدر ما را
دل قاسم پریشان شد، که یار از دیده پنهان شد
درین فرقت رسد هر روز داغی بر جگر ما را
Every dawn I whisper my message to the wind through my weeping,
so it might carry my heart's condition to that cypress-tall one born of angels.
I have thrown myself on the dust of the road before her door like a servant,
for at this threshold I saw that humbling oneself was the way to honor.
Though my tears sank into the ground under the schooling of her sorrow,
in the end my heart carried its cry all the way to the sky.
I want to lay a foundation of patience upon the ground of my heart,
but her love keeps tearing down the wall of that foundation.
Since praise of those lips became my constant chant within every word,
I recite these prayers sweet, lovely, and brief.
My eye spoke of kinship with the family of her ruby lips, to prove the bond;
let these human-born tears stand as witness before it.
From her intoxicating eyes, Qasemi, my heart tosses in a wave of blood;
that black-hearted hunter showed no mercy to her own prey.
Explanation: The 'human-born tears' pun plays on the pupil of the eye, called 'mardom' (person) in Persian, so the tears become witnesses of true blood-kinship with the beloved's red lips. Qasemi is the poet's pen name.
Original
شمارهٔ ۲۵
هر صبحدم پیغام خود گویم به زاری باد را
تا عرض حال دل کند آن سرو حوریزاد را
پیش درش افتادهام بر خاک ره چون بندگان
زین باب دیدم در شرف اسباب پیش افتاد را
گر رفت اشکم در زمین از تربیتهای غمش
آخر رسانید این دلم تا آسمان فریاد را
خواهم که بر بنیاد دل بنیاد صبری افکنم
عشقش به هم برمیزند دیوار این بنیاد را
تا ذکر آن لب وِردِ من شد در میان هر سخن
شیرین و خوب و مختصر میخوانم این اوراد را
دم زد ز آل لعل او چشمم به اثبات نسب
آرَد گواه اندر نظر این اشک مردمزاد را
از چشم مستش قاسمی دارد دلی در موج خون
رحمی نشد بر صید خود آن دِلسِیَهْ صیاد را