He never knew God, never truly worshipped, who was not content with the fortune and daily bread he was given.
Contentment makes a man rich; go tell this to the greedy wanderer chasing the world.
Find some stillness, you restless soul, for nothing green will grow on a rolling stone.
If you are a person of sense and reason, do not pamper the body, for in feeding it you are killing yourself.
Wise people cultivate their talents; those who pamper the body are thin on merit.
Only that person has learned the ways of a true human who first silenced the dog of his own appetite.
Eating and sleeping alone are the way of beasts; to live only for these is the code of a fool.
How blessed is the lucky one who, in some quiet corner, gathers a provision of true knowledge.
Those to whom the truth of God was revealed never chose falsehood over it.
But when a man cannot tell darkness from light, what difference is a demon's face from an angel's?
You threw yourself into that pit because you failed to tell the trap from the road.
How can a noble falcon soar to the height of the sky when you have tied the stone of greed to its wings?
If you free its wing from the grip of lust, it will fly up to the highest heaven.
By cutting back on your habit of eating, you can make yourself angelic in nature.
The pace of a wild beast never reaches the realm of angels; one cannot leap from the dust straight to the heavens.
First take up a truly human character, and only then set your mind on becoming angelic.
You are mounted, belted, on an unbroken colt; take care that it does not shake off your command.
For if the rein slips from your hand, it will destroy itself and spill your blood.
If you are truly human, eat in measure. So stuffed with belly, are you a person or a jar?
Within you is room for strength, remembrance of God, and the breath of life; you imagine it exists only for bread.
How can remembrance of God fit in a sack of greed? With difficulty the soul stretches out its legs.
Those who pamper the body do not realize that a full stomach is empty of wisdom.
Two eyes and a belly are never filled by anything; better empty than these winding guts.
Like hell, which they fill with fuel yet it still cries out, 'Are there more?'
Your inner Christ is dying of starvation while you are busy fattening the donkey.
Do not buy the world at the price of your faith, you low creature; do not trade the Gospel of Christ for a donkey.
Can you not see that nothing but the greed for food ever lures beast and prey into the snare?
The leopard that lifts its neck proudly over other animals falls into the trap, for food, like a mouse.
Like the mouse: eat its bread and cheese and you fall into its trap and take its arrow.
Explanation: The 'dog of appetite' and the leopard falling for food are stock images of the base self (nafs) enslaved by desire. 'Christ' and 'donkey' contrast the spirit that starves while the animal body is fattened.
Original
بخش ۱ - سر آغاز
خدا را ندانست و طاعت نکرد
که بر بخت و روزی قناعت نکرد
قناعت توانگر کند مرد را
خبر کن حریص جهانگرد را
سکونی به دست آور ای بی ثبات
که بر سنگ گردان نروید نبات
مپرور تن ار مرد رای و هشی
که او را چو میپروری میکشی
خردمند مردم هنر پرورند
که تن پروران از هنر لاغرند
کسی سیرت آدمی گوش کرد
که اول سگ نفس خاموش کرد
خور و خواب تنها طریق دد است
بر این بودن آیین نابخرد است
خنک نیکبختی که در گوشهای
به دست آرد از معرفت توشهای
بر آنان که شد سر حق آشکار
نکردند باطل بر او اختیار
ولیکن چو ظلمت نداند ز نور
چه دیدار دیوش چه رخسار حور
تو خود را از آن در چه انداختی
که چه را ز ره باز نشناختی
بر اوج فلک چون پرد جره باز
که در شهپرش بستهای سنگ آز؟
گرش دامن از چنگ شهوت رها
کنی، رفت تا سدرةالمنتهی
به کم کردن از عادت خویش خورد
توان خویشتن را ملک خوی کرد
کجا سیر وحشی رسد در ملک
نشاید پرید از ثری بر فلک
نخست آدمی سیرتی پیشه کن
پس آن گه ملک خویی اندیشه کن
تو بر کرهٔ توسنی بر کمر
نگر تا نپیچد ز حکم تو سر
که گر پالهنگ از کفت در گسیخت
تن خویشتن کشت و خون تو ریخت
به اندازه خور زاد اگر مردمی
چنین پر شکم، آدمی یا خمی؟
درون جای قوت است و ذکر و نفس
تو پنداری از بهر نان است و بس
کجا ذکر گنجد در انبان آز؟
به سختی نفس میکند پا دراز
ندارند تن پروران آگهی
که پر معده باشد ز حکمت تهی
دو چشم و شکم پر نگردد به هیچ
تهی بهتر این رودهٔ پیچ پیچ
چو دوزخ که سیرش کنند از وقید
دگر بانگ دارد که هل من مزید؟
همی میردت عیسی از لاغری
تو در بند آنی که خر پروری
به دین، ای فرومایه، دنیا مخر
تو خر را به انجیل عیسی مخر
مگر مینبینی که دد را و دام
نینداخت جز حرص خوردن به دام؟
پلنگی که گردن کشد بر وحوش
به دام افتد از بهر خوردن چو موش
چو موش آن که نان و پنیرش خوری
به دامش در افتی و تیرش خوری
A pilgrim once gave me an ivory comb, may God's mercy rest on the ways of pilgrims.
Then I heard that this same man had once called me a dog, that his heart had somehow soured against me.
So I threw the comb away: I don't need this bone. From now on, don't call me your dog.
Don't think that just because I have my own sour vinegar to eat, I'd suffer a master's cruelty to get his sweets.
Be content with little, my soul, and you'll see the king and the beggar as one and the same.
Why go begging to the emperor's door? Set greed aside, and you are an emperor yourself.
But if you serve only your own belly, turn it into a drum and bow toward every stranger's house for food.
Explanation: The comb of ivory (a bone) plays on the insult 'dog': a dog gnaws bones, so the poet rejects the gift rather than be treated like one. Vinegar versus sweets contrasts humble independence with servile comfort.
Original
بخش ۲ - حکایت
مرا حاجیی شانهٔ عاج داد
که رحمت بر اخلاق حجاج باد
شنیدم که باری سگم خوانده بود
که از من به نوعی دلش مانده بود
بینداختم شانه کاین استخوان
نمیبایدم دیگرم سگ مخوان
مپندار چون سرکهٔ خود خورم
که جور خداوند حلوا برم
قناعت کن ای نفس بر اندکی
که سلطان و درویش بینی یکی
چرا پیش خسرو به خواهش روی
چو یک سو نهادی طمع، خسروی
وگر خود پرستی شکم طبله کن
در خانهٔ این و آن قبله کن
I heard that one morning, early at dawn, a greedy man went before the king of Khwarazm.
When he saw him, he bent double in service, then straightened, and again pressed his face to the ground before rising.
His son said to him: Father, seeker of good name, I want to ask you something puzzling, so tell me.
Didn't you say the direction of prayer is toward the Hejaz? Why did you pray this way today?
Don't obey a soul enslaved to desire, for every hour it faces a different direction.
Don't lend your hand to its commands, brother, for whoever refuses to obey it is set free.
Contentment lifts your head high, wise man; a head full of greed will not rise above the shoulders.
Greed spilled your honor and your dignity; for two grains of barley it tore open a whole robe.
When a little stream would quench your thirst, why pour out your honor chasing snow?
Learn to do without luxury and pleasure, or need will drive you begging from door to door.
Go, master, shorten the hand of greed. What do you gain from a long, grasping sleeve?
Anyone whose ledger is filled with greed should not be called any man's slave or servant.
Your begging drives you out of every gathering; drive it out of yourself before it gets you thrown out.
Explanation: The double prostration to the king is mistaken for prayer, setting up the son's question and the father's lesson that greed makes a false qibla of every powerful person. 'A long sleeve' evokes the grasping, outstretched hand of a beggar.
Original
بخش ۳ - حکایت
یکی پر طمع پیش خوارزمشاه
شنیدم که شد بامدادی پگاه
چو دیدش به خدمت دوتا گشت و راست
دگر روی بر خاک مالید و خاست
پسر گفتش ای بابک نامجوی
یکی مشکلت میبپرسم بگوی
نگفتی که قبلهست سوی حجاز
چرا کردی امروز از این سو نماز؟
مبر طاعت نفس شهوت پرست
که هر ساعتش قبلهٔ دیگر است
مبر ای برادر به فرمانش دست
که هر کس که فرمان نبردش برست
قناعت سرافرازد ای مرد هوش
سر پر طمع بر نیاید ز دوش
طمع آبروی توقر بریخت
برای دو جو دامنی در بریخت
چو سیراب خواهی شدن ز آب جوی
چرا ریزی از بهر برف آبروی؟
مگر از تنعم شکیبا شوی
وگرنه ضرورت به درها شوی
برو خواجه کوتاه کن دست آز
چه میبایدت ز آستین دراز؟
کسی را که درج طمع در نوشت
نباید به کس عبد و خادم نبشت
توقع براند ز هر مجلست
بران از خودش تا نراند کست
One of the wise fell sick with fever, and someone said to him, 'Go ask so-and-so for some sugar.'
He answered, 'My son, the bitterness of my own death is easier to bear than the insult of that sour, scowling face.'
A sensible man will not take sugar from the hand of one who turns his face away in arrogance, sour as vinegar.
Do not chase after everything your heart desires, for pampering the body drains the light of the soul.
The craving self debases a man; if you have any sense, do not hold it dear.
If you eat whatever you wish, you will carry away much disappointment from the turning of the world.
To keep the oven of your belly always fired up makes the day of scarcity a disaster.
When times are hard the color drains from your face, because in times of plenty you never held your stomach in check.
The glutton carries the burden of his belly; and when he finds no food, he carries the burden of sorrow instead.
You will often see the slave of his stomach ashamed. To me, a tight stomach is better than a tight, aching heart.
Explanation: The 'craving self' renders nafs-e ammara, the appetite-driven ego in Sufi thought. The final line plays on 'tight stomach' versus 'tight heart' (distress).
Original
بخش ۴ - حکایت
یکی را تب آمد ز صاحبدلان
کسی گفت شِکَّر بخواه از فلان
بگفت ای پسر تلخی مردنم
به از جور روی ترش بردنم
شکر عاقل از دست آن کس نخورد
که روی از تکبر بر او سرکه کرد
مرو از پی هر چه دل خواهدت
که تمکین تن نور جان کاهدت
کند مرد را نفس اماره خوار
اگر هوشمندی عزیزش مدار
اگر هرچه باشد مرادت خوری
ز دوران بسی نامرادی بری
تنور شکم دم به دم تافتن
مصیبت بود روز نایافتن
به تنگی بریزاندت روی رنگ
چو وقت فراخی کنی معده تنگ
کِشد مرد پرخواره بار شکم
وگر در نیابد کشد بار غم
شکم بنده بسیار بینی خجل
شکم پیش من تنگ بهتر که دل
Do you know what strange thing I brought back from Basra? A story sweeter than fresh dates.
A handful of us, dressed in the robes of honest folk, were passing along the edge of a date grove.
One among us was a walking storehouse of a belly, and from his own gluttony he was utterly wretched.
The poor man tightened his belt and climbed the tree, then fell from up there hard, right on his neck.
You can't always eat dates and carry them off: that leather sack of a belly ate its fill at last and died.
The village headman came and asked, 'Who killed this man?' I said, 'Don't shout at us so harshly.'
His belly dragged him down from the branch: a heart too narrow, but guts wide open.
The belly is a shackle on the hands and a chain on the feet; the slave to his stomach rarely worships God.
When a man is nothing but belly, he becomes a locust, and even a small tidy-bellied ant can drag him off by the foot.
Go and cultivate a clean inner self, for the belly is never filled until it is filled with earth.
Explanation: The closing line plays on a proverb: only the grave (earth) finally satisfies human greed. 'Filled with earth' means death and burial.
Original
بخش ۵ - حکایت در مذلت بسیار خوردن
چه آوردم از بصره دانی عجب
حدیثی که شیرین تر است از رطب
تنی چند در خرقه راستان
گذشتیم بر طرف خرماستان
یکی در میان معده انبار بود
ز پر خواری خویش بس خوار بود
میان بست مسکین و شد بر درخت
وز آنجا به گردن در افتاد سخت
نه هر بار خرما توان خورد و برد
لت انبان بد عاقبت خورد و مرد
رئیس ده آمد که این را که کشت؟
بگفتم مزن بانگ بر ما درشت
شکم دامن اندر کشیدش ز شاخ
بود تنگدل رودگانی فراخ
شکم بند دست است و زنجیر پای
شکم بنده نادر پرستد خدای
سراسر شکم شد ملخ لاجرم
به پایش کشد مور کوچک شکم
برو اندرونی به دست آر، پاک
شکم پر نخواهد شد الّا به خاک
Hunger and lust brought a Sufi low; he spent two coins on both of them.
A friend asked him quietly, 'What did you do with these two coins?' He said:
'With one I chased the pleasure of the flesh; with the other I laid out a feast for my belly.'
'I acted like a base fool, for the one was never filled, and the other never emptied.'
Whether the food is fine or plain, you enjoy it best when it comes to you after long hunger.
The wise person lays his head on the pillow only when sleep has taken him captive by force.
Do not speak until you find the right moment; when you see no field to play in, hold on to the ball.
Do not go to a woman beyond what is right; you are no madman, so do not turn the blade on yourself.
To rouse desire when there is no genuine want is to spill your own blood by choice.
Explanation: The image of 'holding the ball when there is no field' comes from polo, a common metaphor in Persian poetry for waiting for the right opportunity.
Original
بخش ۶ - حکایت
شکم صوفیی را زبون کرد و فرج
دو دینار بر هر دوان کرد خرج
یکی گفتش از دوستان در نهفت
چه کردی بدین هر دو دینار؟ گفت
به دیناری از پشت راندم نشاط
به دیگر، شکم را کشیدم سماط
فرومایگی کردم و ابلهی
که این همچنان پر نشد وآن تهی
غذا گر لطیف است و گر سرسری
چو دیرت به دست اوفتد خوش خوری
سر آنگه به بالین نهد هوشمند
که خوابش به قهر آورد در کمند
مجال سخن تا نیابی مگوی
چو میدان نبینی نگه دار گوی
وز اندازه بیرون، مرو پیش زن
نه دیوانهای تیغ بر خود مزن
به بی رغبتی شهوت انگیختن
به رغبت بود خون خود ریختن
A man had sugarcane laid out on a tray,
turning left and right, calling for a buyer.
In a corner of the village he said to a wise man,
'Take some now, and pay me back when you can.'
That gracious, thoughtful man gave an answer
worthy of being written on one's eyes.
'You wouldn't stay patient waiting on me,
but I can wait; I can do without your sugarcane.'
Sugar holds no sweetness in its reed
when a bitter debt is hanging over it.
Explanation: The final couplet plays on the contrast between sweet sugar and a bitter debt: pleasure loses its taste when it comes with an obligation, so contentment is preferred over indebtedness.
Original
بخش ۷ - حکایت در عزت قناعت
یکی نیشکر داشت بر طَبقَری
چپ و راست گردیده بر مشتری
به صاحبدلی گفت در کنج ده
که بستان و چون دست یابی بده
بگفت آن خردمند زیبا سرشت
جوابی که بر دیده باید نبشت
تو را صبر بر من نباشد مگر
ولیکن مرا باشد از نیشکر
حلاوت ندارد شکر در نیَش
چو باشد تقاضای تلخ از پیش
The prince of Khotan gave a robe of silk to one of the clear-hearted, enlightened men.
The man blossomed with joy like a smiling flower; but he did not put it on. He kissed the prince's hand and said:
The prince of Khotan's gift is fine indeed, yet finer still is my own simple cloak.
If you are truly free, sleep on the bare ground and be content; do not bow and kiss the floor to earn someone's carpet.
Explanation: Khotan was famed for luxury goods. The closing lines praise the dignity of poverty over accepting favors that cost one's independence.
Original
بخش ۸ - حکایت
یکی را ز مردان روشن ضمیر
امیر ختن داد طاقی حریر
ز شادی چو گلبرگ خندان شکفت
نپوشید و دستش ببوسید و گفت:
چه خوب است تشریف میر ختن
وز او خوب تر خرقهٔ خویشتن
گر آزادهای بر زمین خسب و بس
مکن بهر قالی زمین بوس کس
One man had nothing to eat with his bread but an onion; unlike others, he had no comforts or fine things.
A troublemaker said to him: You wretch, go and grab yourself a dish from the free-for-all feast.
Just ask, sir, and fear no one; a man cut off from his daily bread is the one who should feel shame.
He tucked up his robe and quickly reached out his hand; they tore his robe and broke his hand.
I heard him say, while weeping tears of blood: My own soul, what remedy is there for the harm I brought on myself?
Whoever is caught in the grip of greed goes looking for trouble. From now on it's just me, my home, my bread and my onion.
A crust of barley bread I earn by the sweat of my own arm is better than fine white bread on the table of the generous.
How miserably that low creature slept last night, straining to hear what fell from other people's tables.
Explanation: The «free-for-all feast» (khan-e yaghma) is a lavish spread thrown open for anyone to plunder; here it stands for begging from the rich, which the poet condemns in favor of honest self-sufficiency.
Original
بخش ۹ - حکایت
یکی نانخورش جز پیازی نداشت
چو دیگر کسان برگ و سازی نداشت
پراکندهای گفتش ای خاکسار
برو طبخی از خوان یغما بیار
بخواه و مدار از کس ای خواجه باک
که مقطوع روزی بود شرمناک
قبا بست و چابک نوردید دست
قبایش دریدند و دستش شکست
شنیدم که میگفت و خون میگریست
که ای نفس، خودکرده را چاره چیست؟
بلا جوی باشد گرفتار آز
من و خانه منبعد و نان و پیاز
جوینی که از سعی بازو خورم
به از میده بر خوان اهل کرم
چه دلتنگ خفت آن فرومایه دوش
که بر سفرهٔ دیگران داشت گوش
A cat once lived in an old woman's house,
but its luck had turned and its days were miserable.
It ran off to the prince's guesthouse,
where the sultan's servants shot it with arrows.
Blood dripping from its very bones, it ran,
fleeing in terror for its life, and said:
If I escape the hands of this archer,
give me my mouse and the old woman's ruin, and nothing more.
Honey is not worth a sting, dear life of mine;
better to be content with your own simple syrup.
God is not pleased with the servant
who is not satisfied with the share God has given.
Explanation: The contrast between honey (rich luxury) and simple grape syrup (dooshab) illustrates the theme of contentment with one's humble lot.
Original
بخش ۱۰ - حکایت
یکی گربه در خانهٔ زال بود
که برگشته ایام و بدحال بود
دوان شد به مهمانسرای امیر
غلامان سلطان زدندش به تیر
چکان خونش از استخوان، میدوید
همی گفت و از هول جان میدوید
اگر جستم از دست این تیرزن
من و موش و ویرانهٔ پیرزن
نیرزد عسل، جان من، زخم نیش
قناعت نکوتر به دوشاب خویش
خداوند از آن بنده خرسند نیست
که راضی به قِسم خداوند نیست
A child had cut its first teeth,
and the father sank into worried thought.
How will I bring it bread and food?
It would be heartless to abandon it.
When the helpless man said this to his wife,
see how bravely she answered him:
Don't let the devil's fears eat at you till he takes your life.
The One who gives teeth will give bread too.
In the end, the Lord of each day is able
to provide our daily bread, so don't burn yourself with worry.
The One who shapes the child in the womb
is also the One who writes its lifespan and its provision.
A master who buys a servant looks after him;
how much more the One who created the servant?
You do not lean on the Creator
the way a slave relies on his master.
You have heard that in ancient times
stones turned to silver in the hands of the saints.
Don't imagine this saying makes no sense:
once you are content, silver and stone are the same to you.
When your heart is as free of greed as a child's,
what is a fistful of gold to your spirit, or a handful of dust?
Tell the dervish who worships kings
that the king is poorer than the wretched dervish.
A single silver coin fills the beggar,
yet all the realm of Persia leaves Fereydoun half-hungry.
Guarding kingdom and wealth is a torment;
the true king is the beggar, though his name is beggar.
A beggar whose heart is free of cares
is better than a king who is never satisfied.
A peasant and his wife sleep more sweetly
than a sultan ever slept in his palace hall.
Whether king or humble cobbler,
once they fall asleep, night is the same for both.
When the flood of sleep arrives and carries a man off,
what difference is a sultan's throne or a bare stretch of open ground?
When you see the rich man drunk on his own pride,
go and thank God, you who have little.
Thank God, you do not have the power
to cause anyone harm.
Explanation: Fereydoun is a legendary Persian king, used here as the emblem of vast royal power. The saints' turning stone to silver illustrates that contentment makes wealth and worthlessness indistinguishable.
Original
بخش ۱۱ - حکایت مرد کوته نظر و زن عالی همت
یکی طفل دندان برآورده بود
پدر سر به فکرت فرو برده بود
که من نان و برگ از کجا آرمش؟
مروت نباشد که بگذارمش
چو بیچاره گفت این سخن، نزد جفت
نگر تا زن او را چه مردانه گفت:
مخور هول ابلیس تا جان دهد
همان کس که دندان دهد نان دهد
تواناست آخر خداوند روز
که روزی رساند، تو چندین مسوز
نگارندهٔ کودک اندر شکم
نویسنده عمر و روزی است هم
خداوندگاری که عبدی خرید
بدارد، فکیف آن که عبد آفرید
تو را نیست این تکیه بر کردگار
که مملوک را بر خداوندگار
شنیدی که در روزگار قدیم
شدی سنگ در دست ابدال سیم
نپنداری این قول معقول نیست
چو قانع شدی سیم و سنگت یکی است
چو طفل اندرون دارد از حرص پاک
چه مشتی زرش پیش همت چه خاک
خبر ده به درویش سلطانپرست
که سلطان ز درویش مسکینترست
گدا را کند یک درم سیم سیر
فریدون به ملک عجم نیم سیر
نگهبانی ملک و دولت بلاست
گدا پادشاه است و نامش گداست
گدایی که بر خاطرش بند نیست
به از پادشاهی که خرسند نیست
بخسبند خوش روستایی و جفت
به ذوقی که سلطان در ایوان نخفت
اگر پادشاه است و گر پینهدوز
چو خفتند گردد شب هر دو روز
چو سیلابِ خواب آمد و مرد برد
چه بر تخت سلطان، چه بر دشت کرد
چو بینی توانگر سر از کبر مست
برو شکر یزدان کن ای تنگدست
نداری بحمدالله آن دسترس
که برخیزد از دستت آزار کس
I heard of a wise and decent man
who built himself a house just his own size.
Someone said, 'I know you have the means
to build far better than this.' He answered, 'This is enough.'
What would I want with raising a grand pavilion?
This much is enough for a place I'll only leave behind.
Don't build your house in the path of a flood, my friend,
for no one has ever seen that building finished.
It shows neither wisdom, nor sense, nor good judgment
for a caravan to build an inn on the open road.
Explanation: The 'path of a flood' and building an 'inn on the road' are images for investing heavily in this transient world, which we are only passing through and will leave behind.
Original
بخش ۱۲ - حکایت
شنیدم که صاحبدلی نیکمرد
یکی خانه بر قامت خویش کرد
کسی گفت میدانمت دسترس
کز این خانه بهتر کنی، گفت بس
چه میخواهم از طارم افراشتن؟
همینم بس از بهر بگذاشتن
مکن خانه بر راه سیل، ای غلام
که کس را نگشت این عمارت تمام
نه از معرفت باشد و عقل و رای
که بر ره کند کاروانی سرای
There was a majestic, powerful king whose sun was about to set behind the mountains.
He handed the country over to a hermit in that shrine, a man who had held no rank during the previous reign.
When the recluse heard the drums of power, he no longer found any joy in his corner of solitude.
He began marching armies left and right, until the hearts of the brave fled from him in fear.
His arm grew so strong and his claws so sharp that he picked fights even with seasoned warriors.
He killed many from the scattered people, so the rest banded together, of one mind and backing each other.
They pressed the siege so tightly around him that he was helpless against the rain of arrows and stones.
He sent word to a righteous man: 'I am stuck in dire trouble, come to my rescue.'
'Help me with your spiritual strength, for sword and arrow are not a lifeline in every battle.'
When the devout man heard this, he laughed and said, 'Why did he not settle for half a loaf of bread and simply sleep in peace?'
Korah, that worshipper of wealth, never understood that the treasure of safety lies in a quiet corner.
Explanation: Korah (Qarun) is the Quranic figure whose vast riches led to his ruin, here a symbol of greed. The poem contrasts worldly power with the peace of a humble, contented life.
Original
بخش ۱۳ - حکایت
یکی سلطنت ران صاحب شکوه
فرو خواست رفت آفتابش به کوه
به شیخی در آن بقعه کشور گذاشت
که در دوره قائم مقامی نداشت
چو خلوت نشین کوس دولت شنید
دگر ذوق در کنج خلوت ندید
چپ و راست لشکر کشیدن گرفت
دل پردلان زو رمیدن گرفت
چنان سخت بازو شد و تیز چنگ
که با جنگجویان طلب کرد جنگ
ز قوم پراکنده خلقی بکشت
دگر جمع گشتند و هم رای و پشت
چنان در حصارش کشیدند تنگ
که عاجز شد از تیرباران و سنگ
بر نیکمردی فرستاد کس
که صعبم فرومانده، فریاد رس
به همت مدد کن که شمشیر و تیر
نه در هر وغایی بود دستگیر
چو بشنید عابد بخندید و گفت
چرا نیم نانی نخورد و نخفت؟
ندانست قارون نعمت پرست
که گنج سلامت به کنج اندر است
A generous man carries his worth within himself;
if he has no gold, what has he really lost, what should he fear?
Don't imagine that a mean man, even if he grows as rich as Croesus,
will change his stingy nature.
And if a generous man cannot find even bread,
his nature is still rich all the same.
Kindness is the soil, and giving is the seed:
give, so the root is never left without its branches.
A God who shapes people out of dust,
it would be strange if He let humanity go to waste.
Don't seek greatness in hoarding your wealth,
for standing water turns foul and sour.
Strive to give freely, for the flowing stream
is fed by the rains that pour from the sky.
If a mean man falls from rank and fortune,
only rarely will he ever recover and stand straight again.
But if you are a precious jewel, do not grieve,
for time will never let you go to waste.
A clod of dirt lying in the road,
you never see anyone give it a second glance.
But if a fleck of gold slips from between the teeth,
people search for it again by candlelight.
They cut clear glass out of raw stone;
how could a mirror ever stay buried under rust?
What matters is skill, learning, faith, and inner worth,
for rank and riches come and go.
Explanation: Qarun (Korah) is the Quranic figure of legendary wealth, rendered here as Croesus for a general reader. The mirror under rust plays on the old polished-metal mirror, which only tarnishes on the surface.
Original
بخش ۱۴ - گفتار در صبر بر ناتوانی به امید بهی
کمال است در نفس مرد کریم
گرش زر نباشد چه نقصان و بیم؟
مپندار اگر سفله قارون شود
که طبع لئیمش دگرگون شود
وگر درنیابد کرمپیشه، نان
نهادش توانگر بود همچنان
مروت زمین است و سرمایه زرع
بده کاصل خالی نماند ز فرع
خدایی که از خاک مردم کند
عجب باشد ار مردمی گم کند
ز نعمت نهادن بلندی مجوی
که ناخوش کند آب استاده بوی
به بخشندگی کوش کآب روان
به سیلش مدد میرسد ز آسمان
گر از جاه و دولت بیفتد لئیم
دگر باره نادر شود مستقیم
وگر قیمتی گوهری غم مدار
که ضایع نگرداندت روزگار
کلوخ ار چه افتاده بینی به راه
نبینی که در وی کند کس نگاه
و گر خردهٔ زر ز دندانْ گاز
بیفتد، به شمعش بجویند باز
به در میکنند آبگینه ز سنگ
کجا ماند آیینه در زیر زنگ؟
هنر باید و فضل و دین و کمال
که گاه آید و گه رود جاه و مال
I heard from elders with their sweet talk that once, in this city, there lived an old man.
He had seen many kings, many ages, many rulers; he had lived a lifetime, from the days of old.
This ancient tree bore fresh fruit: a young beauty for whom the whole city was famous.
How strange, that dimple on his chin, that charmer; for an apple never grew on a cypress.
Because the young man was mischievous and cutting toward people, someone thought it best to shave his head.
With a razor, an old man of short-lived hopes turned that head as white as the hand of Moses.
The sharpness of that iron-hearted man made him mock the fairy-faced boy's flaw.
For the little hair he had trimmed from that beauty, they suddenly shoved that man's head into his belly.
Like a harp bowed low in shame, the beautiful boy hung his head, his hair fallen before him.
There was one whose heart was given to the boy, as troubled as his beloved's captivating eyes.
Someone told him: you have tasted his cruelty and pain; stop chasing this futile desire.
Turn your back on his love, as a moth would, for the scissors have snuffed out the candle of his beauty.
A cry rose from the loyal, quick-tongued lover: the shallow are the ones whose vows run thin.
A son should be good-natured and handsome; let his ignorant father go ahead and shave off his hair.
My soul is woven into his love; my heart never hung on a single hair.
If you have a lovely face, do not grieve, for if the hair falls out, it will grow again.
The vine does not always give fresh clusters; sometimes it sheds its leaves, sometimes it bears fruit.
When the great fall behind a veil, like the sun, the envious go out like embers dropped in water.
The sun slowly emerges from under the cloud, and the ember dies in the water.
Do not fear the darkness, my worthy friend, for it may be that the water of life lies within it.
Did the world not find rest after its turmoil? Did Saadi not travel until he found his wish?
Do not burn your heart with thoughts of disappointment; the night is pregnant with the day, my brother.
Explanation: The 'white hand of Moses' refers to the Quranic miracle where Moses's hand shone bright white, used here for the shaved white head. The closing image 'the night is pregnant with the day' is a classic Persian promise that hardship gives birth to relief.
Original
بخش ۱۵ - حکایت در معنی آسانی پس از دشواری
شنیدم ز پیران شیرین سخن
که بود اندر این شهر پیری کهن
بسی دیده شاهان و دوران و امر
سرآورده عمری ز تاریخ عمرو
درخت کهن میوهای تازه داشت
که شهر از نکویی پرآوازه داشت
عجب در زنخدان آن دل فریب
که هرگز نبودهست بر سرو سیب
ز شوخی و مردم خراشیدنش
فرج دید در سر تراشیدنش
به موسی، کهن عمر کوته امید
سرش کرد چون دست موسی سپید
ز سر تیزی آن آهنین دل که بود
به عیب پریرخ زبان برگشود
به مویی که کرد از نکوییش کم
نهادند حالی سرش در شکم
چو چنگ از خجالت سر خوبروی
نگونسار و در پیشش افتاده موی
یکی را که خاطر در او رفته بود
چو چشمان دلبندش آشفته بود
کسی گفت جور آزمودی و درد
دگر گرد سودای باطل مگرد
ز مهرش بگردان چو پروانه پشت
که مقراض، شمع جمالش بکشت
برآمد خروش از هوادار چست
که تردامنان را بود عهد سست
پسر خوش منش باید و خوبروی
پدر گو به جهلش بینداز موی
مرا جان به مهرش برآمیختهست
نه خاطر به مویی در آویختهست
چو روی نکو داری انده مخور
که موی ار بیفتد بروید دگر
نه پیوسته رز خوشهٔ تر دهد
گهی برگ ریزد، گهی بر دهد
بزرگان چو خور در حجاب اوفتند
حسودان چو اخگر در آب اوفتند
برون آید از زیر ابر آفتاب
به تدریج و اخگر بمیرد در آب
ز ظلمت مترس ای پسندیده دوست
که ممکن بود کاب حیوان در اوست
نه گیتی پس از جنبش آرام یافت؟
نه سعدی سفر کرد تا کام یافت؟
دل از بی مرادی به فکرت مسوز
شب آبستن است ای برادر به روز