Chapter Eight: On Gratitude for Well-being

190. In Praise of the Giver

English
I can hardly draw a breath to thank the Friend, for I know no thanks that would be worthy of him. Every hair on my body is a gift from him; how could I offer thanks for each single hair? Praise be to the generous Lord who brought his servant out of nothing into being. Who has the strength to describe his kindness? All descriptions drown in the greatness of his glory. The Wondrous One who shapes a person out of clay and grants him spirit, wisdom, mind, and heart. From your father's loins to the final slope of old age, look at the robes of honor he bestowed on you from the unseen. Since he made you pure, stay aware and pure, for it is a disgrace to go to the grave unclean. Keep wiping the dust off the mirror again and again, for once it rusts, no polish can restore it. Were you not at first only a drop of fluid? If you are truly a man, drive the ego out of your head. When by effort you gain your daily bread, do not lean on the strength of your own arm. Why don't you see the truth, you self-worshipper, that it is he who sets your arm and hand in motion? When good comes to you through your striving, know it as God's grace, not as your own effort. No one has won the prize by his own strength; give thanks to the Lord who grants success. You cannot stand a single step on your own; help reaches you from the unseen, moment by moment. Were you not once a speechless infant, silent of boasting? Yet food came to your belly through the navel. When they cut the cord and that supply was severed, your hand reached out and clung to your mother's breast. A stranger whom the world afflicts with hardship is given, as remedy, water from his own hometown. So the child was nourished within the womb, fed through the channel of the stomach. The two breasts he longs for today are also two springs from the place that raised him. The mother's lap and warm embrace are paradise, and the breast within is a stream of milk. She is a tree that nourishes life, and the child is her precious fruit upon the branch. Are not the veins of the breast joined to the heart? So if you look closely, that milk is the blood of the heart. He sinks his teeth like a needle into her blood, yet she has woven her love into that blood-drinking child. When his arm grows strong and his teeth grow firm, the nurse smears the breast with bitterness to wean him. With patience she calms his craving for milk, until he forgets the sweet breast entirely. You too, still a child on the road of repentance, with patience your sin will be forgotten.
Explanation: The 'mirror' image (couplet 8) reflects the Sufi idea of the heart as a mirror that must be kept polished. The final couplet turns the weaning metaphor into a lesson: as a child forgets the breast through patience, the penitent forgets sin.

Original

بخش ۱ - سرآغاز

نفس می‌نیارم زد از شکر دوست که شکری ندانم که در خورد اوست عطایی است هر موی از او بر تنم چگونه به هر موی شکری کنم؟ ستایش خداوندِ بخشنده را که موجود کرد از عدم بنده را که را قوت وصف احسان اوست؟ که اوصاف مستغرق شأن اوست بدیعی که شخص آفریند ز گل روان و خرد بخشد و هوش و دل ز پشت پدر تا به پایان شیب نگر تا چه تشریف دادت ز غیب چو پاک آفریدت بهُش باش و پاک که ننگ است ناپاک رفتن به خاک پیاپی بیفشان از آیینه گَرد که مصقل نگیرد چو زنگار خورد نه در ابتدا بودی آب منی؟ اگر مردی از سر به در کن منی چو روزی به سعی آوری سوی خویش مکن تکیه بر زور بازوی خویش چرا حق نمی‌بینی ای خودپرست که بازو به گردش درآورد و دست؟ چو آید به کوشیدنت خیر پیش به توفیقِ حقْ دان نه از سعی خویش به سرپنجگی کس نبرده‌ست گوی سپاس خداوندِ توفیقْ گوی تو قائم به خود نیستی یک قدم ز غیبت مدد می‌رسد دم به دم نه طفل زبان بسته بودی ز لاف؟ همی روزی آمد به جوفش ز ناف چو نافش بریدند و روزی گسست به پستان مادر در آویخت دست غریبی که رنج آردش دهر پیش به دارو دهند آبش از شهر خویش پس او در شکم پرورش یافته‌ست ز انبوب معده خورش یافته‌ست دو پستان که امروز دلخواه اوست دو چشمه هم از پرورشگاه اوست کنار و بر مادر دلپذیر بهشت است و پستان در او جوی شیر درختی است بالای جان پرورش ولد میوهٔ نازنین بر برش نه رگ‌های پستان درون دل است؟ پس ار بنگری شیر خون دل است به خونش فرو برده دندان چو نیش سرشته در او مهر خون‌خوار خویش چو بازو قوی کرد و دندان ستبر براندایدش دایه پستان به صبر چنان صبرش از شیر خامش کند که پستان شیرین فرامش کند تو نیز ای که در توبه‌ای طفل راه به صبرت فراموش گردد گناه

191. A Tale

English
A young man turned his back on his mother's wishes, and her aching heart burned like fire. When she was helpless before him, she brought out his cradle: 'You cold, faithless one who has forgotten your promise, weren't you once weeping, helpless, and small, the one whose crying kept sleep from my eyes for whole nights? In that cradle, didn't you lack all strength? You couldn't even wave a fly away from yourself. You are the same one troubled by a single fly, though today you are a chief with a strong grip.' You will return again, deep in the grave, to a state where you cannot even keep an ant off yourself. How will your eye ever light its lamp again once the worm of the tomb has eaten the marrow of your mind? When you see someone with veiled eyes who cannot tell a road from a pit as he walks, if you gave thanks that you can see, good; if not, then you too are one with covered eyes. No teacher taught you understanding and judgment; God planted this quality in your nature. If your truth-hearing heart forbade you something, then truth itself would not sound like falsehood to your ears.
Explanation: The 'worm eating the marrow of the mind' evokes decay in the grave. The closing lines argue that moral discernment is innate, a gift from God, not something learned.

Original

بخش ۲ - حکایت

جوانی سر از رای مادر بتافت دل دردمندش به آذر بتافت چو بیچاره شد پیشش آورد مهد که ای سست مهر فراموش عهد نه گریان و درمانده بودی و خرد که شبها ز دست تو خوابم نبرد؟ نه در مهد نیروی حالت نبود مگس راندن از خود مجالت نبود؟ تو آنی کز آن یک مگس رنجه‌ای که امروز سالار و سرپنجه‌ای به حالی شوی باز در قعر گور که نتوانی از خویشتن دفع مور دگر دیده چون برفروزد چراغ چو کرم لحد خورد پیه دماغ؟ چو پوشیده چشمی ببینی که راه نداند همی وقت رفتن ز چاه تو گر شکر کردی که با دیده‌ای وگر نه تو هم چشم پوشیده‌ای معلم نیاموختت فهم و رای سرشت این صفت در نهادت خدای گرت منع کردی دل حق نیوش حقت عین باطل نبودی به گوش

192. On the Craft of the Creator in Shaping the Human Body

English
Look how, by divine craft, a single finger is fitted together from several joints. It is madness and folly, then, to raise a critical finger against His work. Reflect on how a person walks: how many bones were forged and joined together. Without the turning of ankle, knee, and foot, you could not lift a single step from the ground. Bowing before this human form is no hard task, for the spine within is not one solid rod. Two hundred vertebrae are set upon each other: that is the delicate frame He shaped in you. Your veins run through your body, you of pleasing nature, like a land threaded by three hundred and sixty streams. Sight sits in the head, along with thought, judgment, and discernment; the limbs serve the heart, and the heart is honored by knowledge. The beasts crawl low, faces to the ground, while you stand upright on your feet, straight as a letter alif. They bow their heads down to eat, but you, with dignity, bring the food up to your face. It does not suit you, with such nobility, to lower your head to anything but worship. In His bounty He gave you grain, not chaff, and did not force your face into the grass like the cattle. Yet do not be deceived by this pleasing form; take on a fine character instead. What matters is a straight path, not a straight, tall stature, for even the unbeliever looks much like us in form. The One who gave you eyes and mouth and ears, if you are wise, do not strive against Him. Suppose you crush your enemy with a stone; at least, out of ignorance, do not war against your Friend. Those of wise nature, mindful of grace, nail down His blessings with the nail of gratitude.
Explanation: The upright human form is likened to the Persian letter alif (a single vertical stroke). The final couplet's image of nailing down blessings means securing God's gifts through gratitude so they are not lost.

Original

بخش ۳ - گفتار اندر صنع باری عز اسمه در ترکیب خلقت انسان

ببین تا یک انگشت از چند بند به صنع الهی به هم در فگند پس آشفتگی باشد و ابلهی که انگشت بر حرف صنعش نهی تأمل کن از بهر رفتار مرد که چند استخوان پی زد و وصل کرد که بی گردش کعب و زانو و پای نشاید قدم بر گرفتن ز جای از آن سجده بر آدمی سخت نیست که در صلب او مهره یک لخت نیست دو صد مهره بر یکدگر ساخته‌ست که گل مهره‌ای چون تو پرداخته‌ست رگت بر تن است ای پسندیده خوی زمینی در او سیصد و شصت جوی بصر در سر و فکر و رای و تمیز جوارح به دل، دل به دانش عزیز بهایم به روی اندر افتاده خوار تو همچون الف بر قدمها سوار نگون کرده ایشان سر از بهر خور تو آری به عزت خورش پیش سر نزیبد تو را با چنین سروری که سر جز به طاعت فرود آوری به انعام خود دانه دادت نه کاه نکردت چو انعام سر در گیاه ولیکن بدین صورت دلپذیر فرفته مشو، سیرت خوب گیر ره راست باید نه بالای راست که کافر هم از روی صورت چو ماست تو را آن که چشم و دهان داد و گوش اگر عاقلی در خلافش مکوش گرفتم که دشمن بکوبی به سنگ مکن باری از جهل با دوست جنگ خردمند طبعان منت شناس بدوزند نعمت به میخ سپاس

193. The Prince Who Forgot to Be Grateful

English
A prince fell from his dark horse, and the vertebrae in his neck were thrown out of place. His neck sank into his body like an elephant's, so that his head could not turn unless his whole body turned. The doctors were baffled by his case, until a philosopher came from the land of Greece. He twisted the head back and the muscle straightened; if not for him, the prince would have been finished. Later, when the philosopher came before the king, the king did not honor him with a single kind glance. The wise man bowed his head in shame; I heard that as he left he muttered under his breath: If I had not twisted his neck back yesterday, he would not be twisting his face away from me today. He sent a seed by a servant's hand, saying: place this on his incense burner to burn. The smoke made the king sneeze, and his head and neck locked up again just as before. In apology they rushed after the man, searched everywhere, but scarcely found a trace of him. So do not do it: do not turn your neck from thanking the Giver, or on the Last Day you will rise with nothing to show. I heard that an old man, in anger, scolded his son: 'You brazen, shameless boy, I gave you an axe to chop firewood, not to tear down the wall of a mosque.' The tongue was made for thanks and praise; one who knows the truth does not turn it to slander. The ear is a passage for the Quran and good counsel; do not strain it to hear lies and falsehood. The two eyes are good for beholding the Maker's work; look past the faults of your brother and friend.
Explanation: The final couplets use the axe and mosque image to argue that each faculty (tongue, ear, eye) was granted for a good purpose and should not be misused for slander or fault-finding.

Original

بخش ۴ - حکایت اندر معنی شکر منعم

ملک زاده‌ای ز اسب ادهم فتاد به گردن درش مهره بر هم فتاد چو پیلش فرو رفت گردن به تن نگشتی سرش تا نگشتی بدن پزشکان بماندند حیران در این مگر فیلسوفی ز یونان زمین سرش باز پیچید و رگ راست شد وگر وی نبودی زمن خواست شد دگر نوبت آمد به نزدیک شاه به عین عنایت نکردش نگاه خردمند را سر فرو شد به شرم شنیدم که می‌رفت و می‌گفت نرم اگر دی نپیچیدمی گردنش نپیچیدی امروز روی از منش فرستاد تخمی به دست رهی که باید که بر عودسوزش نهی ملک را یکی عطسه آمد ز دود سر و گردنش همچنان شد که بود به عذر از پی مرد بشتافتند بجستند بسیار و کم یافتند مکن، گردن از شکر منعم مپیچ که روز پسین سر بر آری به هیچ شنیدم که پیری پسر را به خشم ملامت همی کرد کای شوخ چشم تو را تیشه دادم که هیزم شکن نگفتم که دیوار مسجد بکن زبان آمد از بهر شکر و سپاس به غیبت نگرداندش حق شناس گذرگاه قرآن و پند است گوش به بهتان و باطل شنیدن مکوش دو چشم از پی صنع باری نکوست ز عیب برادر فرو گیر و دوست

194. On Giving Thanks for God's Blessings

English
Night exists for your rest, and day as well, with the bright moon and the sun that lights the world. The sky, like a servant laying out a carpet for you, spreads wide the banquet of spring. Whether it is wind and snow, rain and mist, or thunder swinging its club while lightning strikes like a sword, they are all agents under orders, nurturing the seed you planted in the soil. If you go thirsty, do not fret at the hardship, for the water-carrier cloud will bring your water on its shoulder. From the dust it brings color and scent and food, a feast for the eye, the mind, and the palate. It gave you honey from the bee and manna from the air, dates from the palm, and the palm from a slender shoot. Every palm-grower bites his hand in wonder: no one has ever cultivated a palm like this! The sun, the moon, and the Pleiades are for you, lanterns hung from the ceiling of your house. From your thorn it brings a rose, and musk from the deer's pouch, gold from the mine, and fresh leaves from dry wood. With its own hand it drew your eyes and brows, for such intimate work cannot be left to strangers. The Almighty who raised you so tenderly has nourished you with blessings of every kind. With every breath you must say from your soul that thanking Him is not the work of the tongue alone. My God, my heart bleeds and my eyes are wounded, for I see Your gifts far exceed anything words can hold. I will not even speak of beasts, birds, ants, and fish, but the whole host of angels in the highest heaven, even they have offered only a little of the praise You are due, speaking barely one part in ten thousand thousand. So go, Saadi, wash your hands and close your book: do not keep walking a road that has no end.
Explanation: The 'water-carrier cloud' pictures rain as a servant hauling water. 'Biver hazaran' (ten thousand thousands) is an old Persian idiom for a vast, countless number.

Original

بخش ۵ - گفتار اندر گزاردن شکر نعمت‌ها

شب از بهر آسایش توست و روز مه روشن و مهر گیتی‌فروز سپهر از برای تو فراش وار همی‌گستراند بساط بهار اگر باد و برف است و باران و میغ وگر رعد چوگان زند برق تیغ همه کارداران فرمانبر‌ند که تخم تو در خاک می‌پرورند اگر تشنه مانی‌، ز سختی مجوش که سقای ابر آبت آرد به دوش ز خاک آورد رنگ و بوی و طعام تماشاگه دیده و مغز و کام عسل دادت از نحل و من از هوا رطب دادت از نخل و نخل از نوی همه نخل‌بندان بخایند دست ز حیرت که نخلی چنین کس نبست‌! خور و ماه و پروین برای تواند قنادیل‌ِ سقف سرای تواند ز خارت گل آورد و از نافه مشک زر از کان و برگ ِ تر از چوب خشک به دست خودت چشم و ابرو نگاشت که محرم به اغیار نتوان گذاشت توانا که او نازنین پرورد به الوان نعمت چنین پرورد به جان گفت باید نفس بر نفس که شکرش نه کار زبان است و بس خدایا دلم خون شد و دیده ریش که می‌بینم انعامت از گفت بیش نگویم دد و دام و مور و سمک که فوج ملائک بر اوج فلک هنوزت سپاس اندکی گفته‌اند ز بیوَر هزاران یکی گفته‌اند برو سعدیا دست و دفتر بشوی به راهی که پایان ندارد مپوی

195. On Mercy to the Weak and Gratitude for Health

English
No one knows the worth of a good day until one day of hardship comes his way. The poor man's winter in a year of scarcity means nothing to the one who owns wealth. The healthy man who never lay a night in pain never once thanked God for his good health. When you are brave and quick on your feet, stop for the slow ones as an act of thanks. Let the young be kind to the aging old, let the strong show mercy to the weak. What do those beside a great river know of water's worth? Ask the ones stranded in the blazing sun. The Arab sitting by the Tigris feels no grief for the thirsty in the desert of Zarud. Only one has known the value of good health who melted for a while, helpless, in a fever. How could a dark night seem long to you, when you just roll from one side of your soft bed to the other? Think of the one tossing up and down with fever, for the sick one knows how long the night can be. The master woke to the beating of the drum; how could he know how the night passed for the watchman?
Explanation: The Jayhun (Oxus) and Tigris are great rivers, and Zarud a waterless desert; Saadi contrasts those living in comfort with those in need. The drum marked the passing hours of the night watch.

Original

بخش ۶ - گفتار اندر بخشایش بر ناتوانان و شکر نعمت حق در توانایی

نداند کسی قدر روز خوشی مگر روزی افتد به سختی کشی زمستان درویش در تنگ سال چه سهل است پیش خداوند مال سلیمی که یک چند نالان نخفت خداوند را شکر صحت نگفت چو مردانه‌رو باشی و تیز پای به شکرانه با کندپایان بپای به پیر کهن بر ببخشد جوان توانا کند رحم بر ناتوان چه دانند جیحونیان قدر آب ز واماندگان پرس در آفتاب عرب را که در دجله باشد قعود چه غم دارد از تشنگان زَرود کسی قیمت تندرستی شناخت که یک چند بیچاره در تب گداخت تو را تیره شب کی نماید دراز که غلطی ز پهلو به پهلوی ناز؟ براندیش از افتان و خیزان تب که رنجور داند درازای شب به بانگ دهل خواجه بیدار گشت چه داند شب پاسبان چون گذشت؟

196. The Story of Sultan Toghrol and the Indian Watchman

English
I heard that one autumn night Toghrol passed by an Indian watchman on his rounds. Under the falling snow, the rain, the torrents, the poor man was shivering, faint as a distant star. The king's heart welled up with pity for him. He said, 'Here, put on my fur-lined coat.' 'Wait a moment there by the wall, and I'll send it out to you with a servant.' As he said this, the morning breeze began to blow, and the king slipped back into his royal hall. He kept a fair-faced page among his retinue, one his heart leaned toward a little. Watching that lovely Turk delighted him so much that the poor Indian slipped from his memory. The promised coat passed only through the watchman's ears; by his ill luck, it never reached his shoulders. Was the pain of the cold not enough for him, that fate's cruelty piled on the pain of waiting too? Look at what the watchman said at dawn while the sultan slept in heedless comfort: 'Have you, in your good fortune, forgotten me, now that your arm is wrapped in an embrace?' 'Your night passes in pleasure and delight; how would you know what kind of night passes over us?' One caravan buries its head in the cooking pot, while others sink to their knees in the sand. Hold your boat by the shore, master, for the helpless are drowning, the water is over their heads. Wait, you nimble young men, for there are frail old travelers in the caravan. You sleep easy in your litter, the camel's reins in the driver's hand. Plain or mountain, stone or sand, it's all one to you; go ask the stragglers left behind on the road. A mountain of a camel carries you along; how would you know the man on foot is swallowing blood? Those who sleep at peace, their bellies full at camp, what do they know of the one gone half-starved?
Explanation: The 'lovely Turk' is a conventional Persian image of the beautiful beloved. The closing couplets shift into a moral address to the comfortable, urging them to feel the suffering of others.

Original

بخش ۷ - حکایت سلطان طغرل و هندوی پاسبان

شنیدم که طغرل شبی در خزان گذر کرد بر هندوی پاسبان ز باریدن برف و باران و سیل به لرزش در افتاده همچون سهیل دلش بر وی از رحمت آورد جوش که اینک قبا پوستینم بپوش دمی منتظر باش بر طرف بام که بیرون فرستم به دست غلام در این بود و باد صبا بروزید شهنشه در ایوان شاهی خزید وشاقی پری چهره در خیل داشت که طبعش بدو اندکی میل داشت تماشای ترکش چنان خوش فتاد که هندوی مسکین برفتش ز یاد قبا پوستینی گذشتش به گوش ز بدبختیش در نیامد به دوش مگر رنج سرما بر او بس نبود که جور سپهر انتظارش فزود‌؟ نگه کن چو سلطان به غفلت بخفت که چوبک زنش بامدادان چه گفت مگر نیکبختت فراموش شد چو دستت در آغوش آغوش شد؟ تو را شب به عیش و طرب می‌رود چه دانی که بر ما چه شب می‌رود؟ فرو برده سر کاروانی به دیگ چه از پا فرو رفتگانش به ریگ بدار ای خداوند زورق بر آب که بیچارگان را گذشت از سر آب توقف کنید ای جوانان چست که در کاروانند پیران سست تو خوش خفته در هودج کاروان مهار شتر در کف ساروان چه هامون و کوهت، چه سنگ و رمال ز ره باز پس ماندگان پرس حال تو را کوه پیکر هیون می‌برد پیاده چه دانی که خون می‌خورد؟ به آرام دل خفتگان در بُنه چه دانند حال کم گُرْسِنه؟

197. The Prisoner and the Complainer

English
The watchman had tied a man's hands and locked him away; all night long he lay troubled, his heart aching. In the dark hours of that black night, a sound reached him: someone outside was moaning about his poverty. The chained thief heard these words and said: How long will you cry over hardship? Go to sleep. Off with you, poor man, and thank God that the watchman hasn't bound your hands tight together. Don't wail so much about being destitute, when you can see someone worse off than yourself.
Explanation: The 'asas' was a night watchman or constable who patrolled and arrested wrongdoers. The story teaches gratitude by comparison: however bad your lot, another's is worse.

Original

بخش ۸ - حکایت

یکی را عسس دست بر بسته بود همه شب پریشان و دلخسته بود به گوش آمدش در شب تیره رنگ که شخصی همی نالد از دست تنگ شنید این سخن دزد مغلول و گفت ز بیچارگی چند نالی؟ بخفت برو شکر یزدان کن ای تنگدست که دستت عسس تنگ بر هم نبست مکن ناله از بینوایی بسی چو بینی ز خود بینواتر کسی

198. A Tale

English
A man with nothing on his back borrowed a single coin and turned it into a rough, unfinished cloak for his body. He complained: My unbridled luck, under this raw covering I am cooking in the heat. As he boiled with hardship like something half cooked, a voice called from the prison pit: 'Quiet!' Give thanks to God, you half cooked fool, that you are not bound raw hand and foot the way we are.
Explanation: The 'raw' and 'cooking' imagery plays on the idea of being unripe or immature while suffering; the poem urges gratitude by comparing one's small hardship to another's greater one.

Original

بخش ۹ - حکایت

برهنه تنی یک درم وام کرد تن خویش را کسوتی خام کرد بنالید کای طالع بدلگام به گرما بپختم در این زیر خام چو ناپخته آمد ز سختی به جوش یکی گفتش از چاه زندان: «خموش!» به جای آور، ای خام، شکر خدای که چون ما نه‌ای خام بر دست و پای

199. A Tale of Appearances

English
A man was passing by a devout ascetic, and judging by his looks, took him for a Jew. He struck a hard blow to the back of his neck, yet the poor holy man gave him his own shirt. Ashamed, the man said: 'What I did was wrong. Forgive me. How can this deserve a gift?' The ascetic answered: 'In gratitude I bow my head, because I am not the man you took me for.' A person of good character, plain and unpretentious, is better than one with a fine name but ruin inside. In my eyes, a night thief on the highway is better than a hypocrite dressed as a saint.
Explanation: The final couplet contrasts an honest wrongdoer with a 'saint in dress only', stressing that inner sincerity outweighs pious appearance.

Original

بخش ۱۰ - حکایت

یکی کرد بر پارسایی گذر به صورت جهود آمدش در نظر قفایی فرو کوفت بر گردنش ببخشید درویش پیراهنش خجل گفت کانچ از من آمد خطاست ببخشای بر من، چه جای عطاست؟ به شکرانه گفتا به سر بیستم که آنم که پنداشتی نیستم نکو سیرت بی تکلف برون به از نیکنام خراب اندرون به نزدیک من شبرو راهزن به از فاسق پارسا پیرهن

200. A Short Tale

English
A man who had fallen behind on the road was weeping: 'Who in this whole plain is more wretched than I am?' A man who had seen the world said to him, 'Listen, if you are truly a man, heed this one word.' 'Go and be grateful that you are not riding on a donkey, since after all you are a child of Adam, not a donkey yourself.'
Explanation: The final line plays on a double meaning: be thankful you are not the donkey being ridden, and remember your worth as a human being.

Original

بخش ۱۱ - حکایت

ز ره باز پس مانده‌ای می‌گریست که مسکین تر از من در این دشت کیست؟ جهاندیده‌ای گفتش ای هوشیار اگر مردی این یک سخن گوش دار برو شکر کن چون به خر بر نه‌ای که آخر بنی آدمی، خر نه‌ای

201. A Tale

English
A pious scholar passed a drunk sprawled on the ground, and grew proud of his own virtue and restraint. In his arrogance he did not spare the man a glance. The young drunk raised his head and said: 'Old man, go and give thanks that you knock at the door of blessings, for deprivation is what comes of self-conceit. Do not laugh at someone you see caught in a trap; you too might suddenly stumble into one. After all, is it not within the power of fate that tomorrow you could lie drunk like me? Heaven wrote your destiny toward the mosque; do not mock another whose lot fell in the temple. So, Muslim, join your hands in gratitude that the fire-worshipper's belt was never tied around you. No one who seeks Him walks there on their own; the Friend's grace drags them along by force. See where fate has led things: whoever leaned on anyone but God was blind indeed.'
Explanation: The 'belt of the fire-worshipper' (zonnar) marked a non-Muslim; here it stands for a different fate one did not choose. 'Mosque' versus 'temple' contrasts two paths assigned by destiny, not by merit.

Original

بخش ۱۲ - حکایت

فقیهی بر افتاده مستی گذشت به مستوری خویش مغرور گشت ز نخوت بر او التفاتی نکرد جوان سر برآورد کای پیرمرد برو شکر کن چون به نعمت دری که محرومی آید ز مستکبری یکی را که در بند بینی مخند مبادا که ناگه درافتی به بند نه آخر در امکان تقدیر هست که فردا چو من باشی افتاده مست؟ تو را آسمان خط به مسجد نوشت مزن طعنه بر دیگری در کنشت ببند ای مسلمان به شکرانه دست که زنار مغ بر میانت نبست نه خود می‌رود هر که جویان اوست به عنفش کشان می‌برد لطف دوست نگر تا قضا از کجا سیر کرد که کوری بود تکیه بر غیر کرد

202. On the Causes of the World's Existence

English
A trace of healing is woven into honey, but not enough to stand against death. Honey sweetens the temperament of the living, but for the pain of dying there is no cure. For someone barely breathing, whose soul has left the body, what good is honey in the mouth? One took an iron mace to the skull, and someone said, rub sandalwood on the ache. Flee from danger as much as you can, but do not clash fists with fate. As long as the insides can take drink and food, the body stays fresh and clean in form. This house falls fully into ruin when temperament and food no longer agree. The natures are moist and dry, hot and cold; a man is composed of these four dispositions. When one of them gains the upper hand over another, the scales of nature's balance are broken. If the cool breath of breathing does not pass, the stomach's heat throws the soul into an uproar. And if the cauldron of the stomach does not cook the food, things turn out badly for the delicate body. Those who truly know do not set their hearts on these, for they will never stay in harmony for long. Do not think the body's strength comes from eating; it is the grace of God that nourishes you. By His truth, even if you laid your eye on sword and knife, you could not fully pay the debt of thanks to Him. When you press your face to the ground in worship, praise God and do not admire yourself. Glorifying, remembrance, and devotion are a kind of begging; a beggar has no business being proud. Suppose you have done Him some service: haven't you always lived off the fief He granted you?
Explanation: The four natures (moist, dry, hot, cold) reflect classical Persian and Greek humoral medicine. The 'fief' in the last line is a land grant, used here to say we all live on what God has given us.

Original

بخش ۱۳ - نظر در اسباب وجود عالم

سرشته‌ست بارئ شفا در عسل نه چندان که زور آورد با اجل عسل خوش کند زندگان را مزاج ولی درد مردن ندارد علاج رمق مانده‌ای را که جان از بدن برآمد، چه سود انگبین در دهن؟ یکی گرز پولاد بر مغز خورد کسی گفت صندل بمالش به درد ز پیش خطر تا توانی گریز ولیکن مکن با قضا پنجه تیز درون تا بود قابل شرب و اکل بدن تازه روی است و پاکیزه شکل خراب آنگه این خانه گردد تمام که با هم نسازند طبع و طعام طبایع تر و خشک و گرم است و سرد مرکب از این چار طبع است مرد یکی زین چو بر دیگری یافت دست ترازوی عدل طبیعت شکست اگر باد سرد نفس نگذرد تف معده جان در خروش آورد وگر دیگ معده نجوشد طعام تن نازنین را شود کار خام در اینان نبندد دل، اهل شناخت که پیوسته با هم نخواهند ساخت توانایی تن مدان از خورش که لطف حقت می‌دهد پرورش به حقش که گر دیده بر تیغ و کارد نهی، حق شکرش نخواهی گزارد چو رویی به طاعت نهی بر زمین خدا را ثناگوی و خود را مبین گدایی است تسبیح و ذکر و حضور گدا را نباید که باشد غرور گرفتم که خود خدمتی کرده‌ای نه پیوسته اقطاع او خورده‌ای؟

203. On the Decree of Eternity and the Grace to Do Good

English
First He placed devotion inside my heart, and only then did this servant bow his head at His threshold. If no grace toward good comes from God, how can anything good pass from a servant to another? Do not just marvel that the tongue confesses; look to see who gave the tongue its speech. It is in true knowledge that the human eye lies open, an eye opened wide upon the heavens and the earth. How would you grasp the low places and the high if He had not opened this door before your face? He brought your head and hand out of nothing into being; He set generosity in this hand, and worship in that head. Otherwise, how could the hand have learned to give? It is impossible that the head bowed of its own accord. In His wisdom He gave the tongue and shaped the ear, to be the two keys to the locked chest of the heart. If the tongue did not carry the story out, how would anyone know the secrets of the heart? And if the ear did not work as a spy, how would any news reach the king that is the mind? He gave me sweet words to be a reader; He gave you hearing and understanding to be one who knows. These two forever stand at the door like chamberlains, carrying word from king to king. Why think to yourself that your deeds are fine? Look instead: it is His grace at work. The gardener carried to the king's hall a fresh new flower, plucked from the king's own garden.
Explanation: The closing image means any good we offer God was His gift first, like a gardener bringing the king a flower already grown in the king's own garden.

Original

بخش ۱۴ - در سابقهٔ حکم ازل و توفیق خیر

نخست او ارادت به دل در نهاد پس این بنده بر آستان سر نهاد گر از حق نه توفیق خیری رسد کی از بنده چیزی به غیری رسد؟ زبان را چه بینی که اقرار داد ببین تا زبان را که گفتار داد در معرفت دیدهٔ آدمی است که بگشوده بر آسمان و زمی است کیت فهم بودی نشیب و فراز گر این در نکردی به روی تو باز؟ سر آورد و دست از عدم در وجود در این جود بنهاد و در آن سجود وگرنه کی از دست جود آمدی؟ محال است کز سر سجود آمدی به حکمت زبان داد و گوش آفرید که باشند صندوق دل را کلید اگر نه زبان قصه برداشتی کس از سر دل کی خبر داشتی؟ وگر نیستی سعی جاسوس گوش خبر کی رسیدی به سلطان هوش مرا لفظ شیرین خواننده داد تو را سمع و ادراک داننده داد مدام این دو چون حاجبان بر درند ز سلطان به سلطان خبر می‌برند چه اندیشی از خود که فعلم نکوست؟ از آن در نگه کن که توفیق اوست برد بوستانبان به ایوان شاه به نوباوه گل هم ز بستان شاه

204. The Journey to India and the Folly of Idol Worshippers

English
In Somnath I saw an idol carved from ivory, studded with jewels like the pagan goddess Manat of old. The sculptor had shaped its form so perfectly that no finer image could ever be made. From every direction caravans streamed in to behold that lifeless figure. Kings of China and Chigil had set their hopes, like Saadi, on getting loyalty from that stone-hearted idol. Eloquent men had come from every land, beseeching that silent thing in prayer. I was baffled, unable to fathom the mystery: why should a living soul worship a lifeless object? There was a Magian priest I had dealings with, a kind-spoken man, my roommate and friend. Gently I asked him: Brahmin, the workings of this place amaze me. These people are enchanted by this feeble statue, trapped down in the pit of error. It has no strength in its hand, no motion in its foot; knock it down and it cannot rise again. Don't you see its eyes are made of amber? Seeking loyalty from stone eyes is a mistake. At these words my friend turned enemy; he blazed like fire with rage and lashed out at me. He alerted the Magians and the temple elders, and I saw no friendly face in that gathering. The Zend-chanting fire-worshippers fell upon me like dogs fighting over that bone. Since the crooked path was straight in their eyes, the straight path looked crooked to them. For however wise and enlightened a man may be, to the ignorant he seems the fool. I was left helpless as a drowning man, seeing no way out but to play along. When you see the ignorant bent on hatred, safety lies in yielding and softness. So I praised the head Brahmin loftily: Old master, you who expound the Avesta and Zend, I too am delighted by this idol's image; its shape is lovely, its stature charming. Its form strikes me as wondrous to behold, yet I know nothing of its inner meaning. For I am only a passing guest of this place; a stranger can barely tell the good from the bad. You are the queen of this chessboard, the counselor to the king of this shrine. What is the meaning hidden in this idol's form? For now I am the first among its worshippers. Worship by blind imitation is a straying; blessed is the traveler who walks with awareness. The Brahmin's face lit up with joy; he approved and said, Well spoken, worthy man. Your question is sound and your conduct fine; whoever seeks proof reaches his destination. I too have traveled much like you, and seen many idols unaware of themselves, except this one, which every morning from its place raises its hands to God the Sustainer. If you like, stay right here tonight, and tomorrow this secret will be revealed to you. By the elder's command I stayed the night there, trapped like Bijan in the pit of misery. A night as long as Judgment Day, with Magians around me at prayer without ablution. Priests who never let water touch them, their armpits like carrion left in the sun. Surely I had committed some great sin, to endure such painful torment that night. All night I was caught in this grip of grief, one hand on my heart, the other lifted in prayer, when suddenly the drummer struck his kettledrum, and a rooster crowed from the Brahmin's yard. The black-robed preacher of night, without dispute, drew the sword of day from its sheath. Dawn's fire caught the tinder, and in a moment a whole world blazed with light. You would think that in the land of Zanzibar the Tatars had suddenly burst in from a corner. The wrongheaded Magians, faces unwashed, came to the temple from door, field, and street. Not a man in town nor a woman stayed behind; there was no room left in that idol-house for a needle. I was sick with grief and heavy with sleep, when suddenly the statue raised its hand. All at once a roar went up from them; you would think the sea had come to a boil. When the temple emptied of the crowd, the Brahmin turned to me with a laugh: I know no doubt remains for you now; the truth is clear and falsehood is undone. When I saw how firmly ignorance held him, how deeply absurd fantasy was fused into him, I dared say nothing more of the truth, for the truth must be hidden from the people of falsehood. When you see the upper hand holds the power, it is no manliness to break your own fist against it. For a while I wept in feigned devotion, saying I regretted what I had said. My weeping swayed the hearts of the unbelievers; no wonder if a stone is worn away by a torrent. The attendants came running toward me and took my arm with honor. Full of apology I approached the ivory figure seated on a golden stool upon a teakwood throne. I kissed the little idol's hand, saying under my breath: curse it and every idol-worshipper. For a few days I passed as an unbeliever, playing the Brahmin, versed in the Zend teachings. When I saw I had become trusted in the temple, my joy could barely be contained on this earth. One night I locked the temple tight and ran left and right like a scorpion. I searched below the throne and above, and saw a curtain embroidered with gold. Behind the curtain crouched a fire-worshipping priest, keeping watch, the end of a cord in his hand. At once the whole thing became clear to me, as iron turned soft as wax in David's hand: when he pulled the cord, naturally, the idol would raise its hand as if crying out. The Brahmin was ashamed before me, for the stitches showing on his work were a disgrace. He bolted, I gave chase, and hurled him headfirst into a well. For I knew that if that Brahmin lived, he would work to spill my blood. He would gladly see me destroyed, lest I expose his secret. When you learn of a corrupt schemer's ways, finish him off once you catch him. For if you leave that scoundrel alive, he will never want you to live. And if he bows in service at your door, given the chance he will cut off your head. Do not follow at the deceiver's heels; once you have gone and seen the truth, give him no mercy. I killed that wretch completely with a stone, for the dead tell no tales. When I saw I had stirred up an uproar, I abandoned that land and fled. When you set fire to a reed bed, beware the lions, if you have any sense. Do not kill the offspring of a venomous snake, and once you have, do not linger in that house. When you have stirred up a wasps' nest, flee the place before you are stung. Do not shoot your arrow at one quicker than you; and if he falls, seize your chance at once. In Saadi's pages you will not find the counsel to keep standing once you have undermined the wall. After that upheaval I came to India, and from there by way of Yemen to the Hejaz. Of all the hardships that befell me, my mouth never tasted sweetness until today, under the good fortune and support of Abu Bakr Saad, the like of whom no mother has borne, before or since. From the tyranny of fate I came seeking justice; I came for refuge under this sheltering shade. Like a servant I pray for this reign: God, keep this shade everlasting, for he laid on me a balm beyond what my wound required, a balm worthy of his own bounty and grace. How can I ever repay this blessing, even if my head served as feet in his service? I found relief after those chains, yet those lessons still ring in my ears. One is this: whenever I raise my hand in need to the court of the Knower of secrets, I remember that Chinese idol, and it throws dust in the eye of my conceit. I know that the hand I lifted, I did not raise by my own power. It is not the enlightened who lift their hands; the unseen pulls the string from behind. The door of goodness and worship stands open, yet not everyone is able to do good. This is the very barrier: one cannot enter the royal court except by the king's command. The key of destiny is in no one's hand; the only absolutely powerful one is God alone. So, you who tread the straight path, the credit is not yours, it belongs to the Lord. Since He shaped your nature well in the unseen, no ugly deed can spring from your character. The same One who put sweetness in the bee put venom in the snake. When He wills to ruin your kingdom, He first scatters a people in distress through you. And if He has mercy upon you, He brings comfort to the people through you. Do not grow proud upon the path of righteousness; they took your hand and helped you rise. The words are useful, if you will listen; you reach the great ones if you walk the path. If you are granted entry, you find a station where they spread for you the feast of honor. But you must not eat alone; remember the helpless poor. Perhaps you will send a mercy after me, for I am not confident in my own deeds.
Explanation: Manat was a pre-Islamic Arabian goddess, cited here as a byword for idolatry. Bijan refers to the hero of the Shahnameh imprisoned in a pit, a common image for helpless captivity. The image of the unseen pulling the string turns the idol's mechanical trick into a lesson on divine will.

Original

بخش ۱۵ - حکایت سفر هندوستان و ضلالت بت پرستان

بتی دیدم از عاج در سومنات مرصع چو در جاهلیت منات چنان صورتش بسته تمثالگر که صورت نبندد از آن خوبتر ز هر ناحیت کاروانها روان به دیدار آن صورت بی روان طمع کرده رایان چین و چگل چو سعدی وفا ز آن بت سخت دل زبان آوران رفته از هر مکان تضرع کنان پیش آن بی زبان فرو ماندم از کشف آن ماجرا که حیی جمادی پرستد چرا؟ مغی را که با من سر و کار بود نکوگوی و هم حجره و یار بود به نرمی بپرسیدم ای برهمن عجب دارم از کار این بقعه من که مدهوش این ناتوان پیکرند مقید به چاه ضلال اندرند نه نیروی دستش، نه رفتار پای ورش بفکنی بر نخیزد ز جای نبینی که چشمانش از کهرباست؟ وفا جستن از سنگ چشمان خطاست بر این گفتم آن دوست دشمن گرفت چو آتش شد از خشم و در من گرفت مغان را خبر کرد و پیران دیر ندیدم در آن انجمن روی خیر فتادند گبران پازند خوان چو سگ در من از بهر آن استخوان چو آن راه کژ پیششان راست بود ره راست در چشمشان کژ نمود که مرد ار چه دانا و صاحبدل است به نزدیک بی‌دانشان جاهل است فرو ماندم از چاره همچون غریق برون از مدارا ندیدم طریق چو بینی که جاهل به کین اندر است سلامت به تسلیم و لین اندر است مهین برهمن را ستودم بلند که ای پیر تفسیر استا و زند مرا نیز با نقش این بت خوش است که شکلی خوش و قامتی دلکش است بدیع آیدم صورتش در نظر ولیکن ز معنی ندارم خبر که سالوک این منزلم عن قریب بد از نیک کمتر شناسد غریب تو دانی که فرزین این رقعه‌ای نصیحتگر شاه این بقعه‌ای چه معنی است در صورت این صنم که اول پرستندگانش منم عبادت به تقلید گمراهی است خنک رهروی را که آگاهی است برهمن ز شادی بر افروخت روی پسندید و گفت ای پسندیده گوی سؤالت صواب است و فعلت جمیل به منزل رسد هر که جوید دلیل بسی چون تو گردیدم اندر سفر بتان دیدم از خویشتن بی خبر جز این بت که هر صبح از اینجا که هست برآرد به یزدان دادار دست وگر خواهی امشب همینجا بباش که فردا شود سر این بر تو فاش شب آنجا ببودم به فرمان پیر چو بیژن به چاه بلا در اسیر شبی همچو روز قیامت دراز مغان گرد من بی وضو در نماز کشیشان هرگز نیازرده آب بغلها چو مردار در آفتاب مگر کرده بودم گناهی عظیم که بردم در آن شب عذابی الیم همه شب در این قید غم مبتلا یکم دست بر دل، یکی بر دعا که ناگه دهل زن فرو کوفت کوس بخواند از فضای برهمن خروس خطیب سیه پوش شب بی خلاف بر آهخت شمشیر روز از غلاف فتاد آتش صبح در سوخته به یک دم جهانی شد افروخته تو گفتی که در خطهٔ زنگبار ز یک گوشه ناگه در آمد تتار مغان تبه رای ناشسته روی به دیر آمدند از در و دشت و کوی کس از مرد در شهر و از زن نماند در آن بتکده جای درزن نماند من از غصه رنجور و از خواب مست که ناگاه تمثال برداشت دست به یک بار از ایشان برآمد خروش تو گفتی که دریا بر آمد به جوش چو بتخانه خالی شد از انجمن برهمن نگه کرد خندان به من که دانم تو را بیش مشکل نماند حقیقت عیان گشت و باطل نماند چو دیدم که جهل اندر او محکم است خیال محال اندر او مدغم است نیارستم از حق دگر هیچ گفت که حق ز اهل باطل بباید نهفت چو بینی زبر دست را زور دست نه مردی بود پنجهٔ خود شکست زمانی به سالوس گریان شدم که من زآنچه گفتم پشیمان شدم به گریه دل کافران کرد میل عجب نیست سنگ ار بگردد به سیل دویدند خدمت کنان سوی من به عزت گرفتند بازوی من شدم عذرگویان بر شخص عاج به کرسی زر کوفت بر تخت ساج بتک را یکی بوسه دادم به دست که لعنت بر او باد و بر بت پرست به تقلید کافر شدم روز چند برهمن شدم در مقالات زند چو دیدم که در دیر گشتم امین نگنجیدم از خرمی در زمین در دیر محکم ببستم شبی دویدم چپ و راست چون عقربی نگه کردم از زیر تخت و زبر یکی پرده دیدم مکلل به زر پس پرده مطرانی آذرپرست مجاور سر ریسمانی به دست به فورم در آن حال معلوم شد چو داود کآهن بر او موم شد که ناچار چون در کشد ریسمان بر آرد صنم دست، فریادخوان برهمن شد از روی من شرمسار که شنعت بود بخیه بر روی کار بتازید و من در پیش تاختم نگونش به چاهی در انداختم که دانستم ار زنده آن برهمن بماند، کند سعی در خون من پسندد که از من بر آید دمار مبادا که سرش کنم آشکار چو از کار مفسد خبر یافتی ز دستش برآور چو دریافتی که گر زنده‌اش مانی، آن بی هنر نخواهد تو را زندگانی دگر وگر سر به خدمت نهد بر درت اگر دست یابد ببرد سرت فریبنده را پای در پی منه چو رفتی و دیدی امانش مده تمامش بکشتم به سنگ آن خبیث که از مرده دیگر نیاید حدیث چو دیدم که غوغایی انگیختم رها کردم آن بوم و بگریختم چو اندر نیستانی آتش زدی ز شیران بپرهیز اگر بخردی مکش بچهٔ مار مردم گزای چو کشتی در آن خانه دیگر مپای چو زنبور خانه بیاشوفتی گریز از محلت که گرم اوفتی به چابک‌تر از خود مینداز تیر چو افتاد، دامن به دندان بگیر در اوراق سعدی چنین پند نیست که چون پای دیوار کندی مایست به هند آمدم بعد از آن رستخیز وز آنجا به راه یمن تا حجیز از آن جمله سختی که بر من گذشت دهانم جز امروز شیرین نگشت در اقبال و تأیید بوبکر سعد که مادر نزاید چنو قبل و بعد ز جور فلک دادخواه آمدم در این سایه‌گستر پناه آمدم دعاگوی این دولتم بنده‌وار خدایا تو این سایه پاینده دار که مرهم نهادم نه در خورد ریش که در خورد انعام و اکرام خویش کی این شکر نعمت به جای آورم و گر پای گردد به خدمت سرم؟ فرج یافتم بعد از آن بندها هنوزم به گوش است از آن پندها یکی آن که هر گه که دست نیاز برآرم به درگاه دانای راز به یاد آید آن لعبت چینیم کند خاک در چشم خودبینیم بدانم که دستی که برداشتم به نیروی خود بر نیفراشتم نه صاحبدلان دست بر می‌کشند که سررشته از غیب در می‌کشند در خیر باز است و طاعت ولیک نه هر کس تواناست بر فعل نیک همین است مانع که در بارگاه نشاید شدن جز به فرمان شاه کلید قدر نیست در دست کس توانای مطلق خدای است و بس پس ای مرد پوینده بر راه راست تو را نیست منت، خداوند راست چو در غیب نیکو نهادت سرشت نیاید ز خوی تو کردار زشت ز زنبور کرد این حلاوت پدید همان کس که در مار زهر آفرید چو خواهد که ملک تو ویران کند نخست از تو خلقی پریشان کند وگر باشدش بر تو بخشایشی رساند به خلق از تو آسایشی تکبر مکن بر ره راستی که دستت گرفتند و برخاستی سخن سودمند است اگر بشنوی به مردان رسی گر طریقت روی مقامی بیابی گرت ره دهند که بر خوان عزت سماطت نهند ولیکن نباید که تنها خوری ز درویش درمنده یاد آوری فرستی مگر رحمتی در پیم که بر کردهٔ خویش واثق نیم