Fragments

688. Number 1Qitʿa

English
All that we know is nothing but God; the whole of our knowledge comes to just this: we know that He is being itself. He is being itself, look and see; do not ask how. There is nothing but Him, do not say, do not ask why.
Explanation: The poem expresses a mystical monism: God is identical with existence, so questioning anything beyond Him is pointless.

Original

شمارهٔ ۱

همه دان غیر خدا نیست، همه دانش ما غیر ازین نیست که : هستی همه دانیم او را عین هستیست، ببینید،مگویید که : چون؟ غیر او نیست، مگویید، مگویید : چرا؟

689. A Thousand ThanksQitʿa

English
A thousand thanks to God, that in all things my trust rests always on his generosity. A thousand kindnesses reach my soul from the Beloved, and what delights me is this: he knows I lean on him. And if, instead of kindness, some reproach should come, I am still glad, for the master shaped that trial for me.
Explanation: The 'Beloved' (habib) here refers to God. The poet frames even hardship as the deliberate work of a wise teacher.

Original

شمارهٔ ۲

هزار شکر خدا را، که در جمیع امور همیشه بر کرم اوست اعتماد مرا هزار لطف و کرم میرسد بجان ز حبیب بدین خوشم که : بدانست استناد مرا بجای لطف و کرم گر ملامتی آید خوشم که حادثه کردست اوستاد مرا

690. Number 3Qitʿa

English
I am Qasem, Qasem-e Anvar, and the secrets of eternity are not hidden from me. What would people know of who I am? I know all through God, and I know Him wholly; and everyone knows that I am present within all things.
Explanation: Qasem-e Anvar refers to the poet himself. The final line plays on 'knowing' and being 'within all' as a mystical claim of union with the divine.

Original

شمارهٔ ۳

قاسمم، قاسم انوار، که اسرار ازل نیست پوشیده ز من، خلق چه دانند مرا؟ همه دانم، بخدا و همه دانم او را همه دانند که اندر همه دانند مرا

691. Number 4Qitʿa

English
The word 'dervish' is spelled with five letters in Persian, and each letter carries a lesson greater than the last. The 'D' is proof of this: make peace with pain, even if a hundred needles prick your body from every side. The 'R': do not put on a face of hypocrisy, for such pretense shames the stranger and torments yourself. The 'V' means saying goodbye to all but God; and that is a rare and blessed task. The 'I': become of one heart and one color on the path of love; no one absorbed in their own self ever becomes whole. The 'SH': the one who gives thanks and never complains, who wishes even his enemy well. Whoever has been given these five qualities, seek him out and take refuge in him, for he is a true dervish.
Explanation: The poem is an acrostic on the Persian word 'darvish' (dervish), whose letters (d, r, v, i, sh) each begin a spiritual instruction. The 'five letters' framing structures the whole poem.

Original

شمارهٔ ۴

درویش، که حرف او بصورت پنجست هریک بمثابه ای که بیش از پیشست دالست دلیل آنکه با درد بساز گر بر تن تو هر سو مو صد نیشست را، روی و ریا مکن، که این روی و ریا رسوایی بیگانه و رنج خویشست و اوست وداع غیر مولی کردن وین کار چنین کار یکی بی خوشست یا، یک دل و یک رنگ شو اندر ره عشق یکتا نشود، هر آنکه او با خویشست شین، آنکه کند شکر و شکایت نکند وندر پی خصم خویش نیک اندیشست آنرا که چنین پنج خصایل دادند دریاب و درو گریز کو درویشست

692. Number 5Qitʿa

English
If you long for the world of the soul, you must be born from renouncing the pomp of kings. With courage, take the unstrung bow and turn it into two straight lines, for the task is simple. After that, when only the point of the spirit remains, to stay stuck there is no work for real men. Turn the point into a zero and be reborn, so you may know that everything is the glory of God.
Explanation: The poem plays on the shapes of Persian letters and numerals as a mystical path of self-erasure: the point of the ego dissolves into zero, mirroring annihilation into the divine.

Original

شمارهٔ ۵

گر ترا میل عالم جانست زاده ترک سین ساسانست از شهامت کمان بی زه را دو الف کن، که کار آسانست بعد از آنت چو ماند نقطه روح باز ماندن نه کار مردانست نقطه را صفر ساز و ثانی شو تا بدانی که جمله سبحانست

693. Number 6Qitʿa

English
Service without friendship has no worth or value at all; service may be in your hands, but friendship is not. Friendship is what binds itself deep inside your service; no service in this world is bound as tightly as friendship. You brag of being drunk, yet you have not touched a drop of wine; love says: you have drunk only buttermilk, and a buttermilk drinker is no drunkard.
Explanation: In the last couplet, buttermilk stands for something plain and sobering; the poet mocks empty claims of ecstasy without the real 'wine' of love.

Original

شمارهٔ ۶

خدمت بی دوستی را قدر و قیمت هست نیست خدمت اندر دست هست و دوستی در دست نیست دوستی را در درون خدمتت پیوسته است هیچ خدمت در جهان چون دوستی پیوست نیست لاف مستی میزنی و خود نخور دستی شراب عشق گوید: دوغ خورده، دوغ خواره مست نیست

694. Number 7Qitʿa

English
In every subject he spoke with perfect justice, the noble Ghazali, Proof of Islam.
Explanation: 'Hujjat al-Islam' (Proof of Islam) is an honorific title given to the theologian al-Ghazali.

Original

شمارهٔ ۷

در همه بابی سخن را داد داد حجة الاسلام غزالی راد

695. Number 8Qitʿa

English
Tayfur, the master among those who travel the road of faith, a man without equal in all his life. In religious law he arrived and found his way; but when he reached the truth itself, he lost the road. The path vanished and the traveler was lost with it; here is where a man loses his own way.
Explanation: Tayfur refers to Bayazid Bastami, a famous Sufi mystic. The poem contrasts the outer path of religious law (shari'at) with the inner path of truth (haqiqat), where the self dissolves.

Original

شمارهٔ ۸

سید رهروان دین طیفور آنکه در عمر خویشتن بدفرد در شریعت رسید، راهی یافت در حقیقت رسید ره گم کرد راه کم گشت و راهرو هم گم گم کند راه خویش اینجا مرد

696. Number 9Qitʿa

English
My friend has appointed me to raise up a word on which the good of a whole world depends. But diminishing myself has long been my habit, and if I strive at it, the loss only doubles.
Explanation: The poem plays on the tension between being asked to build something beneficial and the poet's ingrained tendency toward self-effacement, where effort backfires.

Original

شمارهٔ ۹

نصب کردست مرا دوست برفع سخنی که برو نفع جهانی متوقف باشد کسر نفسست مرا عادت دیرینه وگر جر کنم در مدد کسر مضاعف باشد

697. Number 10Qitʿa

English
They placed the knowledge of eternity in my heart, a strange kind of knowledge, yet they never taught me a single lesson in how to use it. In three states it became clear to me that even the sheikh who spent forty days in seclusion was never given a real lesson.
Explanation: The 'sheikh of the forty days' (shaykh-e chelleh) refers to a spiritual master who has completed the traditional forty-day retreat of seclusion and devotion.

Original

شمارهٔ ۱۰

مرا علم ازل در سینه دادند عجب علمی ولی درسی ندادند مرا سه حال حالی گشت معلوم که شیخ چله را درسی ندادند

698. Elegy for Shah RustamQitʿa

English
I send my greeting and my blessing to Shah Rustam, for no one ever had a son as fine as him. Prince Rustam, son of Shah Muhammad, a man of spiritual nature, has left this ruin of a world and carried his body off to the eternal home. He saw paradise adorned with a thousand splendors, turned his heart away from this world and grew closer to that one. O God, keep his pure soul happy in paradise; O helper of those who cry for help, grant him eternity and the vision of You. That light of my eyes hid his face and vanished from us; it was the year eight hundred and thirty three when he showed this parting. For all his rank and honor, he kept seeking knowledge tirelessly; he became close to the Beloved, and the light of true wisdom carried him away. Wherever people speak your name upon their lips, the weary Qasim lets two rivers of tears run from his eyes.
Explanation: 'Dar al-khulud' (the eternal home) means paradise. 'Qasim' in the final line is the poet naming himself, a common convention in Persian verse.

Original

شمارهٔ ۱۱

شاه رستم را درودی میفرستم با سلام زانکه کس رامثل او فرزند فرزندی نبود میر رستم، شه محمد، شاه روحانی صفت رفت ازین ویرانه و تن برد تا دار خلود دید جنت با هزاران فر و زیب آراسته میل ازین عالم برید و اندر آن عالم فزود یا الهی، جان پاکش را بجنت شاد دار یا غیاث المستغیثین، در خلود و در شهود روی پنهان کرد و پنهان شد ز ما آن نور چشم سال اندر هشتصد و سی و سه بد کین رو نمود با وجود جاه و حرمت علم می جست ازاله آشنای یار گشت و نور عرفانش ربود هرکجا ذکر تو می‌گویند در افواه خلق قاسم خسته روان می‌راند از دیده دو رود

699. Number 12Qitʿa

English
If I don't say it, someone else will: the very one the doorkeeper shut the gate against. The unbelievers of Europe, of Byzantium, of Tartary, are all better Muslims than Qasemi.
Explanation: 'Qasemi' seems to be the poet's own name or pen name, used to turn the criticism inward. The verse contrasts outsiders' conduct with the weak faith of nominal Muslims.

Original

شمارهٔ ۱۲

گر نگویم دگر بخواهد گفت آنکه بروی ببست دربان در کافران فرنگ و روم و تتار همه از قاسمی مسلمان تر

700. Number 13Qitʿa

English
Lord, by the truth of your grace, which stirs the souls of lovers, let your beautiful names shine forth and appear in all creation. From your boundless generosity, grant something to your servants: either innocence at the start, or repentance at the end.
Explanation: The 'beautiful names' (asma) refers to the divine names and attributes of God in Islamic thought, made visible through creation.

Original

شمارهٔ ۱۳

یا رب، بحق لطفت کو جان عاشقان را بهر ظهور اسما پیدا کند مظاهر از جود بی دریغت بخشای بندگان را یا عصمتی در اول، یا توبه ای در آخر

701. Number 14Qitʿa

English
You told me: trust the old master's words. Tell me then, how did you measure them yourself? May God's mercy rain a thousandfold on his soul, for the path of his teaching runs among the righteous. His words are like fine sweets, rich and delicious. But listen, my dear child: beware, beware! If your strength of will is weak, then eat, but only in small measure. For if that mouthful suddenly turns your stomach, once you have rotted, you will make the whole house rot with you. Your heart fills with malice, your eye with fault-finding, and you end up denying all the spiritual masters. You count the whole world, end to end, as unbelievers, and all your sense of decency vanishes at once. Out of a base nature you cause harm and claim: forbidding wrong in religion is meant to hurt. Even if you have heard our master's words, keep the sayings of the great ones before your eyes. Do not eat sugar alone; mix it with rose, for in the blend there is much benefit. You are sick at heart, and for this affliction not one remedy but a hundred are needed. Out of ignorance, do not limit yourself to a single cure. Step out of bigotry and leave your malice behind. The souls of true men reach the source and the messenger, while you stay veiled, trapped in mere hearsay. If you are a man, do not be satisfied with imitation. Like true men, take hold of the skirt of manhood. For if you hold a hundred sciences but have no heart, a thousand hidden idolatries are lodged in your load. Take this counsel from Qasim and do not sit any longer scattering yourself to the wind in the lane of ruin. Come to the stream of unity, so you may see again that from there the rivers spread out. Leave duality behind, and gather into one binding all the words of Rumi and Attar.
Explanation: The 'sweets' image warns that even good teaching, taken carelessly by a weak seeker, can spoil into fanaticism. 'Sugar mixed with rose' evokes the Persian gulqand preserve, a metaphor for tempering knowledge with love.

Original

شمارهٔ ۱۴

مرا گفتی که : قول پیر تسلیم بگو : تا خود چسان دیدی بمعیار؟ هزارش رحمت حق بر روان باد که نهج قول او در طور ابرار چو حلواییست نیکو، چرب و شیرین ولی جان پدر، زنهار! زنهار! ترا گر قوت همت ضعیفست تناول کن، ولیکن زان بمقدار که گر زان لقمه ناگه هیضه گردی چو گندیدی بگندانی همه دار دلت پر کینه گردد، دیده پر عیب مشایخ را کنی سر جمله انکار جهان را سربسر کافر شماری نماند وقف آزرمت بیک بار زبد نفسی کنی آزار و گویی که: نهی منکر دین هست آزار اگرچه قول مولانا شنیدی سخن های بزرگان در نظر دار شکر تنها مخور، با گل در آمیز که در ترکیب باشد نفع بسیار تویی بیمار دل و ین خستگی را نه یک دارو، که صد داروست در کار ز نادانی بیک دارو مکن حصر برون شو از تعصب، کینه بگذار بمخبر و اصل آمد جان مردان تو سر پوشیده ماندی قید اخبار اگر مردی مشو قانع بتقلید چو مردان دامن مردی بدست آر که گر صد علم داری، دل نداری هزارت شرک سر بستست در بار ز قاسم گوش دار این پند ومنشین ببادت بیش ازین در کوی ادبار بجوی وحدت آ، تا باز بینی کز آنجا منبسط گشتست انهار دویی بگذار و در یک جلد کن جمع همه اقوال مولانا و عطار

702. Number 15Qitʿa

English
God, the all-knowing, the one who takes your hand, kind and merciful, eternal and all-powerful. By the light of His holiness the heart of Qasemi became a sacred presence, a throne of true knowing. By God's grace he is free of wealth and years: a prince without riches, an elder without age. The old masters are gone; nothing remains of them but an ancient, tender story. You are a disciple of learning, yet you have let your heart be locked away in the prison of longing. Come to us, hear a new story, for you cannot find enlightenment from the dead.
Explanation: Qasemi is a proper name, likely a spiritual guide. The final couplet urges seeking living wisdom rather than clinging to the departed.

Original

شمارهٔ ۱۵

خداوند داننده دستگیر رؤف و رحیم و قدیم و قدیر ز انوار قدسش دل قاسمی مقدس جنابست و عرفان سریر بفضل خدا فارغ از مال و سال که بی مال میرست و بی سال پیر مشایخ برفتند، از ایشان نماند سوای کهن قصه ای دلپذیر مرید سوادی، از آن کرده ای دلت را بزندان سودا اسیر بیا پیش ما، قصه نو شنو که نتوانی از مرده شد مستنیر

703. Poem 16Qitʿa

English
My longing to meet you is beyond what you could ask; my need for your care is beyond what you could ask. My hope in your kindness is beyond what you could ask; my joy in the delight of speaking to you is beyond what you could ask.
Explanation: The refrain «chandan ke mapors» literally means 'so much, don't even ask', a way of saying the feeling is too great to describe.

Original

شمارهٔ ۱۶

اشتیاقم به ملاقات تو چندان که مپرس احتیاجم به مراعات تو چندان که مپرس دارم امید عنایات تو چندان که مپرس شادم از ذوق مناجات تو چندان که مپرس

704. Number 17Qitʿa

English
If you meet a mystic or a seeker, in truth they are both of one mind. Praise this one, and honor that one: for this one is drunk on God, and that one is worthy of it.
Explanation: The final line turns on a wordplay in Persian between 'mast-e haqq' (drunk on God) and 'mostahaqq' (deserving), which cannot be fully carried over in English.

Original

شمارهٔ ۱۷

گر ببینی عارفی یا طالبی هر دو از روی حقیقت متفق این یکی را حمد گو آن را ثنا زان که این مست حق است آن مستحق

705. Number 18Qitʿa

English
Silence, hunger, night vigils, solitude, and constant remembrance of God: these bring the unfinished souls of the world to completion. Silence is the very shape of knowing God; but in wakeful nights, knowing your own soul comes and greets you. Hunger becomes the path to knowing the true Sovereign; religious wisdom finds its order through solitude. The root of all these perfections is nothing petty; it belongs to the great one whose heart is whole, who drinks in whole oceans of meaning. Guardian of the Prophet's faith, uncoverer of the messengers' secrets, reviver of soul and world, effacer of every trace of darkness. Judge upon the seat of truth, leader of humans and spirits alike, the one who knows the sacred goal, the true aim of Islam.
Explanation: The four disciplines (silence, hunger, night vigil, solitude) are classic Sufi ascetic practices. 'Leader of humans and spirits' renders 'Imam al-Thaqalayn', the two weighty ones (mankind and jinn).

Original

شمارهٔ ۱۸

صمت و جوع و سهر و عزلت و ذکر بدوام نا تمامان جهان را بکند کار تمام صورت معرفة الله بود صمت ولیک در سهر معرفة نفس کند بر تو سلام جوع باشد سبب معرفت سلطانی دانش دینی از عزلت گردد بنظام اصل این جمله کمالات بخرم شد نیست صدر صاحب دل کامل صفت بحر آشام والی دین نبی کاشف اسرار رسل محیی جان و جهان ماحی آثار ظلام قاضی مسند تحقیق، امام الثقلین عارف کعبه مقصود مراد اسلام

706. Number 19Qitʿa

English
After so much wonder, the beloved witness shows itself to us, yet with so many veils, we cannot see it as it truly is. Beyond the veil, Qasem has a hidden path to the truth, where by God's grace he sees the beginning and the end as one and the same.
Explanation: The 'witness' (shahed) is the manifest face of divine truth or the beloved. Qasem is the poet's own name, a common signature in the final couplet.

Original

شمارهٔ ۱۹

تجلی می‌کند شاهد پس از چندین عجب بر ما ولی از کثرت پرده کماهی دیدنش نتوان ورای پرده قاسم را به حق راهی‌ست پنهانی که می‌بیند به فضل حق ازل را با ابد یکسان

707. The Chain of CreationQitʿa

English
The universal Intellect, the universal Soul, the universal Nature; after these, know the essence of all meanings. The universal Body, the form of the Throne, then the Footstool, and after that nine heavens set turning by the command of God. The starless outer sphere is the first of them, and see clearly, the moon is the last. After that comes the sphere of ether and air, and after that, know, the water and the earth. Then mineral and plant were completed, and after them the animal appeared. By the decree of eternal love there emerged the angel, the jinn, and at last the human being. The human gathers all these ranks in one; he is what God intended from all being and space.
Explanation: The poem traces the classical cosmology of descending creation, from pure intellect down to the human, who is seen as the sum of all levels. The 'starless sphere' (falak-e atlas) is the outermost heaven that carries no visible stars.

Original

شمارهٔ ۲۰

عقل کل، نفس کل، طبیعت کل بعد از آن جوهر معانی دان جسم کل، شکل عرش، کرسی و پس نه فلک شد بامر حق گردان فلک اطلسست اول او آخرینش قمر ببین و عیان پس از آن کره اثیر و هوا بعد از آن آب و خاک را می دان شد تمام آن گهی جماد و نبات ظاهر آمد از آن سپس حیوان گشت بارز، بحکم حب ازل ملک و جن و عاقبت انسان جامع جمله مراتب شد اوست مقصود حق ز کون و مکان

708. Number 21Qitʿa

English
Listen, you deceitful, cunning people, full of trickery: may God's curse fall on you and on the Devil alike. How long will you mock the character of God's holy men? The Devil measured himself against Adam; now you do the same.
Explanation: The Arabic phrases mean 'God's curse on you and the Devil' and 'the Devil compared himself to Adam, and so do you.' The reference is to Satan's arrogant refusal to bow to Adam.

Original

شمارهٔ ۲۱

هله! ای مردم مکاره پرتلبیسو «لعنة الله علیکم و علی ابلیسو» چند در سیرت مردان خدا طعنه زنید؟ «قاس فی آدم ابلیس و انتم قیسو»

709. Number 22Qitʿa

English
The pinnacle of sainthood, holding the true worth of Sheikh Safi, had guided this path for nearly ninety years. At the moment of departure his soul gave a breath and said: 'O Angel of Death, I have reached God.' When the angel saw his state, he stood amazed and said: 'O Sheikh, a thousand times may God have mercy on you.' Qasimi, burned by separation from the master: be patient in this parting, may God grant you patience.
Explanation: The Arabic phrases are prayers and declarations of faith woven into the Persian. Qasimi is likely the poet's pen name or a devoted follower mourning the Sheikh.

Original

شمارهٔ ۲۲

صدر ولایت، که نقد شیخ صفی داشت قرب نود سال بود رهبر این راه جانش بوقت رحیل عطسه زد و گفت «یا ملک الموت، قد وصلت الی الله » حالت او راملک چو دید عجب ماند گفت که : «یا شیخ، الف یرحمک الله »! قاسمی سوخته ز فرقت خواجه صبر کن اندر فراق، «صبرک الله »

710. Number 23Qitʿa

English
Lord of the age, king of Gilan, crown of the shah: guard your hearts, for this is the true road. Do you know what sin is? Forgetting God. Hold fast to the truth, and you will be free of sin.
Explanation: Gilan is a region in northern Iran; the opening line addresses a ruler with layered titles.

Original

شمارهٔ ۲۳

میر زمانه، خسرو گیلان و تاج شاه دلها نگاه دار، که اینست شاهراه دانی گناه چیست؟فراموشی خدا حق را نگاه دار، که وارستی از گناه

711. Number 24Qitʿa

English
May it reach you, so that from this holy household some lasting good fortune may always endure. A thief carried off my donkey into your town; there's no trace of it, neither dead nor alive.
Explanation: The reference to the «household of the cloak» (al-e aba) alludes to the Prophet's family; here it sits oddly beside a comic complaint about a stolen donkey, giving the piece a satirical tone.

Original

شمارهٔ ۲۴

میرسید، کزین آل عبا تی سعادت همیشه پاینده برد الاغ مرا بشهر تو دزد نیست پیدا، نه مرده، نه زنده

712. Number 25Qitʿa

English
Long ago the wise ones said, those who were filled with wisdom: If you are seekers on the trail of truth, demand the thieves' guilt from the watchman himself. The king is the guardian of the poor, above all this blessed and fortunate king.
Explanation: The second couplet hints at satire: the watchman meant to stop thieves may share their guilt. The final praise of the king can be read as flattery or gentle irony.

Original

شمارهٔ ۲۵

پیش از این گفته اند اهل خرد که بحکمت بدند آکنده جرم دزدان ز پاسبان طلبید گر شما طالبید و جوینده پادشه پاسبان درویشست خاصه این پادشاه فرخنده