Fragments

180. The Beginning

English
If I could find a corner beyond both worlds, I would go there and live in solitude, away from everyone. An eye without tears has no light, like the glass of spectacles; like a candle, I longed to find an eye that weeps. The gathering of pleasure scattered like the petals of a rose; so in this garden I went to open my heart like a budding flower.
Explanation: The candle weeping refers to the dripping wax, a classic image of tears that give light and feeling. The bud opening into a flower stands for the heart unfolding.

Original

شمارهٔ ۱ - آغاز

گر برون از هردو عالم گوشه‌ای پیدا کنم می‌روم تا عزلتی از مردم دنیا کنم دیده بی‌اشک را چون چشم عینک نور نیست شمع‌سان می‌خواستم چشم تری پیدا کنم بزم عیش از یک دگر پاشید چون اوراق گل تا درین گلشن دل چون غنچه رفتم واکنم

181. Asking for More Time to Repay a Debt

English
You whose qualities are praised: when the heavens give, they sew a thousand eyes upon your hand from the stars. It is only fitting that, for your gathering, gifts should pour unasked: musk from the deer's pod, sugar from the cane, pearls from the shell. When your face flushes with the fire of anger, the heat of your features turns flame itself to water. When you mount your horse, formed like the sky, a cry of praise rises from the heart of the eastern sun. As long as pearls are strung in a line, as long as a crown is adorned with jewels, may your enemy be worthless in your eyes, like a bare thread, and may the one who loves your honor be precious as a gem. You whose rank is the sky, my master: though my heart is wounded by the cruelty of this base, fawning world, why should I take my complaint to fate? Mercy was never the companion of a heartless creature. While I shelter in your protection, what do I fear from disaster? Once a candle sits behind its screen, why dread the storm wind? Some time ago I borrowed, like a bud reaching out, a handful of gold from the garden of your generosity. If you do not ask it back from me, nothing could be better; if you must, then wait until my next wages come.
Explanation: Despite the catalog summary, this is a praise poem (qasida) to a patron, closing with the poet's plea for more time to repay a loan. The 'thousand eyes' of stars evokes the night sky watching over the patron's generous hand.

Original

شمارهٔ ۲ - در استمهال از پرداخت وام فرماید

ایا ستوده خصالی که چرخ گاه عطا هزار چشم به دست تو دوخت از اختر رواست کز پی بزم تو بی طلب ریزی زنافه مشگ وز نی شکر از صدف گوهر شود چو عارضت افروخته ز آتش خشم زتاب چهره تو آب می شود آذر برآید از دل خورشید خاوری تکبیر شوی سوار چو بر رخش آسمان پیکر همیشه تا که گهر راست رشته شیرازه مدام تا زگهر هست زینت افسر بود چو رشته عدوی تو در نظر بی قدر محب جاه تو باشد عزیز چون گوهر سپهر منزلتا صاحبا بود هر چند دلم فگار زبیداد چرخ دون پرور چرا شکایت خود پیش روزگار برم که آشنا نبود رحم با دل کافر چو در پناه تو باشم ز حادثات چه غم چو شمع پرده نشین شد چه باکش از صرصر زمان پیش که دست طلب بوام گرفت به رنگ غنچه زباغ سخات مشتی زر اگر طلب ننمائی زمن چه بهتر از آن وگرنه صبر کنی تا مواجب دیگر

182. Number 3

English
The lamp of love burns bright from the wound in my heart; the moth that circles it is made from my own clay. A free spirit needs no one to untie life's knots; like the cypress, the knot in my heart is my own doing.
Explanation: The cypress is a classic Persian image of upright freedom; its trunk's 'knot' suggests that even a free heart carries grief born from within. The moth and the lamp are a standard symbol of the lover drawn to the beloved.

Original

شمارهٔ ۳

روشن چراغ عشق زداغ دل منست پروانه را سرشت ز آب و گل منست آزاده را به کار گشا احتیاج نیست مانند سرو و عقده دل حاصل منست

183. Number 4

English
If my eye thirsts for the sight of you, that sight is not far off; like a pearl, it can only be raised in bitter, salty water. For the mystics, who are like bubbles in the sea of being, there is not a single moment when the house of the heart is not alive with longing for your love.
Explanation: The pearl forming in salty water is a classic image: precious things grow only through hardship. The bubble on the sea suggests the fleeting nature of existence within the vast ocean of love.

Original

شمارهٔ ۴

دیده ام گر تشنه دیدار باشد دور نیست تربیت او را چو گوهر جز در آب شور نیست عارفان را لحظه‌ای در بحر هستی چون حباب خانه دل در هوای عشق او معمور نیست

184. Number 5

English
You are the leader of the caravan, and we are the weary travelers; don't forget your travelers, leader of the caravan. In the gathering where you light up every face around you, the virtuous sit close, like a halo around the moon.
Explanation: The halo around the moon pictures the good people gathered admiringly around the radiant leader.

Original

شمارهٔ ۵

تو میر کاروانی و ماخسته رهروان غافل زرهروران مشو ای میر کاروان در محفلی که چهره فروزی به گرد تو چون هاله گرد ماه نشینند نیکوان

185. Number 6

English
Don't blame me, my dear, if the market is slow: I'm a worthy servant; it's just that no master is buying. Who can I tell this to: that his cruelty has left me with plenty to complain about, but no strength to say it?
Explanation: The 'market' image frames human worth as a transaction; the speaker insists his value is real even when no one is there to recognize it.

Original

شمارهٔ ۶

عیب مکن جان من گرمی بازار نیست بنده شایسته‌ام، خواجه خریدار نیست باکه توان گفت این کز ستم او مرا شکوه بسیار هست قوت گفتار نیست

186. Number 7

English
In this world no true judge ever rises from the courts of judgment; where is the one who would permit cruelty against his own loyal soldiers? Only after the chance slipped from my hands did my eyes finally open; I let a precious pearl fall, and only then did fortune make me a jeweler.
Explanation: The 'pearl' is the lost opportunity; recognizing its worth only after losing it captures the poem's regret over wasted chances.

Original

شمارهٔ ۷

در جهان از داوری هرگز نیاید داوری کو روا دارد ستم بر محرمان لشکری نقد فرصت چون ز دستم رفت گشتم دیده‌ور دادم از کف چون گهر را کرد بختم گوهری

187. Number 8

English
Her drowsy eyes, like a wine cup, filled so full with my heart's blood that her lashes turned blood red, sharp as a killer's dagger. It seems my fate holds no happiness; when time shaped my clay, it mixed the water of my making with tears from weeping eyes.
Explanation: The image of clay mixed with tears draws on the idea that a person's destiny is built into their very making.

Original

شمارهٔ ۸

بس که ساغر چشم مخمورش ز خون دل گرفت رنگ خون مژگان او چون خنجر قاتل گرفت خوشدلی در طالع من نیست گویا روزگار در سرشتم آب از چشم تری در گل گرفت

188. Number 9

English
Though I can't reach the hem of that moon-faced beauty, thank God my hand isn't kept from my own collar. Even in her absence she comforts her friends; how happy is the one whose state no one knows of.
Explanation: In the first couplet, reaching for one's own collar is a classic gesture of grief and self-tearing; the poet finds bitter consolation in being free at least to mourn.

Original

شمارهٔ ۹

گرچه ما را دسترس بر دامن آن ماه نیست شکرلله از گریبان دست ما کوتاه نیست می‌کند دلجویی احباب ما را بی‌حضور وقت آن کس خوش که از حالش کسی آگاه نیست

189. Number 10

English
If fate tears me away from that one perfect pearl, I'll become like an empty shell, my whole body wringing its hands in regret. I fear that the fire your love kindles above my head will slowly wear me down and bring me to my knees, like a candle.
Explanation: The 'pearl' is the beloved, and an empty shell stands for grief; in Persian, an open shell evokes hands clasped in sorrow. The candle melting away pictures a slow death from longing.

Original

شمارهٔ ۱۰

گر فلک سازد جدا از آن گوهر یکتا مرا چون صدف گردد کف افسوس سرتاپا مرا ترسم آن آتش که از عشق تو سوزد بر سرم رفته‌رفته افکند مانند شمع از پا مرا

190. Number 11

English
For a lifetime my heart has complained of the sorrow of these times; my mirror complains of the troubled image it must hold. Honor itself complains bitterly about my disgrace; from my stains, the purity of innocence files its protest.
Explanation: The mirror reflecting a 'troubled image' stands for the poet's own disturbed inner state. The closing couplet plays on the contrast between perceived disgrace and felt innocence.

Original

شمارهٔ ۱۱

عمریست دلم از غم دوران گله دارد آئینه ام از نقش پریشان گله دارد ناموس کند شکوه بسی از من رسوا زآلودگی ام پاکی دامان گله دارد

191. Number 12

English
You won't listen to my cries, or maybe my pleas never reach your ears. You are Layla and I am Majnun; you are Shirin and I am Farhad.
Explanation: Layla and Majnun, Shirin and Farhad are classic Persian pairs of doomed, devoted lovers, used here to express hopeless longing.

Original

شمارهٔ ۱۲

ندهی گوش خود به فریادم یا به گوشَت نمی‌رسد دادم تو چو لیلی و من چو مجنونم تو چو شیرین و من چو فرهادم

192. Number 13

English
When the heart slips away from itself, it grows bewildered like an astonished eye. How lucky is that lover who dissolves entirely into the beloved's face. It would be unfair to lift it up only for prayer, that familiar hand which is busy tearing open the collar in grief.
Explanation: Tearing open one's collar is a traditional Persian gesture of passionate grief and longing in love.

Original

شمارهٔ ۱۳

می‌رود از خویش دل چون دیده حیران می‌شود ای خوش آن عاشق که محو روی جانان می‌شود دور از انصافست از بهر دعا برداشتن آشنا دستی که با چاک گریبان می‌شود