The Tale of the Penniless Dervish Who Loved the King's Daughter

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The Tale of the Penniless Dervish Who Loved the King's Daughter

This metaphor became the bridge to truth, and in the end, by the promise of the verse, 'Those who strive for Us' 'We shall surely guide them on Our paths,' he reached his true goal. There was a dervish, poor and without a coin, dressed in rags, owning nothing of this world. He had nothing but an axe and a begging bowl; he had reaped no harvest from this world at all. One day, wandering about in search of bread, he suddenly heard the clamor of a crowd. 'Stand back, left and right!' they cried, 'For the daughter of the Khan of China is coming.' When that helpless beggar looked up, he saw a sun moving across the sky. Upon a golden saddle, a face like the moon, no, not the moon, a radiant sun itself. The poor man lost his heart and fell senseless, the veil that hid his secret slipped away. The bird of his soul became the prey of that Simorgh, bound fast in the snare of that great bird. For a while he lay stunned upon the ground, gladly caught in the swift trap of love. When the poor beggar came to himself, he found himself drowning in annihilation. The wretched man looked in every direction, but saw no trace of that lovely idol. The reins of self-control slipped from his hands; the poor man wept bitterly, again and again. The flood of his longing tears blocked his way; his troubled mind kept breaking his heart. His eyes turned into springs of blood; grieving for his own Layla, he became a Majnun. The restless agitation of that dervish, his mournful cries, tore at every heart. He moaned and wept gently to himself; no one knew what could remedy his state. Paired with his pain, he spoke his secrets, lifting the veil from hidden mysteries. If I told his whole story from start to end, the very telling would wound the heart. Ask about the lover's condition from love itself; if you want the scent of a rose, go and smell the rose. The rose tells its tale through its own fragrance; everyone knows their own nature best. Listen too to the wordless speech of love; openly it speaks the ancient secrets. With a hundred tongues, from the mark of its own name, it tells its endless beginning. Its words are the secret of the lover's work, the story of the lover's wretched state. But the ears of common folk have no such light; for any but the lover there is no decree. Within its words there lies a glad tiding, and that tiding suits only lovers. Each of its letters, from ayn and shin and qaf, tells its own way and custom without dispute. Not everyone is aware of that secret; none but the lover has a path to its quarter. At every moment it calls out to lovers, offering these captives the cup of affliction. In its tavern there are ruins upon ruins; its wine brings a hundred ecstasies and raptures. Its turning chain has chains within chains, and this is our straight path. Its stirring of the chain is our gardens of paradise, and those palaces and houris are our cloistered maidens. Show a pure eye and heart, my father, and gaze upon our garden of refuge. For that bliss of paradise is the nature of our Beloved; the secret of 'beneath which rivers flow' is ours. Each of its rivers is the sign of a virtue; if you cannot find it, surely it is from some flaw. And what they say of that place as paradise is the truth, may God keep our feet from slipping. Otherwise, what are these verses and these reports? What proof have the Sufis for denial? Go and see its signs, my companion; do not let your feet slip from the straight path. Grasp that secret and hold your breath about it, or they will count you among the crowd of unbelievers. Do not interpret those verses away yourself; go and close this door of interpretations. Opening this door, on the path of guidance, is the beginning of heresy and going astray, O pillar of faith. If you say this too is a secret of the matter, then do not reveal its secret either. If it were permitted to reveal it, the prophets would have been the first, O wise one. Because, for the common people, the word of the Messenger is close to acceptance before reason. And if you say they have kept the outer form, they too have nurtured this very meaning of ours. In truth there is nothing else at all but the qualities that arise from good and evil. When the prophets pierced that pearl, they hid it within the nature of the mystics. Since these people had no limit of insight, the prophets informed them of the outer. That sharp, unerring eye can see, the one from which God has lifted the veil. So make the outer ruling your authority, lest everyone cast stones at your feet. Leave a veil over the matter, my companion; beware, do not stick your foot outside the blanket. And if you say the veil-keepers are others, the mystics tear these veils apart. They are selfless, lost and stunned in the Essence of the Truth; wholly negated, they affirm the Truth. Their speech is from His speaking breath; their utterance too comes from His breaths. Like a parrot behind a mirror, they say only what they hear. The manifestation belongs to that side; what shines here, to ascribe this breath to them comes from seeing double. Through double-seeing, people grew bewildered, and became suspicious of what they said. Like that feeble ant upon the writing, it sees the shapes coming only from the tip of the pen. Between prophets and saints there are many differences; the prophet is bound to revelation, the saint is free. Veil-keeping suits the prophets; the saints have another practice and law. The prophets stitch the veils, and the saints tear them; the saints are intoxicated, the prophets clear-minded. The prophets give knowledge through revelation; the saints know without the medium of revelation. The prophets' breath is nothing but command; for the saints no secret is hidden. The prophets speak from outer revelation; the saints are the very meaning of revelation, unbound. From prophethood to sainthood there are paths, from the lowest of earth to the height of heaven. Without sainthood, a prophet is nothing; for this reason the saint is the nobler and higher. He is nobler than a saint like himself, not than a saint who has stepped ahead. Like the pure, indescribable essence of Ali, who is nobler than every prophet and every saint. He has carried off the field of nobility in the race; his light is poured forth from the light of the Truth. He is nobler than all save Mustafa, for he has outrun the rest to the field of being chosen. Only one still possessed of self can guard the self; how can one who is selfless keep secrets concealed? I say, by God, by God, wash away this book, though I know that stream will turn to blood. Though this breath has several breaths within it, our time still remains, so turn the steed around. Rein in this swift, racing steed; the fellow travelers have grown weary of the road. The jealous fire of love has been kindled; it has burned the wings of Gabriel of intellect. Here it has cast off the horseshoes of the Buraq of fancy and thought, and is left behind in the race. Pass on from here, for the lover is worn out, bound fast in the chains of suffering.
Explanation: The frame story uses an earthly love (the metaphor) as a bridge to divine love (the truth), a classic Sufi device. The Arabic phrases are Quranic echoes, including 'beneath which rivers flow,' a recurring image of paradise.

Original · Persian

بخش ۷ - داستان آن درویش بی بضاعت که عاشق دختر پادشاه شد

این مَجاز، قَنطره حقیقت آمد و عاقبت به مقتضای کریمه: الذین جاهدوا فینا
لِنَهدیَنّهم سُبُلَنا به مقصود اصلی نایل گردید.
بود درویشی فقیر و بی‌پشیز ژنده پوشی از جهانش هیچ چیز
جز تبرزینی و کشکولی نداشت از جهان، او هیچ محصولی نداشت
روزی اندر پرسه بُد بهر تُرید ناگهان بانگ هیاهوئی شنید
دور باشی از یَسار و از یَمین که بیامد دختر خاقان چین
چون نظر کرد آن فقیر ناتوان دید خورشیدی بروی آسمان
بر فراز زینِ زر، مه پیکری مه چه باشد، آفتاب انوری
بینوا دل داد و مدهوش اوفتاد و زنهادش سِتر سِرپوش ‌اوفتاد
مرغ روحش، صید آن سیمرغ شد پای بستِ قید آن سیمرغ شد
ساعتی مدهوش، برخاک اوفتاد خوش بدام عشق چالاک اوفتاد
چون بهوش آمد فقیر بینوا خویشتن را دید غَرقاب فنا
هرطرف بنمود آن مسکین نظر خود ندید از آن بُت رعنا، اثر
از کَفَش رفتی عَنان اختیار گریه‌ها می‌کرد مسکین، زار زار
سیل اشک حسرتش ره را ببست از پریش خاطرش دل می‌شکست
دیده‌هایش چشمه پرخون شده از غم لیلّی خود، مجنون شده
بی‌قراریها که آن درویش کرد ناله زارش جگرها ریش کرد
ناله‌هامی‌کردوخوش خوش می‌گریست می‌ندانستی‌که‌اوراچاره‌چیست
رازها می‌گفت او با درد جفت پرده برمی‌داشت، زاسرار نهفت
شرح حالش گر بگویم سر بسر از بیانش ریش می‌گردد جگر
هم ز عشق، احوال عاشق بازجو بوی گل خواهی، برو گل را ببو
گُل حکایت می‌کند از بوی خویش هر کسی بهتر شناسد خوی خویش
هم ز عشقِ بی‌زبان بشنو سخن بر ملا می‌گوید اسرار کهن
صد زبانه از نشانِ نام خویش گوید او آغاز بی‌انجام خویش
حرفهایش، راز کار عاشق است داستان حالِ زارِ عاشق است
لیک گوش عامه را آن نور نیست غیر عاشق را، دگر دستور نیست
حرفهایش را بشاراتی در است وآن بشارت، عاشقان را درخور است
هر یکی حرفش ز عین و شین و قاف راه و رسم‌خویش‌گوید بی‌خلاف
هرکسی از راز آن آگاه نیست غیر عاشق را به کویش راه نیست
عاشقان را می‌زند هردم صَلا این اسیران را دهد جام بلا
در خراباتش خرابیها بود باده‌اش صد شور و مستی آورد
سلسله دورش سَلاسلها بود و این صراط المستقیم ما بود
سلسله جنبانیش جَنّات ماست وآن قُصور و حور مقصورات ماست
دیده و دل پاک بنما، ای پدر جَنّتُ المأوای ما را می‌نگر
کان‌ نعیم خُلد خوی یار ما است سِّرِتَجری تَحتِها الانهار ماست
هریکی نهرش نشان خصلتی ‌است گرنیابی، بی شکی‌ از علتی ‌است
وآنچه گویند از بهشت آن جای را حق بود اللّه ملغزان پای را
ور نه این آیات و این اخبار چیست صوفیان را حُجّت اِنکار چیست
رو ببین آیات آن را ای ندیم پا ملغزان از صراط المستقیم
سِّر آن دریاب و دم، درکش از آن ورنه خوانندت ز جُوق کافران
خود مکن تأویل، آن آیات را رو ببند این بابِ تأویلات را
فتح این باب است در راه رِشاد اول الحاد و اضلال ای عِماد
گر توگویی هست این هم، رازِ کار خود مکن هم راز آن را آشکار
گر روا بود آشکارایش کنند انبیا اولی بُدند ای هوشمند
زانکه عامه خلق را قول رسول هست پیش عقل، نزدیک قبول
ور بگوئی حفظ ظاهر کرده‌اند هم خود این معنیِ ما، پرورده‌اند
در حقیقت نیست خود چیز دگر جز صفات حاصله از خیر و شر
دُّر آنرا انبیا، چون سُفته‌اند در نهاد عارفان بِنهفته‌اند
چون نبود این خلق را حَّد بَصر انبیا کردند از ظاهر خبر
بیند آن چشمِ حَدیدِ بی‌خطا که ز وی بنموده حق کشف غَطا
پس تو می‌کن حُکم ظاهر را سند تا نه هرکس سنگ بر پایت زند
پرده‌ای بگذار بر کار، ای ندیم پا مکش زنهار، بیرون از گلیم
ور توگویی پرده داران دیگرند عارفان این پرده‌ها را بردرند
بی خودند و محو و مات ذات حق سر بِسر نفیَند، در اثبات حق
نطق آنها از دم گویای اوست دمدمه آنها، هم ‌از دَمهای‌ اوست
همچو طوطی در پس آئینه‌اند خود همی‌گویند آنچه بشنوند
جلوهٔ آن سوست، که اینجا منجلی ‌است نسبتِ این دم ‌به آنها، زِاحولی ‌است
از دو بینی، خلق سرگردان شدند بدگمان از گفتهٔ ایشان شدند
همچو آن مور ضعیف اندر رقم نقشها را بیند از نوک قلم
زانبیاء تا اولیاء، بس فرقهاست بستهٔ وحی است آن و این رهاست
انبیاء را پرده داری درخور است اولیاء را دأب و قانون دیگر است
انبیاء دوزند و ایشان می‌دَرَند اولیاء مستند و آنها هوشمند
انبیاء از وحی آگاهی دهند اولیاء بی واسطه وحی آگهند
انبیاء را دم به جز دستور نیست اولیاء را هیچ سِرّ مستور نیست
انبیاء از وحیِ ظاهر ناطقند اولیاء معنیّ وحی و مطلقند
از نبوت تا ولایت راههاست از حضیض ارض تا اوج السماست
بی ولایت، چون نبیّی هیچ نیست اشرف و افضل ‌از اینرو، ولیّ ‌است
اشرف است او از ولیِّ همچو خویش نی وَلیّی کو قدم بنهاده ‌پیش
همچو ذات پاک بی‌ چون علی(ع) که اشرف است از هر نبیّ و هر ولیّ
بُرده کوی اشرفیّت در سَبق هست نورش ریخته از نور حق
اشرف است از ماسوای مُصطفی کو سَبق بُرده به کوی اِصطفی
هست با خود را، که خودداری کند کی توان بیخود، که سَتّاری کند
گویم اَللّه، اَللّه این دفتر بشوی گرچه دانم خون شود زان آب جوی
گرچه این دَم را بُود دَم‌های چند وقت ما باقیست برگردان سَمند
این سَمندِ تند رو را بازدار همرهان گشتند از رفتن فکار
غیرت عشق آتشی افروخته است بال جبریل خرد را سوخته است
نعلهای وَهم و فکرت را بُراق ریخته است اینجا، و مانده ‌زِ اِستباق
در گذر زاینجا که عاشق خسته است در سلاسلهای مِحنت بسته است