On Divine Unity and the Meaning of Bismillah

MasnaviIndian/Isfahani style
English

On Divine Unity and the Meaning of Bismillah

In the name of God, the Compassionate, the Merciful: it is a young sapling from the garden of the Wise One. The proud palm tree of the garden of holiness, the standout line in the great book of the sacred. With the alef of the divine alphabet it stands as God's tablet, guiding the child of reason toward reason. What is the alef? The root of every letter, a single drop of water that fills countless vessels. What is the alef? Pure being without name or trace; all else is just a name, whether soul or body. To one who knows its worth, the alef shows that the shape of every letter is merely the alef's clothing. Every letter was born from repeating the alef; whatever was born of it returns to it in the end. Look toward the alef in its undetermined state; see that every determined form has no foundation of its own. Distinction is nothing but a matter of perspective; in the undetermined, one and a thousand are the same. Strip even the drawn shape of the alef away from the alef; blind the eyes of the shallow-sighted. The drawn form is a stain upon the true alef; clothing is only an ornament for the blind of heart. When the eye's capacity grew too narrow, colorless being appeared in a hundred colors. If you cleanse your eye of its inflammation, you will see one single form where there seemed a hundred. Once the secret of the alef is laid bare, strand by strand, seek out the bond between Bismillah and the Quran. All that is in the Quran is nothing but Him; that is all shell, this alone is the pearl. Every chapter and verse within the Quran is the one Unity flowing through multiplicity. The whole of the Quran is gathered in Bismillah; not just Bismillah, but the very seal-spell of God. You reach the named only through the name; be a true man if you would break this spell. If you become aware of what Bismillah means, you become like the sun, giving the moon its provision. If you fill your eyes with this collyrium, you will rise above everything you can imagine. But this is not within the reach of mere desire; stop chasing profit, this is pure madness. Who has carried off the longed-for pearl from this sea? Who has died satisfied at the edge of this spring? Love draws only a little dew from this garden; reason too drags itself a single step behind. In this meadow this rose lights up the whole garden; at this spring the parched lip still burns with thirst. Only the one whose own rose no one picked has gathered the rose; only the one who saw before all others reached the goal. If you take refuge in the Named One, you become a master in the art of this name. The name cannot be unveiled except through the Named; only divine power can break this spell. He of whom the entire world is but a name, the treasure of both worlds is held within His spell. He brings into being all that is outer and inner, a being beyond both absolute freedom and determined form. The rare architect of the mansion of existence, the farmer of the field of generosity. He lines the dark, languid, longing eye with kohl, dyes the garments of the garden's children. He gives the rose its beautiful coloring, tailors the lofty robe of the rose. He paints the angry, coquettish eyebrow with indigo, and sprinkles dust on the head and face of supplication. He gives splendor to the graceful stature of the cypress, and kindles the flame in the grieving heart of the pheasant. He lines beauty's seductive narcissus eye with kohl, and sets the disheveled lock of beauty curling. The display-seller at the head of love's bazaar, the one who draws the circle with love's compass. He lights a lamp inside the shrine of the bud, and sets a scarred candle in the tulip's basin. He nurtures the body of dust with a soul, and tends the garden of the body with flowing water. Who gave the breeze its soul a body of flowers? Who gave the moving candle the basin of a body? Who made the secret of the waist appear? Who revealed the mystery of the mouth? Who created the quarrel in the coquettish glance? Who made the mechanism of laughter so narrow? Who gave the soul its savor through speech? Who gave a smile its intoxicating rapture? Who makes the locks of the lovely heart-stealing? Who lines the dark eye with kohl? Who steals the heart with a sidelong glance? Who stirs the lovely ones' temper into anger? Who hands the spiteful eyebrow its battle-sword? Who makes the child-like glance so playful and bold? Who raises the house of the rose from water? Who pitches the tent of heaven without ropes? Who can pull the ear of the sky? Who can cut the navel-cord of the earth? Who turns the April raindrop into a flawless pearl? Who dyes the fingers of coral red? With a single twitch of His spiteful eyebrow He set off the trembling earthquake of the planet's body. Wondrously, from sleight and color, He blended the sweetness of peace into the bitterness of war. The plain of eternity-past is entirely His arena; the realm of eternity-to-come is His field of play. He is the polisher of the mirror of every breast, the one whose reflection the mirrors display.
Explanation: The alef (first Arabic letter, a single vertical stroke) symbolizes the one undivided divine Being from which all multiplicity, like all other letters, derives. The 'April raindrop becoming a pearl' draws on the old belief that spring rain falling into oysters produced pearls.

Original · Persian

در توحید و تفسیر بسم‌الله

بسم الله الرحمن الرحیم پیش نهالی‌ست ز باغ حکیم
نخل سرافراز گلستان قدس مصرع برجستة دیوان قدس
با الفِ ابجد لوح خداست طفل خرد را به خرد رهنماست
چیست الف اصل همه حرف‌ها قطرة آبی پر ازو ظرف‌ها
چیست الف هستی بی‌رسم و اسم هر چه جز او، اسم،‌چه جان و چه جسم
هست برِ قدر شناسِ الف صورت هر حرف لباس الف
جمله ز تکرار الف زاد حرف هر چه ازو زاد بدو گشت صرف
سوی الف لایتعین نگر هر چه تعیّن همه بی‌بن نگر
نیست تعیّن به جز از اعتبار لایتعیّن چه یکی، چه هزار
رسم الف هم زالف دور کن دیدة کوته‌نظران کور کن
رسم الف بر الف آلایش است جامه برِ کوردل آرایش است
دستگه دیده چو بس تنگ شد هستی بی‌رنگ به صد رنگ شد
دیده اگر پاک‌کنی از رمد صورت یک در نظر آید ز صد
راز الف کشف چو شد مو به مو نسبت بسم‌الله و قرآن بجو
نیست جز او هر چه به قرآن دَرَست آن همه باشد صدف، این گوهرست
هر چه به قرآن سور و آیتست وحدتِ ساری شده در کثرتست
حاصل قرآن همه بسم‌اللّهست بسم‌الله نه، که طلسم اللّهست
ره به مسمّا نبری جز ز اسم مردی اگر می‌شکنی این طلسم
گر تو ز بسم‌الله آگه شوی مِهر صفت توشه دِهِ مه شوی
دیده ازین سرمه اگر پر کنی بر شوی از هر چه تصوّر کنی
لیک نه در خورد تمنّاست این سود به هم بر زن سوداست این
گوهر مقصود که زین بحر برد؟ بر سر این چشمه که سیراب مرد؟
عشق ازین باغ نَمی می‌کشد عقل هم از پی قدمی می‌کشد
در چمن این گل گلشن فروز بر سر این چشمة لب تشنه سوز
چید گل آن کس که گلش کس نچید برد پی آن کس که پیش کس ندید
گر به مسمّا متوسل شوی در فن این اسم تو کامل شوی
جز به مسمّا نتوان کشف اسم زور الهی شکند این طلسم
آنکه جهان سر به سر اسم ویست گنج دو عالم ز طلسم ویست
هست کن هر چه برون و درون هستی از اطلاق و تعیّن برون
نادره معمارِ سرایِ وجود برزگر مزرع صحرای جود
سرمه‌کش چشم سیه مست داغ رنگرز جامة طفلان باغ
گونه ده جلوة زیبای گل درزی پیراهن والای گل
وسمه‌کش ابروی پر خشم ناز گردفشان سر و روی نیاز
جلوه ده قامت رعنای سرو شعله فروز دل زار تذرو
سرمه کش نرگس فتّان حسن تاب ده زلف پریشان حسن
جلوه‌فروش سر بازار عشق دایره ساز خط پرگار عشق
در حرم غنچه فروزد چراغ در لگن لاله نهد شمع داغ
کالبد خاک به جان پرورد باغ تن از آب روان پرورد
جان صبا را تن گلشن که داد؟ شمع روان را لگن تن که داد؟
راز میان را که پدیدار کرد؟ سرّ دهان را که نمودار کرد؟
در نگه ناز که جنگ آفرید؟ دستگه خنده که تنگ آفرید؟
چاشنی جان به تکلّم که داد؟ نشئة مستی تبسم که داد؟
زلف بتان را که کند دلربای؟ چشم سیه را که شود سرمه‌سای؟
دل که برد از نگه کنج چشم؟ خوی بتان را که برآرد به خشم؟
ابروی کین را که دهد تیغ جنگ؟ طفل نگه را که کند شوخ و شنگ؟
خانة گُل را که بر آرد به آب؟ خیمة گردون که زند بی‌طناب؟
گوش فلک را که تواند کشید؟ ناف زمین را که تواند برید؟
قطرة نیسان که کند درّ ناب؟ پنجة مرجان که نماید خضاب؟
کرد زیک جنبش ابروی کین زلزلة تب لرزة جرم زمین
طرفه برآمیخت ز نیرنگ و رنگ چاشنی صلح به تلخی جنگ
دشت ازل یکسره میدان اوست ملک ابد عرصة جولان اوست
صیقلی آینة سینه‌ها عکس نماینده آئینه‌ها