You who have hearts, tell that playful, heart-stealing one
to ask after the wounded lovers who have no voice.
In the mirror of the beloved's face, the eternal light shines clear;
in this beauty you can glimpse the face of the One you have always known.
We are the bright-hearted of love, and the mirror of our heart
makes the world-revealing cup melt with envy.
There is no hope of brightness for our blackened days,
not since I grew drunk on those dark, kohl-lined eyes.
The bud of my heart bloomed like a branch of roses
the moment I saw that joy-giving face again from afar.
Anyone who has seen Layla's face unveiled
would never blame the love-struck Majnun.
With its lovely melodies, Eshraq sings in tune;
yes, it is love of the garden that draws song from the nightingale.
Explanation: The 'world-revealing cup' (jam-e jahan-nama) is the legendary cup of Jamshid that mirrored the whole world; here the lover's heart outshines it. Eshraq is the poet's pen name.
Original
شمارهٔ ۱
صاحبدلان بگوئید آن شوخ دلربا را
کز حال دل بپرسد عشاق بی نوا را
ز آئینهٔ رخ دوست نور ازل هویداست
زین جلوه میتوان دید دیدار آشنا را
روشندلان عشقیم کائینهٔ دل ما
از رشک میگدازد جام جهان نما را
روز سیاه ما را امید روشنی نیست
تا دیده ام سیهمست آن چشم سرمهسا را
شد غنچهٔ دل من چون شاخ گل شکفته
چون باز دیدم از دور آن روی دلگشا را
آنکس که دیده باشد بی پرده روی لیلی
کی میکند ملامت مجنون مبتلا را
با نغمه های دلکش اشراق نغمه سنج است
آری ز عشق گلشن بلبل کشد نوا را
Without you the moon and sun give no light, since you are the heart-warming candle whose flame leaves me scorched.
I would not trade a single glance from your intoxicating eyes for both worlds; without you I count no breath of my life as truly lived.
Night and day, like spring clouds, the shells of my two eyes scatter bright pearls without you.
What do I want with narcissus and rose? Unlike the nightingale, I will not choose a single bloom from a thousand gardens of hyacinth without you.
Your face and hair, my fairy-faced love, are such that the heart seeks nothing else; without you no rose can console me, no pure musk can soothe me.
Come to the gathering with a face like the shining moon; without you my heart's blood has turned to wine in the cup.
Like a caravan bell, my restless, grieving heart cries out in separation; see what turmoil this heart endures without you.
Explanation: The 'shells of my eyes scattering pearls' is a classic image for weeping. The caravan bell (jaras) traditionally evokes the sorrow of parting on the journey.
Original
شمارهٔ ۲
نشوند پرتو افکن مه و آفتاب بی تو
چو تو شمع دلفروزی که شدم کباب بی تو
نگهی ز چشم مستت ندهم به هر دو عالم
نفسی ز عمر هرگز نکنم حساب بی تو
شب و روز میفشاند چو سحاب در بهاران
صدف دو دیدهٔ من گهر خوشاب بی تو
چه کنم به نرگس و گل که نمیکنم چو بلبل
ز هزار باغ و سنبل گلی انتخاب بی تو
رخ و زلفت ای پری رخ چه بود که دل نجوید
نه ز روی گل تسلی نه زمشک ناب بی تو
به رخی چو ماه تابان بخرام سوی محفل
شده خون دل به ساغر مه من شراب بی تو
چو جرس زهجر نالد دل بیقرار زارم
بنگر که هست این دل به چه اضطراب بی تو
I saw it moving down a road with flirtation and grace:
a sun that lights up the world, a moon that sets the horizons ablaze.
I keep my eyes hopeful on my love, yet I am content
with a single glance, and even that, only now and then.
My darling, you could settle the affairs of the whole world
if you would just cast one look from your half-drunk eyes.
Your eyes, with the arrows of your lashes, have plundered my soul;
you intoxicating beauty, what more do you want from me?
The poetry of Ishraq has spread from India to Khorasan,
just as the beauty of that face reaches from the heights to the depths.
Explanation: The phrase 'from the moon to the fish' is a classical idiom meaning everywhere, from the highest to the lowest point; here rendered as 'from the heights to the depths.' Ishraq is the poet's pen name.
Original
شمارهٔ ۳
دیدم به عشوه و ناز جولان کنان به راهی
عالم فروز مهری آفاق سوز ماهی
چشم امید از یار دارم و لیک هستم
قانع به یک نگاهی آنهم به گاه گاهی
کار تمام عالم خواهی بساخت جانا
از چشم نیم مستت گر افکنی نگاهی
چشمت ز تیر مژگان جانرا نموده غارت
ای ترک مست جانان از ما دگر چه خواهی
بگرفته شعر اشراق از هند تا خراسان
چونان که حسن رویش از ماه تا بماهی
Every shallow pleasure-seeker comes to the monastery door, but where is there anyone who drinks deep, a free spirit like me?
My life has reached my lips; I only wish my beloved would arrive while I still have one breath left in me.
How long must the bird of my heart beat its wings in the cage of my chest? Listen to its cry, the call rising from a prison.
I sweep the tavern doorstep because at every moment a fresh young server comes through it.
When the candle of your face blazes like the fire on Mount Sinai, a hundred men like Moses come hoping for a single spark.
To become famous across the world without lifting a wing is the work of the phoenix; not just any common fly can do it.
The dawn breeze has grown fragrant like the curls of the lovely ones, as if someone is coming from the beloved's side.
Shake the world off your hands and look into this sea: the ship of the heavens will seem to your eyes like a worthless speck of straw.
The caravan has already passed and we never reached the dawn; what good is it now that the sound of a bell still rings?
Explanation: The image of Moses and the fire on Mount Sinai (couplet 5) is a Quranic and mystical symbol of divine light and longing. The phoenix (Anqa) represents rare, effortless greatness.
Original
شمارهٔ ۴
بر در صومعه هر بوالهوسی می آید
کی چو من رند قدح نوش کسی می آید
جان به لب آمده ای کاش که جانان برسد
بر سر من که هنوزم نفسی می آید
مرغ دل در قفس سینه من چند طپد
بشنو نالهٔ او کز قفسی می آید
خاکروب در میخانه از آنم که در آن
هردم از مغبچگان تازه رسی می آید
شمع رخسار تو چون مشعل طور افروزد
صد چو موسی به امید قبسی می آید
بی پر و بال زدن شهره آفاق شدن
کار عنقاست نه از هرمگسی می آید
عنبرافشان شده چون زلف بتان باد صبا
مگر از جانب معشوق کسی می آید
از جهان دست بیفشان و در این بحر ببین
کشتی چرخ به چشم تو خسی می آید
محمل بار گذشت و نرسیدیم اشراق
پس چه حاصل که صدای جرسی می آید
The One who gives lovers their sobbing tears is the same One who gave the rose-cheeked beauties their heart-opening smile on red lips.
Watch the way the beloved's eyes move, watch the chaos of the age, as that kohl-darkened, narcissus eye turns to flirt and seduce.
The wine cup is a mirror that reflects a whole world; look in the hands of the drinkers and you'll see the cup that shows the universe.
From this caravan bell you hear the wailing of the heart; otherwise, where would a mere ringing chime carry such an effect?
In the meadow of words there are many birds that sing, but I have never seen another nightingale so sweet-voiced as you.
Explanation: The 'cup that shows the universe' alludes to the legendary cup of Jamshid, said to reveal all the world. The narcissus is a classic Persian image for the beloved's eye.
Original
شمارهٔ ۵
آنکه دهد به عاشقان گریهٔ های های را
داده بلعل گلرخان خندهٔ دلگشای را
گردش چشم یار بین فتنه روزگار بین
چون که به عشوه آورد نرگس سرمه سای را
آینه ایست جام می چهره نمای عالمی
در کف میکشان نگر جام جهان نمای را
نالهٔ دل از این جرس میشنوی ز کاروان
ورنه کجاست این اثر زمزمه درای را
در چمن سخن بسی مرغ سخن سرا بود
چون تو ندیده ام دگر بلبل خوشنوای را
What lit the gathering of eternity was nothing but the Beloved's face; love's radiance was not yet spilled into every street and marketplace.
The valley of Sinai held no glow from the Beloved's face; Moses, longing to look, was not yet a seeker of that sight.
The singular beauty of eternity wore no veil of illusion; for those who truly see, the task was not yet this hard.
The sun of the Beloved's face had not yet lit the world; its reflection was not yet visible in the heart of every speck of dust.
The parrot of every tongue had no taste for sweet speech; no idol with a mirror-bright face stood face to face.
The turning glance of the lovely ones held no drunken flirtation; lovers had no word yet of that brimming ecstasy.
The temple of the sheikh and the Brahmin, the shrine, the cloister, the synagogue, were not yet snares of fraud and hypocrisy; nor were the prayer beads and the pagan's belt.
The pen of inspiration weighs out the pearls of hidden truths; in this world no one was yet entrusted with its secrets.
Explanation: The poem evokes a primordial time before creation when only the Beloved (the divine) existed. The 'pagan's belt' (zonnar) and prayer beads are paired symbols of false religious distinction.
Original
شمارهٔ ۶
محفل افروز ازل غیر رخ یار نبود
پرتو عشق به هر کوچه و بازار نبود
وادی طور تجلی ز رخ یار نداشت
موسی از شوق نظر طالب دیدار نبود
حسن یکتای ازل پرده پندار نداشت
کار بر اهل نظر اینهمه دشوار نبود
آفتاب رخ معشوق جهانتاب نگشت
عکس او در دل هر ذره نمودار نبود
میل شکرشکنی طوطی هر نطق نداشت
روبرو یک صنم آینه رخسار نبود
گردش چشم بتان غمزه مستانه نداشت
عاشقان را خبر از نشئهٔ سرشار نبود
معبد شیخ و برهمن حرم و دیر و کنشت
دام تزویر و ریا سبحه و زنار نبود
کلک اشراق گهر سنج دُر اسرار است
در جهان هیچ کسش محرم اسرار نبود
The one who tried to keep my heart from love and joy,
I wish he had just looked once at the flower of your face.
Anyone who saw your blooming face in the meadow,
would never glance again at rose or red tulip.
If my beloved lifted the veil from that lovely face,
a single look would leave the whole world dazed and wild with love.
I handed my mad heart to a beauty with an angel's face,
just as Majnun gave his heart over to Layla.
The frenzy of the lovesick rose from the chains of madness
whenever my heart remembered the twist of that curling hair.
For years Eshraq has scattered pearls from his lashes,
his heart a temple of fire, his eyes a sea.
Explanation: Majnun and Layla are the famous tragic lovers of Persian tradition; the poet's pen name appears to be Eshraq. 'Pearls from his lashes' means falling tears.
Original
شمارهٔ ۷
آنکه از عشق و طرب منع دل ما می کرد
گل رخسار تو ای کاش تماشا می کرد
هر که میدید گل روی تو در طرف چمن
کی نظر برگل و برلاله حمرا میکرد
یار اگر پرده گشا از رخ زیبا میشد
خلق را از نگهی واله و شیدا می کرد
دل دیوانه سپردم به پری رخساری
همچو مجنون که دل اندر سر لیلا میکرد
شور سودا زدگان بود ز زنجیر جنون
دل چو یاد سر آن زلف چلیپا میکرد
سالها بود ز مژگان گهرا فشان اشراق
دل چو آتشکده و دیده چو دریا می کرد
A disaster falling from the sky is easy to bear; what's hard is when it comes from the turning glance of beautiful idols.
The ruby of your lips would melt like pure honey, if a single kiss could reach that lip, that mouth, that smile.
The garden of paradise would breathe out perfume, if just one scent of your curls drifted into heaven's meadows.
The arrow of my sigh pierces through all nine heavens, when the moment comes to leave this dusty world behind.
We will spread our wings above the nine arches of the sky, when it is time to fly from this nest at last.
Your bow-shaped eyebrow hunts down a thousand hearts with the arrows of your lashes, wherever love's shaft reaches.
Explanation: The 'nine heavens' refers to the classical Persian cosmology of nine celestial spheres. The beloved's eyebrows and lashes as bow and arrows is a standard image for the wounds of love.
Original
شمارهٔ ۸
سهل است فتنه ای اگر از آسمان رسد
مشکل اگر زگردش چشم بتان رسد
لعل لب تو آب شود همچو شهد ناب
یک بوسه گر بدان لب و درج و دهان رسد
گلزار خلد عطرفشان میشود اگر
بویی ز طره ات به ریاض جنان رسد
از نه سپهر می گذرد تیر آه ما
چون وقت در گذشتن از این خاکدان رسد
بالای نه رواق فلک بال و پر زنیم
چون نوبت پریدن از این آشیان رسد
صید افکند ز ناوک مژگان هزار دل
هرجا که تیر عشق تو ابرو کمان رسد
My head is restless with longing for you,
and the brand of desire for you is burned into my heart.
Perhaps the water of life and the sweet spring
are your ruby lips that scatter sugar.
Reveal yourself on the mountain of my chest,
for since the first day it has been your home.
The lovely gazelle in the eyes of all beauties
wanders entirely across your plain.
In this bright, heart warming garden
the rose is the flower of your beautiful face.
No cypress grows in the gardens of paradise
as graceful and well shaped as your stature.
We are ruined by the cup of love until judgment day;
Lord, what wine is in your goblet?
The glance of your drunken eyes robbed my heart;
my reason is busy with your plunder.
Eshragh, your creator's craftsman, wishes
to gaze upon you forever.
Explanation: In couplet 3, 'the mountain' echoes Moses on Mount Sinai, where God's light appeared; the poet asks the beloved to reveal their radiance in his heart. 'Eshragh' in the final couplet is likely the poet's pen name.
Original
شمارهٔ ۹
به سر شوری ز سودای تو باشد
به دل داغ تمنای تو باشد
مگر آب حیات و چشمه نوش
لب لعل شکرخای تو باشد
تجلی کن بطور سینه ما
که از روز ازل جای تو باشد
غزال خوش نگاه چشم خوبان
سراسر گرد صحرای تو باشد
در این گلشن درخشان و دل افروز
گل رخسار زیبای تو باشد
نروید در ریاض خلد سروی
که موزون همچو بالای تو باشد
خراب از ساغر عشقیم تا حشر
چه می یا رب به مینای تو باشد
نگاه چشم مستت راه دل زد
خرد سر گرم یغمای تو باشد
ز صورت آفرین اشراق خواهد
که دایم در تماشای تو باشد
How sweet were the days when I tied my heart to the beloved's curling hair, like a Brahmin binding the sacred thread, I tied myself to an idol's locks.
My mind became the sun that lit up the whole gathering of the world, the moment I set the image of her face in the mirror of my heart.
From the tip of every lash a sea of blood would rise and surge, when, like tears, I gathered drops at my eyelashes from these blood-weeping eyes.
My heart trembles like a slaughtered bird and cries like a nightingale; I do not know why I ever tied it, rose-cheeked one, to the coil of your hair.
If I had not one day fallen into the cage without wing or feather, I would, like the nightingale, have built my nest among the thorns on the rose branch.
When that garden-adorning bunch of roses was gone, with a hundred regrets I wove thorns from my lashes across the gaps in the rose bed.
My tongue would scatter pearls in describing the beauty of that cheek, if only I could hold back this radiant, jewel-spilling speech.
Explanation: The 'sacred thread' (zonnar) is the cord worn by non-Muslims; the poet uses it as a sign of devoted, almost idolatrous love. 'Slaughtered bird' renders bismil, an animal still twitching after the sacrificial cut.
Original
شمارهٔ ۱۰
خوش آن روزی که دل در طرهٔ دلدار میبستم
برهمنوار از زلف صنم زنار میبستم
ضمیرم آفتاب محفلافروز جهان میشد
چو در آیینهٔ دل نقش روی یار میبستم
ز نوک هر مژه دریای خونی موجزن میشد
به مژگان چون سرشک از دیدهٔ خونبار میبستم
تپد چون بسمل و نالد چو بلبل دل نمیدانم
چرا دل در خم زلف تو گلرخسار میبستم
اگر اندر قفس بی بال و پر روزی نیفتادم
چو بلبل آشیان بر شاخ گل از خار میبستم
چو شد آن دستهٔ گل گلشنآرا من به صد حسرت
ز مژگان خارها بر رخنهٔ گلزار میبستم
گهرافشان که میشد در بیان حسن آن عارض
زبان اشراق اگر از نطق گوهربار میبستم
My love, what difference is there to us between the mosque and the temple? For loving a beautiful face is what leads us to paradise.
Sometimes I am the wine drinking rogue, sometimes the old wine seller. What can I do? All of this is simply my fate.
When the hand of power shaped the clay of humankind with such artistry, I am left wondering what the cupbearer mixed into my own making.
Your face and curls, beauty, are flower and hyacinth enough; we have no need of meadows or open fields.
I am not searching for the scent of paradise, nor chasing the beauty of heaven's maidens; just show me your radiant face and keep your paradise.
Explanation: The 'beautiful face' (idol/beloved) and the play between mosque and temple express the Sufi idea that true love transcends formal religion. 'Houris' are the maidens of paradise in Islamic imagery.
Original
شمارهٔ ۱۱
چه تفاوت است جانا حرم و کنشت ما را
که کشد صنم پرستی به سوی بهشت ما را
گه رند باده نوشم گه پیر میفروشم
چه کنم که باشد اینها همه سرنوشت ما را
چو سرشت دست قدرت گل آدمی به صنعت
همه حیرتم که ساقی ز چه میسرشت ما را
رخ و زلفت ای پری رخ گل و سنبل است دیگر
نه چمن به کار آید نه فضای کشت ما را
نه ره بهشت بویم نه جمال حور جویم
بنمای رخ به اشراق و مده بهشت ما را
Her beautiful face makes the sun and moon jealous;
the light of the stars is just a reflection from the mirror of her face.
Look at the faces of the world's tulip-cheeked beauties and admit it:
the flowering cheeks of these lovely ones adorn the whole garden.
My Canaan-born moon has shown her face in Egypt;
like Zuleikha, everyone everywhere is lost in gazing at her.
I want no narcissus, no rosebud, for from my beloved's eyes and lips
I already have both the rosebud and the dark, languid narcissus.
Seek out the gathering of the wine-drinking free spirits, for there
you'll find the laughter of the wine-cup and the weeping of the flask.
If the rose's cheek and the garden cypress aren't before my eyes,
there is the lovely face of my darling and her tall, graceful form.
Nightingales of the garden, sing no more,
for Eshragh is himself one love-crazed nightingale.
Explanation: The 'moon of Canaan' refers to Joseph, and Zuleikha is the woman entranced by his beauty (Quran/Genesis story), here used for the beloved's irresistible face. 'Eshragh' is the poet's pen name.
Original
شمارهٔ ۱۲
رشک خورشید و قمر چهرهٔ زیبایی هست
نور انجم ز رخ آینه سیمایی است
چهرهٔ لاله عذاران جهان بین و بگوی
گل رخسار بتان را چمن آرائی هست
ماه کنعانی من چهره گشوده است به مصر
چون زلیخا همه جا محو تماشائی هست
نرگس و غنچه نخواهم که زچشم و لب یار
هم مرا غنچه و هم نرگس شهلائی هست
بزم رندان قدح نوش طلب کن که در او
خنده جام می و گریهٔ مینائی هست
نیست گر عارض گل در نظر و سرو چمن
رخ زیبای نگار و قد و بالائی هست
عندلیبان چمن نغمه سرائی مکنید
که چو اشراق یکی بلبل شیدایی است
From beneath a fine veil she shows her face, a delicate beauty in soft linen; a robber of hearts and minds, she carries off both soul and heart as plunder.
Playful and drunk, a cup of wine in hand; her intoxicated, bloodthirsty eyes drink the blood of those who love her.
A graceful cypress in stature, a lovely moon of a face; a world adorning sun, with a dawn glowing behind her ear.
Her hair and curls are musky, locks that scatter the scent of ambergris; her sweetly smiling ruby lips are a wondrous fountain of honey.
Her drunken eyes are highway robbers, her glance brings down its prey; a master hunter, with the snare of her hair slung over her shoulder.
A silver tablet of a breast, a face flushed with color; playful, drunk, a sweetheart who drains the cup.
A face like the radiant sun, the color of the shining moon; like a halo I have opened my arms wide in longing for her.
Since the cupbearer of eternity has given you such a cup of light, from that wine you will stay drunk to the end of time.
Explanation: The 'cupbearer of eternity' refers to the divine source pouring out the wine of beauty and existence; the beloved's drunkenness is on this primordial wine of light.
Original
شمارهٔ ۱۳
رخ نموده از برقع نازنین قصب پوشی
جان و دل به یغما برد رهزن دل و هوشی
شوخ چشم سرمستی جام باده در دستی
چشم مست خونخوارش خون عاشقان نوشی
سرو قد رعنائی ماهروی زیبائی
مهر عالم آرائی صبحدم بناگوشی
زلف و کاکلش مشکین طره عنبرافشانی
لعل نوشخند او طرفه چشمهٔ نوشی
چشم مست او رهزن غمزه اش شکارافکن
اوستاد صیادی دام زلف بر دوشی
لوح سینه سیمینی خدو چهره رنگینی
شوخ چشم سرمستی دلبر قدح نوشی
رخ چو مهر رخشانی رنگ ماه تابانی
هاله سان من از شوقش باز کرده آغوشی
ساقی ازل جامی داده چون تو را اشراق
زان شراب خواهی بود تا ابد تو مدهوشی
The water of your cheek puts gardens to shame for color and freshness; beside your charming ruby lips, how could a rosebud's mouth ever seem so small and sweet?
You are a European born, a lovely portrait with a face of flame; what spark are you, that fire breaks out even in Europe?
Your blood-spilling lashes plunder a whole world when your highway-robber eyes set out to make war on lovers.
I would reach the houris, the palaces, and the garden of paradise itself, if one day I could grasp the hem of that beautiful idol in our struggle.
Words cannot capture the praise of your sweetly smiling ruby lips; yes, the mouths of the rose-cheeked beauties of the world are simply too tiny to hold it.
Instead of wine, he drinks his own heart's blood, the one whose head is filled with longing to see those two half-tinted ruby lips.
Her lashes set Eshraq's heart ablaze with their arrows; in piercing the heart, where could any willow-wood arrow match her lashes?
Explanation: Eshraq is the poet's pen name, used in the final couplet as is conventional. The ruby lips and rosebud mouth are classic Persian images for a beloved's small, red, sweet mouth.
Original
شمارهٔ ۱۴
ز آب عارضت گلزارها از آب و رنگ افتد
چو لعل دلفریبت کی دهان غنچه تنگ افتد
فرنگی زاده ای زیبانگاری شعله رخساری
چه آتش پاره ای هستی که آتش در فرنگ افتد
جهانی را کند یغما صف مژگان خون ریزش
چو با عشاق چشم رهزنت را عزم جنگ افتد
رسانم دست بر حور و قصور و روضه رضوان
اگر دامان آن زیبا صنم روزی بجنگ افتد
نمی گنجد سخن در وصف لعل نوشخند آری
دهان گلعذاران جهان از بس که تنگ افتد
به جای باده خون دل خورد آنکس که از عشقش
به سر شوق لقای آن دو لعل نیمرنگ افتد
کند در خون دل اشراق را از ناوک مژگان
به دل دوزی مژگانش کجا تیر خدنگ افتد
Because of one beautiful, tender face,
my friends, I have neither heart nor faith left.
If a painter tried to draw my beloved,
the famous galleries of China would burn with envy.
It seems the whole world is scattering perfume:
a breeze is blowing in from some sweet land.
I have no need for wine; I am already drunk
from the hand of a rose-cheeked, moon-browed beauty.
Better than the gardens of paradise and its dark-eyed maidens
is a clear, lovely garden and a tender beloved.
I packed up and left your street, yet still
I cast one last, longing look behind me.
You are that beautiful, shining moon
whose harvest the sun itself comes to glean.
If the hem of her robe ever falls into my hand, Ashraq,
I will shake out my sleeve over both worlds in joy.
Explanation: The Chinese galleries (نگارستان چینی) were proverbial for the finest painting. 'Ashraq' is the poet's pen name, used in the closing couplet as is customary.
Original
شمارهٔ ۱۵
ز دست ماهروی نازنینی
مسلمانان نه دل دارم نه دینی
کشد نقاش اگر نقش نگارم
شود رشک نگارستان چینی
جهانی عنبرافشان است گویا
نسیمی می وزد از سرزمینی
مرا حاجت به صهبا نیست مستم
ز دست گلعذار مه جبینی
به از جنات خلد وحور عین است
صفای باغ و یار نازنینی
ز کویت رخت بستم لیک دارم
به صد حسرت نگاه واپسینی
تویی آن ماه زیبای درخشان
که مهر از خرمنت شد خوشه چینی
بدستم ار فتد دامانش اشرق
فشانم بر دو عالم آستینی