On the Virtue of Silence and the Harm of Too Many Words

Iraqi style
English

On the Virtue of Silence and the Harm of Too Many Words

So spoke an old man of admirable wit, for the words of elders are pleasant to the ear. In India I once slipped into a corner, and what did I see? A long black shape, like the longest winter night. You would have said the demon of the Queen of Sheba himself, in ugliness the very image of Satan. In his arms a girl as lovely as the moon, sinking her teeth into his lips. He held her so tightly against him that you would think night was folding over day. My urge to correct wrong seized me by the collar; my meddling flared up like fire and took hold of me. I hunted for sticks and stones, front and back, shouting: You godless creature with no name or shame! With insults, curses, uproar, and threats I sorted white from black, like the dawn. That foul cloud lifted from the garden, and the egg appeared from beneath the crow. At my curse the monstrous demon leapt away, but the fairy-faced girl clung to me with her hands. She cried: You fraud in a prayer rug and patched cloak, you dark-dealing worldling, seller of religion! For years my heart had been lost over this man, my soul distracted and mad for him. Now, just as my raw morsel had finally cooked, you drove it, still warm, out of my mouth. She raised a complaint and screamed for help: Compassion is gone and mercy is no more! Is there no young man left to lend a hand and win my rights against this old man? This one who feels no shame despite his age, laying hands on a woman who is no relation of his! She kept shouting, clutching at my hem, while I stood with my head sunk in my collar from shame. My reason whispered in the ear of my mind: Strip off your clothes and slip away like a peeled garlic clove. She is no opponent you can outbid in a wager; she would drag you around the world by the nose. So I ran off naked, away from the woman, figuring it was better she keep the clothes than keep me. After a while she crossed my path and asked, Do you know me? I said to her: Mercy, spare me! For I have repented at your hands, I will never meddle in others' business again. No such trouble ever befalls a man who is wise enough to mind his own affairs. From that disgrace I took away this lesson: from then on I treated what I saw as unseen. Hold your tongue if you have reason and sense; speak like Saadi, or else stay silent.
Explanation: Yalda is the longest, darkest night of the year, used here as an image of extreme blackness. 'The egg from beneath the crow' plays on white emerging from black, echoing dawn breaking after night.

Original · Persian

بخش ۹ - حکایت در فضیلت خاموشی و آفت بسیار سخنی

چنین گفت پیری پسندیده هوش خوش آید سخنهای پیران به گوش
که در هند رفتم به کنجی فراز چه دیدم؟ چو یلدا سیاهی دراز
تو گفتی که عفریت بلقیس بود به زشتی نمودار ابلیس بود
در آغوش وی دختری چون قمر فرو برده دندان به لبهاش در
چنان تنگش آورده اندر کنار که پنداری اللیل یغشی النهار
مرا امر معروف دامن گرفت فضول آتشی گشت و در من گرفت
طلب کردم از پیش و پس چوب و سنگ که ای نا خدا ترس بی نام و ننگ
به تشنیع و دشنام و آشوب و زجر سپید از سیه فرق کردم چو فجر
شد آن ابر ناخوش ز بالای باغ پدید آمد آن بیضه از زیر زاغ
ز لا حولم آن دیو هیکل بجست پری پیکر اندر من آویخت دست
که ای زرق سجادهٔ دلق پوش سیه‌کار دنیاخر دین‌فروش
مرا عمرها دل ز کف رفته بود بر این شخص و جان بر وی آشفته بود
کنون پخته شد لقمه خام من که گرمش به در کردی از کام من
تظلم برآورد و فریاد خواند که شفقت بر افتاد و رحمت نماند
نماند از جوانان کسی دستگیر که بستاندم داد از این مرد پیر؟
که شرمش نیاید ز پیری همی زدن دست در ستر نامحرمی
همی کرد فریاد و دامن به چنگ مرا مانده سر در گریبان ز ننگ
فرو گفت عقلم به گوش ضمیر که از جامه بیرون روم همچو سیر
نه خصمی که با او برآیی به داو بگرداندت گرد گیتی به گاو
برهنه دوان رفتم از پیش زن که در دست او جامه بهتر که من
پس از مدتی کرد بر من گذار که می‌دانیم؟ گفتمش زینهار!
که من توبه کردم به دست تو بر که گرد فضولی نگردم دگر
کسی را نیاید چنین کار پیش که عاقل نشیند پس کار خویش
از آن شنعت این پند برداشتم دگر دیده نادیده انگاشتم
زبان در کش ار عقل داری و هوش چو سعدی سخن گوی ور نه خموش