The Hunt with the Harpist

Khorasani style
English

The Hunt with the Harpist

He cared for nothing but the polo field and the hunt: sometimes the strike of the mallet, sometimes the chase. So it happened that one day, without any company, he went to the hunting ground with a harp player. The name of that free-spirited Roman girl was Azadeh, whose cheeks had lent their color to wine. He mounted his galloping steed, that free and slender cypress with a harp in her hand at his side. She was his comfort and his heart's desire; he always carried her name on his lips. On hunting days she would ask for the camel-horse whose back she draped in fine brocade. Four stirrups hung down from it, and he rode it hard up the heights and down the slopes. Two of its stirrups were gold, two silver, and every one of them was studded with jewels. Beneath his quiver he kept clay pellets for the bow; the brave man was skilled in every art. A pair of gazelles came into his path, and the young man said, laughing, to Azadeh: My moon, once I string the bow and knot the thumb-guard tight, which gazelle would you have me bring down with an arrow? The doe is young, and her mate is old. Azadeh said to him: Brave lion of a man, men do not seek battle with a gazelle. Turn that doe into a buck with your arrow, and make the old buck a doe with your shot. Then spur the steed on hard, and when the gazelle takes flight from you, cast a clay pellet so it lifts a hoof, careless, up to its ear on its shoulder. The moment the pellet makes its ear itch, it will raise its foot to its shoulder without pain. Pin its head, its foot, and its ear together with a single shaft, if you want me to call you the light of the world. Bahram Gur strung his bow and stirred up a storm across the quiet plain. In his quiver he had one arrow tipped with two heads, kept for the hunt out on the plain. The instant the gazelle turned to flee, the warrior aimed at the sharp horns of that buck. With that twin-headed arrow he cut the horns clean off its head, and the girl was left astonished at him. In one moment the buck became a doe; its head went smooth and dark where the horns had been. Then that huntsman drove two arrows into the doe's brow in the very same way, two shafts standing like horns from her head, her chest turned ruby-red with blood. He galloped the steed toward the other pair and fitted pellet after pellet to the bend of his bow. He struck one gazelle in the ear, and it landed well, right where it should. At once the gazelle scratched at its ear, and the sorcerer's bow brought it into range of the arrow. He pinned its head, ear, and foot with the shaft, and Azadeh's heart burned with pity for the gazelle. Bahram raised his hand, and knocked her from the saddle, flinging her headlong to the ground. He drove the camel-horse over that moon-faced girl, and its hooves and claws splashed her in blood. He said: You witless harp player, why did you have to test me for a slip? If my aim had been clumsy, my noble name would have been shamed by these shots. Once he had trampled her beneath the steed's feet, he never again took a girl along to the hunt.
Explanation: The 'clay pellets for the bow' refer to a Persian pellet-bow used to fling clay balls at game. Bahram's feat of shooting off a buck's horns and giving the doe 'horns' of arrows is the famous Azadeh episode in the Shahnameh.

Original · Persian

بخش ۴

جز از گوی و میدان نبودیش کار گهی زخم چوگان و گاهی شکار
چنان بد که یک روز بی‌انجمن به نخچیرگه رفت با چنگ زن
کجا نام آن رومی آزاده بود که رنگ رخانش به می داده بود
به پشت هیون چمان برنشست ابا سرو آزاده چنگی به دست
دلارام او بود و هم کام اوی همیشه به لب داشتی نام اوی
به روز شکارش هیون خواستی که پشتش به دیبا بیاراستی
فروهشته زو چار بودی رکیب همی تاختی در فراز و نشیب
رکابش دو زرین دو سیمین بدی همان هر یکی گوهر آگین بدی
همان زیر ترکش کمان مهره داشت دلاور ز هر دانشی بهره داشت
به پیش اندر آمدش آهو دو جفت جوانمرد خندان به آزاده گفت
که ای ماه من چون کمان را به زه برآرم به شست اندر آرم گره
کدام آهو افگنده خواهی به تیر که ماده جوانست و همتاش پیر
بدو گفت آزاده کای شیرمرد به آهو نجویند مردان نبرد
تو آن ماده را نر گردان به تیر شود ماده از تیر تو نر پیر
ازان پس هیون را برانگیز تیز چو آهو ز چنگ تو گیرد گریز
کمان مهره انداز تا گوش خویش نهد هم‌چنان خوار بر دوش خویش
هم‌انگه ز مهره بخاردش گوش بی‌آزار پایش برآرد به دوش
به پیکان سر و پای و گوشش بدوز چو خواهی که خوانمت گیتی فروز
کمان را به زه کرد بهرام گور برانگیخت از دشت آرام شور
دو پیکان به ترکش یکی تیر داشت به دشت اندر از بهر نخچیر داشت
هم‌انگه چو آهو شد اندر گریز سپهبد سروهای آن نره تیز
به تیر دو پیکان ز سر برگرفت کنیزک بدو ماند اندر شگفت
هم‌اندر زمان نر چون ماده گشت سرش زان سروی سیه ساده گشت
همان در سروگاه ماده دو تیر بزد همچنان مرد نخچیرگیر
دو پیکان به جای سرو در سرش به خون اندرون لعل گشته برش
هیون را سوی جفت دیگر بتاخت به خم کمان مهره در مهره ساخت
به گوش یکی آهو اندر فکند پسند آمد و بود جای پسند
بخارید گوش آهو اندر زمان به تیر اندر آورد جادو کمان
سر و گوش و پایش به پیکان بدوخت بدان آهو آزاده را دل بسوخت
بزد دست بهرام و او را ز زین نگونسار برزد به روی زمین
هیون از بر ماه‌چهره براند برو دست و چنگش به خون درفشاند
چنین گفت کای بی‌خرد چنگ‌زن چه بایست جستن به من برشکن
اگر کند بودی گشاد برم ازین زخم ننگی شدی گوهرم
چو او زیر پای هیون در سپرد به نخچیر زان پس کنیزک نبرد